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Heart of darkness a journey
Heart of darkness a journey
Heart of darkness a journey
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The Heart of Darkness is seen as a classic that many say shouldn’t be taught and many of those who think it should thinks the reader need to be very critical of it. The debate of it being taught stems from the debate of whether Conrad and his narrative are racist. Many have addressed the idea of racism, and furthermore how he depicts Africans. In my opinion, it is clearly a racist story, whether intentionally or unintentionally, it has racist tones especially when read by a modern day reader. On the other hand his view of Africans is also interesting to analysis, as it is questioned, just with the racism, if his views of them are just mirroring the popular opinion of the time. Undoubtedly though any analysis I have with be quite different from those who have done analysis of it in I agree with that fact that his use of offensive terms for the African, definitely shows, at least a more modern day reader, that the narrative is racist. I also agree with his view that the presence of what should be the main subject of the novella is very absent in many parts of the novella, the Africans. As Achebe states on page 346 of the Norton critical edition, “But more importantly by far is the abundant testimony about Conrad’s savages which we could gather if we were so inclined from other sources and which might lead us to think that these people must have had other occupations besides merging into the evil forest or materializing out of it simply to plague Marlow and his dispirited band”. Even with all this said I would not completely condemn this book as Achebe does because I don’t believe Conrad really intended it to be racist. It might be a very racist novella as Achebe states but, much of that racism can be contributed to the time period, and the novella it gives an interesting view in other aspects such as its depiction of
Conrad’s main character Marlow is the narrator for most of the story in Heart of Darkness. He is presented as a well-intentioned person, and along his travels he is shocked by the cruelties that he sees inflicted on the native people. Though he is seemingly benevolent and kindly, Marlow shows the racism and ignorance of Conrad and in fact of the majority of white people in his era, in a more subtle way. Marlow uses words to describe the blacks that, though generally accepted in his time, were slanderous and crude. He recalls that some of the first natives he saw in the Congo looked at him “with that complete, deathlike indifference of unhappy savages” (80; part 1). Marlow casually refers to the Africans with the most offensive of language: “Strings of dusty niggers arrived and departed…” (83; part 1). To Marlow, and thus to Conrad, the Africans are savages, dogs, devils, and criminals. Even the stories that Conrad creates for Marlow to narrate are twisted and false. The natives that Marlow deals with in the book are described as cannibals, and they are even given dialogue that affirms th...
While many characters are critiqued or criticized by Conrad for their exploitation of Africa and it's inhabitants, they remain the dominant and superior race, both according to Conrad, and his primary narrator Charlie Marlow. The African characters are not only constructed as "other", but also as inferior and to an extent subhuman. This is evident through their lack of language or voice throughout the text. Africans are denied language, and are instead granted "grunting" noises and a "violent babble of mouth sounds" relegating them to an inferior status.
In fact Conrad referees to the Africans as uncivilized people in some points in the novel, but he also proves that they are primitive people. For example, when one of the natives says to Marlow pointing to a man "catch 'im , Give 'im to us" so that he could "eat 'im" and he get surprised when he knows that Europeans kill thousands of people without eating them and asked Marlow "then why do they kill 'im". Marlow distances himself from the Europeans who are pretending to be civilized and kill thousands of innocents for the sake of killing while the natives kill people for their basic
Achebe, Chinua. "An Image of Africa: Racism in Conrad's Heart of Darkness." The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch. New York: Norton, 2001. 1783-1794.
One example that could be considered racist is in Chapter one. In this paragraph, Joseph Conrad is talking about how the Europeans are colonizing Africa and what they are doing to the natives in the process. He says that the Europeans are at fault for many things, including extremely violent robbery and the murders of numerous people. He is speaking about the reality of colonization and how in the end, countries will only care about making money off of it. He said they accomplish this by using “brute force,” which obviously means violence and killing. The European countries wanted to take away Africa from those who had “a different complexion or slightly flatter noses.” Up until this point, it does not seem as if Conrad is using any racist ideas. However, he then goes on to say that all of this is acceptable because it will be worth it in the end. In other words, he was trying to say that the end will justify the means, no matter how many innocent people must be hurt in the process (page 8).
The entire dispute surrounding Heart of Darkness is reminiscent of the debate about Twain's The Adventures of Huckleberry Finn. As in that debate, I tend to come down closer to Denby's opinion on Heart of Darkness than that of Achebe. Although I agree that Conrad was a racist, I also think that because of the time at which the book was written and the main focus of the book, this shading is, if not commendable, at least excusable.
Joseph Conrad's Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it, displayed by the domination, torture, exploitation and dehumanization of the African people. Conrad often emphasizes the idea of what is civilized versus what is primitive or savage. While reading the novel, the reader can picture how savage the Europeans seem. They are cruel and devious towards the very people they are supposed to be helping.
"I don't want to bother you much with what happened to me personally,' [Conrad] began, showing in this remark the weakness of many tellers of tales who seem so often unaware of what their audience would most like to hear" (Conrad, 9). Heart of Darkness, Joseph Conrad's best-known work, has been examined on many bases more than I can possibly list here, but including imperialism, colonialism, and racism. I would reason that all bases of analysis are perfectly acceptable through which to critique Conrad's novella, or any piece of writing. I would reason this, were some of these bases mainly, racism not taken to an extreme level. In arguing racism, many critics seem to take Heart of Darkness as Conrad's unwavering view on Africa, Africans, life, or whatever else one may please to take it as. I, therefore, propose that Heart of Darkness be taken for what it truly is: a work of fiction set in late 19th century Europe and Africa.
When I read and finished the novel, my initial thoughts were, “Wow, this guy is really racist.” That negative disposition towards Conrad slowly developed as I read more and more vivid descriptions of Africans. Every single detail regarding Africans in the novel held animalistic qualities. They were never regarded as people, and often there were parts in the novel where the author would describe them as “poor devil”s or would regard their “savage” actions such as “stamping feet on the bank” etc. There was never any positive.
Racism in Joseph Conrad’s Literary Work. In the article "An Image of Africa: Racism in Conrad's Heart of Darkness," Chinua Achebe criticizes Joseph Conrad for his racist stereotypes towards the people of Africa. He claims that Conrad broadcasted the "dominant image of Africa in the Western imagination" rather than portraying the continent in its true form (Achebe 13). Africans were portrayed in Conrad's novel as inhuman savages with no language other than sound and with no "other occupations besides merging into the evil forest or materializing out of it simply to plague Marlow" (Achebe 7).
The novella stands as a document against the imperialist practices -- Conrad was quite liberal for the time. The natives are referred to as "savages" several times throughout the story, but Conrad is not using any particularly strong words for the time. The European audiences who would be reading would not find anything racist about it. By today's more sensitive standards, such deference is more serious, but turn-of-the-century England was sure to expect far harsher.
Achebe argues that the racist observed in the Heart of Darkness is expressed due to the western psychology or as Achebe states “desire,” this being to show Africa as an antithesis to Europe. He first states Conrad as “one of the great stylists of modern fiction.” [pg.1] He praises Conrad’s talents in writing but believes Conrad’s obvious racism has not been addressed. He later describes in more detail that Conrad’s “methods amount to no more than a steady, ponderous, fake-ritualistic repetition of two antithetical sentences.”
Achebe, Chinua. "An Image of Africa: Racism in Conrad's Heart of Darkness." Heart of Darkness: An Authoritative Text, Backgrounds and Sources, Essays in Criticism. 3rd ed. Ed. Robert Kimbrough. New York: W.W. Norton, 1988. 251-262.
Heart of Darkness is a story in which racism presents itself so deliberately that, for many, the dilemma of race must be tackled before anything else in the book may be dealt with. Conrad used derogatory, outdated and offensive terminology to devaluate people’s color as savages. This use of language disturbs many readers who read this book. Although Conrad uses racist language in this book, it doesn’t mean that he is really racist. When we look at the language, we are just looking at the very surface of the story.
Despite the opinion of certain critics, Conrad did not create Marlow to be a prejudice character. One of his first Marlow?s first Reactions to the villagers is the exact opposite, ?They were not enemies they were not criminals??(Conrad, 189) While his initial response may not seem altogether accepting, it is far beyond the understanding of his peers. As the story continues Marlow is slightly sarcastic in his understanding of the villagers, ?Fine fellows-Cannibals-in their place. They were men one could work with, and I am grateful to them. And, after all, they did not eat each other before my face? (189)? Marlow shows his ability to be sarcastic in the face of popular criticism, even making the mold step to refer to these African?s as ?Fine Fellows?(189), ?They howled and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of they humanity-like yours-the thought of your remote kinship with this wild??(189) Although the natives...