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Sociological understanding of domestic violence
Philosophy of dubois
Sociological understanding of domestic violence
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Recommended: Sociological understanding of domestic violence
Jean dubois
Kuwabara
English 1A
April 29, 2014
Essay #5 first draft
Fuku or Carless Planning
Abelard Luis Cabral is the patriarch of the Cabral family, grandfather of Oscar de León. He is a strong male figure that is respected by his peers and the community of Santo Domingo. An affluent surgeon with a thriving practice in Santo Domingo. He is a product of privilege sailing thorough life with little worries of any kind. He marries a beautiful woman, has two talented children and several mistresses. Abelard is the male archetype that all Dominican males aspire to become. He is well educated and fluent in many languages. One heartfelt, but poorly planned decision creates an all too common crisis for Abelard. This crisis would strip Abelard of his wealth, masculinity, freedom and eventually his life. This poorly planned decision was rooted in the maturation of Abelard’s eldest daughter which would lead to her objectification and possible victimization. Abelard and his family experience serves to encapsulate the brutality of Trujillo’s thirty year reign of terror. Furthermore, Abelard is believed to have been the victim of a Fuku placed on him by Trujillo, after refusing to attend an Independence Day party with his mature daughter. Abelard waits for the inevitable newspaper article condemning him or a letter demanding he meet with Trujillo. Was it really a Fuku or a series of poor decision making while under enormous stress. This Fuku or poor decision making was passed on down the family line, culminating in a Santo Domingo sugarcane field. Abelard is a model of what Oscar would have become if not for the series of unfortunate incidents that plagued the Cabral family.
Abelard was an intelligent, affluent and a gifted su...
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.... Trujillo had opposing party members killed and blamed the deaths on the hurricane. These bodies were transported in the trucks of cars. This is what Abelard was referring to in his joke. Was this Trujillo’s Fuku whispering in his ear or just impaired judgment from heavily drinking the past year?
The secret police pick him up and treated him rather nicely. Once they arrive at Fortaleza San Luis thing change dramatically. Yunior insinuates that he will be tortured for the next nine years. They take all his belongings and punch him in the face for asking questions. He is then thrown into a cell as the policeman tells the other prisoner Abelard is a homosexual and communist. The other prisoners take all his cloths and leave him naked and restricted to a small area near the feces covered toilet. This is a further insult to him as a man in Dominican culture.
Leonora de Oliveira was the mistress of Domingo Alvarez once He arrived in Rio. She convinced her husband to buy Alvares from his former owner so she would be healed from this ‘gre at healer’. For some time he was able to heal part of her ‘maleficios’ and was treated fairly. But as soon his healing techniques were not working, his freedom was limited. As his owner, Leonor treated him like a’ feiticeira’ because of the cures were not working. Because of this, his ability to move around was dictated by the commands of his mistress and her husband. It also caused Alvarez to seek revenge on his mistress and cause Alvarez to feel different, like an outsider. He eventually was sold to Jose Cardoso de Almeida, who gave Álvares his freedom . With this freedom, he set up a public house near Ignacio Correa Barbosa in Rua da Alfândega. His presence in Rua da Alfândega caused Alvarez to be ‘a great scandal ’ due to the street association with the catholic community. Ignacio Correa Barbosa , a resident in the neighborhood, saw it as his mission to ‘denounce ‘Alvares to the secular justice officials and the Inquisition. By denouncing Alvares, this caused society to label him as different kind of healer from the Catholic norms of healing. By clinging to his practice of healing, this
Growing up poor in the Dominican Republic strongly influenced the choices Yunior makes later in his life. In “Aguantando” Yunior recalls about how poverty was a part of his life. Díaz writes, “We were poor. The only way we could have been poorer was to have lived in the campo or to have been Haitian immigrants…We didn’t eat rocks but we didn’t eat meat or beans either” (Díaz, 70). This depiction of Yunior’s early childhood sets the stage for what is to come. Yunior’s choices as an adolescent proves that he either chooses not to or cannot better his situation instead he turns to drugs and alcohol. Yunior’s decision to partake in drugs and alcohol shows that people in poverty have nothing to live for and just live for the next best thing.
Peter Abelard wrote an autobiography called “The Story of My Misfortunes" was written in the 1130’s. It illustrated the story of his romance with Heloise and the uncles disprove about their relationship. In this piece of literature Peter Abelard demonstrated the context on the medieval world and his development as Christian philosopher. He’s known as a philosopher and a poet during the middle ages. Abelard was born Le Pallet, France in the year 1079, and had three brothers and one sister which made him the oldest in the family. His parents were Lucia Abelard and Berengar Abelard, his father who was part in the army but before that he studied letters. Due to the father’s passion of studying letters, it was an importance that his children take
In Junot Diaz’s The Brief Wondrous Life of Oscar Wao, he is telling the story of a Dominican family but mainly about the son, Oscar de Leon. The book opens with the story of Oscar as a child and him having two girlfriends at the same time. The older people in town see him as a ladies man and encourage him. The boy and the two girls all break up and his life seemed to be on a steady decline since then. He grows up to become a nerdy, fat, and awkward adolescence with few friends and even less interest from girls. This phase persists throughout his life and he never develops out of the nerdy boy he was as a child. The Dominican Republic was a hostile and poor place during the time of the novel. The dictator Trujillo controls the lives of the people in the country. This influenced the de Leon family’s present and future. Diaz develops the story by using the superstition, the cane field, and male dominance of the Dominican men
In the Cabral and de Leon families, violent love is the only love they know. Abelard who was an extremely intelligent man wasn’t smart enough to avoid the tragedy which is love and violence. Beginning with Abelard and ending with Oscar the only love the family could relate to was one that included violence. In Abelard’s case, he was protecting his daughters out of the love he had for them. Trujillo was fixed on having his way with Abelard’s eldest daughter, Jacquelyn. But Abelard went through great lengths to avoid Trujillo and the curse with him as well. This is where the curse first crosses paths with the Cabral and de Leon families. The curse takes the lives of everyone in the Cabral family except for young Belicia. Abelard’s love for his daughter leads him and his family to tragic and violent deaths which can only be credited to the fact that the fuku curse goes wherever love is.
Junot Diaz's short story “Fiesta, 1980” gives an insight into the everyday life of a lower class family, a family with a troubled young boy, Yunior and a strong, abusive father, Papi. The conflict, man vs. man is one of the central themes of this story. This theme is portrayed through the conflicts between Papi and his son. Papi asserts his dominance in what can be considered unfashionable ways. Unconsciously, every action Papi makes yields negative reactions for his family. Yunior simply yearns for a tighter bond with his father, but knows-just like many other members of his family-Papi’s outlandish ways hurts him. As the story unfolds it becomes obvious that the conflicts between Papi and himself-along with conflicts between Yunior and himself-affect not only them as individuals, but their family as a whole.
Diaz writes “In those long days-before delincuencia and bank failures, before Diaspora- the Cabrals were numbered among the High of the Land “(211). The Cabral’s held a high place in society, but it was not until Abelard Cabral upset Trujillo that he was sentenced to the curse of Trujillo’s reign. The power of Trujillo is so strong that it ruined not only Abelard Cabral’s life, but also his wife and three daughters’ lives as well. His two daughters died abruptly and Beli suffered later in life with her love. Trujillo’s power is able to affect Beli because she knows nothing about her history.
In “The Fortune Teller,” the author, Joaquim Maria Machado de Assis, uses symbolism to prove to one that an affair is not worth a person’s life. He uses the letter to symbolize hate between Villela and Camillo regarding the affair. This very ambiguous letter has terrified Camillo and put an end to his life. The letter enhances the theme of the short story by showing the anger and hate that Villela now had for Camillo. This hate is a focal point in the short story that leads to ending the affair along with Camillo and Rita’s life. Ultimately, the affair caused a large amount of tension between the three. However, the author was successful in grabbing the reader’s attention with the letter as the turning point of the short story.
...oke about is the consequence of a man gone insane. He truly wanted to kill Fortunato but in a way that wouldn’t leave blood on his hands, so he cemented him into a small corner of the wine cellar. It was an evil act that displayed the ugly face of revenge.
A reoccurring them in the novel of The Brief and Wondrous Life of Oscar Wao is sex which is viewed as a rite of passage. Sex is extremely apparent in the book which shows the importance it has within the Dominican culture. According to the narrator Yunior, sex is tremendously engrained in the Dominican culture so much that accordingly to legend “No Dominican has died a virgin” (??). Since sex is culturally embedded into their lives, Oscar is considered an outcast compared to the more
Because Montresor narrates the story in the first person, the reader is able to perceive his thoughts and understand his motivations and justifications for his ruthless murder in a manner which a third person point of view would not allow. Montresor’s personal narration of the events of the story does not justify his crime in the audience’s eyes, but it does offer a unique opportunity for the audience to view a murder from the perspective of a madman killer. It is Poe’s usage of this unique angle that causes the story to be so captivating and gruesomely fascinating. As the story opens, Montresor explains why it is necessary that he “not only punish but punish with impunity” to avenge for Fortunado’s insult to him. This justification for his crime is a piece of information that the audience is able to learn only because they are permitted inside the mind of the protagonist. In the final scene, when Montresor is carrying out his murder pl...
This story is told to us in a first person point of view. The narrator (Montresor) starts by telling us that Fortunato has hurt him in such a horrible way, that it was an insult to him. He must now get revenge for this and this Fortunato will meet his end; he meets Fortunato, who happens to be dressed as a jester at a carnival celebration that has taken place in the beginning. Montresor mentioned that he has a rare sherry called Amontillado in his possession. Fortunato expresses great interest in wanting to verifying and drinking this rare sherry authenticity. Once convinced Montresor takes Fortunato to under underground catacombs’ of his family, this is where he says that he has this rare wine. As they go deeper into the catacombs Montresor gives him a Medoc and later will give him a Flagon de Grave, to keep him drunk until they reach their point. As they keep going Fortunato keeps coughing because of the damp air and the niter, which is all around them,Montresor keep insisting that they return to the others, but Fortunato keeps insisting that the cough is nothing and that they should carry on to the Amontillado. Halfway to their reaching point Fortunato does a gesture that he did not understand, they both start talking about masonry; one was referring to a brotherhood and the other was referring to the work of a mason. Eventually they walk into a room in the catacombs, Montresor then puts Fortunato into a human sized hole that’s in the wall, he then put the chains on Fortunato so that he will not be able to get away once he is no longer under the influence. Soon Montresor starts to brick up the hole with Fortunato within it, Fortunato starts to laugh thinking that it’s all just a joke and tells Montresor that they well all have ...
To hear someone who is presumed to be this very arrogant and egotistical character write about himself in such a repulsive manner is rather shocking. He even admits that he is bothersome when he declared, “On several occasions I spoke out boldly in criticism of their intolerably foul practices, both in private and in public, and made myself such a burden and nuisance to them all that they gladly seized on the daily importunities of my pupils as a pretext for having me removed from their midst” (19). Abelard’s aggravating qualities don’t end there. He seems to have a mightier-than-thou attitude that makes him a highly disagreeable character. His attitude towards Anselm of Laon is disparaging at the very least. He depicts him as kindling a fire that “filled his house with smoke but did not light it up” and as the cursed fig tree (7). He doesn’t seem to treat Heloise much better. He describes her as not ranking the lowest in looks and believed her to be an easy conquest (10). He also doesn’t shy from using physical threats to get what he wants (11), and he never takes Heloise’s thoughts into consideration when he demands that they get married (14). Even so, Abelard occasionally lapses into an almost deplorable state of self-depreciation throughout the letter. In one instance he writes, “I began to think myself the only philosopher in the world, with nothing to fear
The aspiring lawyer, Baltasar Bustos decided to kidnap the newborn son Marquis de Cabra, the president of the superior court for the viceroyalty of the Río de la Plata and his wife Ofelia Salamanca. He then replaces the white baby with the black infant, who belongs to a prostitute who had just been publicly flogged. At the time, Baltasar believes his actions purely to be a revolutionary act of justice. In the middle of his act, Baltasar eavesdrops on the conversation going on between the Marquis de Cabra and his wife, only to find himself being completely smitten over Ofelia Salamanca. Fuentes describes it as “he had carried out the most audacious act of his life without calculating the full effects of his actions, without anticipating, above all, that the vision of Ofelia Salamanca would captivate him with all the force of the inevitable” (22). Baltasar had many mixed emotions, he didn’t know how to deal with the fact that he was starting to fall in love with the women whom he had kidnapped a child from. Shortly after the unexpected happened, either by accident or purpose the building in which the Marquis de Cabra and his wife resided in burned down, and with the fire taking the life of the black baby that Baltasar had exchanged for. Only then did Baltasar realize he had substituted on injustice for another. This event is the
Montresor’s suppression of his sexuality due to living in a culture that admonishes such behavior leads to the events described in the story. In an effort to be normal and fit in with society, the narrator constructs a plan to forever rid himself of his same-sex desire. He personifies his sexuality as his friend Fortunato who he then directs all of his hatred for having homoerotic aspects and the ostracization that comes with them. Montresor’s literal sealing away of Fortunato symbolizes the complete suppression of that aspect of his identity, something that he does not truly despise nor want to lose, but knows he must in order to reintegrate himself back into normal society. The distress Montresor experiences and ultimate feeling the need