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Joseph conrad was racist essay
Heart of darkness as a critique of imperialism and colonialism
Heart of darkness as a critique of imperialism and colonialism
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Title One example that could be considered racist is in Chapter one. In this paragraph, Joseph Conrad is talking about how the Europeans are colonizing Africa and what they are doing to the natives in the process. He says that the Europeans are at fault for many things, including extremely violent robbery and the murders of numerous people. He is speaking about the reality of colonization and how in the end, countries will only care about making money off of it. He said they accomplish this by using “brute force,” which obviously means violence and killing. The European countries wanted to take away Africa from those who had “a different complexion or slightly flatter noses.” Up until this point, it does not seem as if Conrad is using any racist ideas. However, he then goes on to say that all of this is acceptable because it will be worth it in the end. In other words, he was trying to say that the end will justify the means, no matter how many innocent people must be hurt in the process (page 8). Furthermore, in this same passage, Joseph Conrad describes this whole ordeal as actually being a rather unselfish idea. He says that the men doing all of this in Africa are actually making some sort of sacrifice. Also, in the passage it says that this is something others will “bow down before” and worship. What the Europeans were doing in Africa should in no way be worshipped or seen as a sacrifice. They did not sacrifice themselves; if anyone were sacrificed in this situation, it would be each and every one of the innocent Africans. This idea that Conrad presents could definitely be seen as racist, because what those men did was not right by any means, and they should definitely not be worshipped for it (page 8). Ther... ... middle of paper ... ...l in sense by calling it “satanic litany.” Again, just because they were speaking a different language does not give Conrad to describe it as being evil and not human. It seems as though he thinks the Europeans were superior to the Africans just because the language they spoke was different and unfamiliar to them (pg 78). In Joseph Conrad’s Heart of Darkness, almost all of the racism is directed towards the Africans. However, there is one example in which there was racism towards another person. Marlow overhears a conversation one night and discovered that the manager thought the Russian trader, who was a friend of Kurtz’s, should be hanged. The manager wants to kill this man only because he is not exactly the same as him, which is similar to the fact that the Europeans thought they were better than the Africans because they were different (pg 72).
Chinua Achebe, a well known writer, once gave a lecture at the University of Massachusetts about Joseph Conrad's Heart of Darkness, entitled "An image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad used Africa as a background only, and how he "set Africa up as a foil to Europe," (Achebe, p.251) while he also "projects the image of Africa as the other world,' the antithesis of Europe and therefore of civilizations" (Achebe, p.252). By his own interpretations of the text, Achebe shows that Conrad eliminates "The African as a human factor," thereby "reducing Africa to the role of props" (Achebe, p.257).
Conrad’s main character Marlow is the narrator for most of the story in Heart of Darkness. He is presented as a well-intentioned person, and along his travels he is shocked by the cruelties that he sees inflicted on the native people. Though he is seemingly benevolent and kindly, Marlow shows the racism and ignorance of Conrad and in fact of the majority of white people in his era, in a more subtle way. Marlow uses words to describe the blacks that, though generally accepted in his time, were slanderous and crude. He recalls that some of the first natives he saw in the Congo looked at him “with that complete, deathlike indifference of unhappy savages” (80; part 1). Marlow casually refers to the Africans with the most offensive of language: “Strings of dusty niggers arrived and departed…” (83; part 1). To Marlow, and thus to Conrad, the Africans are savages, dogs, devils, and criminals. Even the stories that Conrad creates for Marlow to narrate are twisted and false. The natives that Marlow deals with in the book are described as cannibals, and they are even given dialogue that affirms th...
While many characters are critiqued or criticized by Conrad for their exploitation of Africa and it's inhabitants, they remain the dominant and superior race, both according to Conrad, and his primary narrator Charlie Marlow. The African characters are not only constructed as "other", but also as inferior and to an extent subhuman. This is evident through their lack of language or voice throughout the text. Africans are denied language, and are instead granted "grunting" noises and a "violent babble of mouth sounds" relegating them to an inferior status.
Racism is a relative term. While many people argue that Conrad's novel, Heart of Darkness, contains the theme of racism, they tend to ignore the fact that this novel was written around the turn of the century. During this time period it was accepted practice to think of a black man as savage because that was how the popular culture viewed the African American race. If someone called a black man "savage" today, that someone would be considered a racist. Of course, this turn of the century view of blacks is inexcusable but it was the accepted norm of the time. The problem is that modern critics tend to apply modern thinking to all novels, including those written in a specific time period with beliefs different from today. These critics do not incorporate the context of the novel and simply rage forward with a directed, ignorant viewpoint, arguing from a more civilized stance. The definition of a racist has changed a great deal since the early 1900s, and we must consider this when analyzing any piece of literature. The problem arises when modern thinkers assume that we must continue to build on our ever-expanding knowledge instead of looking into the past and trying to relate to the accepted views of the time.
Joseph Conrad uses his novella Heart of Darkness to critique the consequences of European imperialism in Africa. Conrad himself was a sailor for over twenty years and saw the sights of the Congo firsthand in his experiences. He observed the exploitation and mistreatment of the natives by the Europeans and was appalled. He uses his writings to criticize this practice and expose the harsh realities caused by European nations such as Belgium colonizing in Africa during the 19th century. Conrad also comments on race and gender in his writing. With the words and phrases that he uses, the reader begins to understand the European countries and the African countries as two separate worlds. Africa becomes synonymous as a place of bestiality and savagery
Using these ironic terms shows that Conrad wanted to exploit the Native people of Africa and the European people working in Africa through a postcolonial analysis. Whether or not this story has some truth to it as to when Conrad did travel to the Congo is not known. But there is not escaping the premeditated attempts by Conrad to illustrate these two separate cultures as ones whose qualities intersected and overlapped.
I feel one must realize that the occurrences of this story were really happening. I do not feel that by the virtue of performing a task that one is hired to do makes one a racist. Many times social problems are so overwhelming that one individual does not know where to begin in correcting the problem. Marlow was described as unemployed with a childhood dream to go to the uncharted Africa. I feel Marlow went to the Congo with no real knowledge of what was truly happening in the Congo. In addition to this thought, people really do not have the capabilities to know the severity of a problem until one experiences it first hand. I believe that injustices towards another human race are intolerable. However, social change takes time from many people experiencing the issue. In my opinion, there were several incidents within the story that indicated to me that Conrad's character, Marlow, was not a racist.
The first perspective presented addresses the European view of Colonialism and native Africans. We first encounter Europe’s general view of Africans early in Conrad’s novel. Before beginning a trek to Africa, Marlow visits his aunt who tells her nephew that she hopes he will help aid in “weaning those ignorant millions of their horrid ways” (Conrad 786). Even though Marlow’s aunt has never even been to Africa to see the Native Africans first hand, she has a preconceived notion that Africans are ignorant savages. This notion is dominant among Europeans and is seemingly based solely on myths and stories told by others who have never even been to ...
This can be shown through the way that Marlow describes some of the Africans he comes across on his journey though the Belgian Congo. The following line shows how Marlow described one of the Africans, “Their headman, a young, broad-chested, severely draped in dark-blue fringed cloths, with a fierce nostril and his hair all done up artfully in oily ringlets, stood near me” (Conrad 330). Some feel this shows how Conrad is racist because he writes such an in-depth description of how the African looks different than someone he is used to seeing. It can be thought that Conrad thinks the way he looks is weird, but in truth he writes this description because he does not yet fully understand the African culture, not many people of his time did understand it yet. Conrad and Marlow understand the concept of them both being man and having the same physical and mental abilities, but they are just still trying to figure out how they live, dress, act and many other things. All Conrad wanted to do was help the lives of the
In the article "An Image of Africa: Racism in Conrad's Heart of Darkness," Chinua Achebe criticizes Joseph Conrad for his racist stereotypes towards the people of Africa. He claims that Conrad broadcasted the "dominant image of Africa in the Western imagination" rather than portraying the continent in its true form (Achebe 13). Africans were portrayed in Conrad's novel as inhuman savages with no language other than sound and with no "other occupations besides merging into the evil forest or materializing out of it simply to plague Marlow" (Achebe 7). To Joseph Conrad, the Africans were not just characters in his story, but rather props. After reading Achebe’s famous essay and Conrad’s novella I’ve come to side with Achebe. Conrad “was a thoroughgoing racist”; Heart of Darkness platforms this clearly. Throughout the novella Conrad describes and represents the Africans and Africa itself in a patronizing and racist way.
Kuchta, Todd. “Envisioning Africa: Racism and Imperialism in Conrad's Heart of Darkness.” Victorian Studies 44 (1 October, 2001): 159.
An Image of Africa Heart of Darkness by Joseph Conrad has been depicted as “among the half-dozen greatest short novels in the English language.” Chinua Achebe believes otherwise. In Chinua Achebe’s An Image of Africa: Racism is Conrad’s Heart of Darkness he simply states that, “Joseph Conrad was a thoroughgoing racist” [pg.5]. Achebe argues that the racist observed in the Heart of Darkness is expressed due to the western psychology or as Achebe states “desire,” this being to show Africa as an antithesis to Europe.
Achebe, Chinua. "An Image of Africa: Racism in Conrad's Heart of Darkness." Heart of Darkness: An Authoritative Text, Backgrounds and Sources, Essays in Criticism. 3rd ed. Ed. Robert Kimbrough. New York: W.W. Norton, 1988. 251-262.
Modernism began as a movement in that late 19th, early 20th centuries. Artists started to feel restricted by the styles and conventions of the Renaissance period. Thusly came the dawn of Modernism in many different forms, ranging from Impressionism to Cubism.
Heart of Darkness is a story in which racism presents itself so deliberately that, for many, the dilemma of race must be tackled before anything else in the book may be dealt with. Conrad used derogatory, outdated and offensive terminology to devaluate people’s color as savages. This use of language disturbs many readers who read this book. Although Conrad uses racist language in this book, it doesn’t mean that he is really racist. When we look at the language, we are just looking at the very surface of the story.