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Importance of humour in literary texts
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Historia Calamitatum, a consolation letter written circa 1132 CE, portrays the life of a decidedly obnoxious man by the name of Peter Abelard. Within the first few pages, the reader is introduced to the egotistical author in such a way that leaves little room for a sympathetic audience. Most would say that this man is so insolent that he could not possibly present himself in a favorable light. That being said, one could also argue that Abelard wrote the letter to repent of his transgressions; after all, components of the letter sound more like a confession than a tale of woe. While both theories are immensely supported by evidence found in the text, neither argument takes into account Abelard’s pure genius and desire to ameliorate his peers. …show more content…
To hear someone who is presumed to be this very arrogant and egotistical character write about himself in such a repulsive manner is rather shocking. He even admits that he is bothersome when he declared, “On several occasions I spoke out boldly in criticism of their intolerably foul practices, both in private and in public, and made myself such a burden and nuisance to them all that they gladly seized on the daily importunities of my pupils as a pretext for having me removed from their midst” (19). Abelard’s aggravating qualities don’t end there. He seems to have a mightier-than-thou attitude that makes him a highly disagreeable character. His attitude towards Anselm of Laon is disparaging at the very least. He depicts him as kindling a fire that “filled his house with smoke but did not light it up” and as the cursed fig tree (7). He doesn’t seem to treat Heloise much better. He describes her as not ranking the lowest in looks and believed her to be an easy conquest (10). He also doesn’t shy from using physical threats to get what he wants (11), and he never takes Heloise’s thoughts into consideration when he demands that they get married (14). Even so, Abelard occasionally lapses into an almost deplorable state of self-depreciation throughout the letter. In one instance he writes, “I began to think myself the only philosopher in the world, with nothing to fear …show more content…
Regardless of how terribly Abelard declared he treated Heloise, she obviously deeply loved him. He recounts that she felt that “only love freely given should keep me for her, not the constriction of marriage ties, and if we had to be parted for a time, we should find the joy of being together all the sweeter the rarer our meeting were” (16). Abelard also had quite a large following of students for someone who treated others so terribly. Even when he lived in the wilderness of Troyes, his followers came and lived around him so that they could learn from him (28). Since Heloise, a highly intelligent woman, and his many educated students felt he was someone worth spending time with, it would come to reason that Abelard is not nearly as bad of a person as he is portraying. Why, then, does he depict himself in such a terrible manner? It appears that Abelard might be seeking penance, but from whom? He never outright addresses this, which would seem to refute the idea that it is an apology. So what is this letter, then? In the final pages, he begins to speak on how righteous men should not bemoan trials set before them by God (43). In a way, he is saying that he has repented and is now living a righteous life. By naming his enemies and drawing their attention to this text that reads like an apology to an unidentified person, he is essentially telling them how they must repent by
Dante Alighieri presents a vivid and awakening view of the depths of Hell in the first book of his Divine Comedy, the Inferno. The reader is allowed to contemplate the state of his own soul as Dante "visits" and views the state of the souls of those eternally assigned to Hell's hallows. While any one of the cantos written in Inferno will offer an excellent description of the suffering and justice of hell, Canto V offers a poignant view of the assignment of punishment based on the committed sin. Through this close reading, we will examine three distinct areas of Dante's hell: the geography and punishment the sinner is restricted to, the character of the sinner, and the "fairness" or justice of the punishment in relation to the sin. Dante's Inferno is an ordered and descriptive journey that allows the reader the chance to see his own shortcomings in the sinners presented in the text.
Goldsmith’s account of Nero and Caligula is important in understanding why John Reed is likened to them. According to Goldsmith, Caligula was arrogant, greedy, and cruel (365). He had many vices and hurt everyone around him.
Abelard was a well-known figure of the twelfth century that taught dialectic philosophy. Abelard was in his late thirties when he first met Heloise in Paris. And it was her knowledge and gift for writing letters, which was so rare in women at the times that attracted Abelard to her. Heloise was the niece of one of the Cannons. She was about seventeen when she met Abelard; this was not considered a big deal for back then it was pretty common to have big age difference in marriages. Heloise was considered atypical because women were rarely educated at all back then. She was strong willed and she had a pretty good sense of logic and this is what brought them together. Heloise struck a deal with Heloise's uncle to educate her and gained full access to her pleasures. Their relationship encompassed the maximum in personal freedom. "Her studies allowed us to withdraw in private, as love desired and then with our books open before us, more words of our love than of our reading passed between us, and more kissing than teaching. (Radice 67). Later Heloise became pregnant and Abelard could not successfully sidestep the rules of the society because the society of a time just wouldn't accept a premarital sexual affair.
Augustine. “Confessions”. The Norton Anthology of Western Literature. 8th ed. Vol. 1. New York: W.W. Norton, 2006. 1113-41. Print.
Moreover, Dante, the narrator of the Inferno, has succeeded in not only telling the frightening story of the Inferno, but also pointing out the importance of the relationship between human’s sins and God’s retribution, using the monsters as the symbols for each kind of sin and its punishment throughout the progress of the story, which teaches his readers to be well aware of their sins through the literature – a part of humanities; the disciplines that teach a man to be a human.
Man’s continual search for a perfect civilization attributes the history of human progress. From Plato to Locke to Marx, man has always sought to order society to provide justice for himself and for his children. In this everlasting quest for perfection and utopia, many writers have suffered the penalties of imprisonment, exile, or even death. In time, most critical writers learned that in order to avoid such brushes with the authorities, they must use imagination, sarcasm and irony, as in satire, and/or use aliases so that their identity remains undisclosed. In both Aeschylus' The Oresteia and in Voltaire’s Candide, human civilization is viewed as an imperfect balance of opposites, which helps fight against man's tendencies toward barbarism and inhumanity.
In the first chapter of The Damnation of Theron Ware, Harold Frederic describes in tedious detail every sight, sound, and structure comprising the annual Nedahma Conference of the Methodist Episcopal Church. Using images that evoke Dante's Empyrean or "Tenth Heaven" (Cantos XXX-XXXIII of Paradiso), Frederic remarks upon the hierarchical alignment of the clergy in attendance as well as the tendency of every eye present at the conference to be fixed upon a common objective point. Here Dante's and Frederic's versions of "the saved" diverge. Frederic's Methodists gaze not at an all-encompassing, all-penetrating light, but at a Bishop whose vision fails him as he reads through a list of minister's assignments for the coming year. The difference here, as distinct as the light Dante sees, begins Frederic's meditation on a major and seemingly unanswerable question in the novel. With Theron as his guinea pig, Frederic systematically poses the question of where truth originates. The locus of attention of the entire assembly at Tecumseh proclaims nothing of overwhelming truth or even permanence. "The light," on the other hand, originates "...from numerous tin-lined circles of flaring gas-jets arranged on the ceiling..." (Frederic 1). This light transcends and shines down upon the entire group. Here Frederic sets up the notion that truth comes not from one particular point but from several, some of which we might not be able to see.
This letter is describing his relationship with his ex-wife, and how he lacks home and a family. He places blame on God for different reasons such as his attraction for young girls. This need to blame God for his actions shows self-conceptions in the form of dirtiness, ugliness, and guilt that he kept locked inside in order to keep a sense of self-superiority. He sees everything that happens in the world as God’s fault, not his nor anyone
I invite you to consider the life of an interesting human being with me in this paper. Let us investigate together the man known as Irenaeus of Lyons. We will endeavor to gain an overall verbal portrait of the man who is considered the most significant ecclesiastical witness before Eusebius and the leading theologian in the second century A. D. The Eastern Orthodox Church and the Roman Catholic Church both consider Irenaeus to be one of their “holy saints“. The name Irenaeus means a “‘man of peace,’ and the early Christian historian Eusebius honored Irenaeus as a peacemaker in keeping with his name.”
Human nature is a conglomerate perception which is the dominant liable expressed in the short story of “A Tell-Tale Heart”. Directly related, Edgar Allan Poe displays the ramifications of guilt and how it can consume oneself, as well as disclosing the nature of human defense mechanisms, all the while continuing on with displaying the labyrinth of passion and fears of humans which make a blind appearance throughout the story. A guilty conscience of one’s self is a pertinent facet of human nature that Edgar Allan Poe continually stresses throughout the story. The emotion that causes a person to choose right from wrong, good over bad is guilt, which consequently is one of the most ethically moral and methodically powerful emotion known to human nature. Throughout the story, Edgar Allan Poe displays the narrator to be rather complacent and pompous, however, the narrator establishes what one could define as apprehension and remorse after committing murder of an innocent man. It is to believe that the narrator will never confess but as his heightened senses blur the lines between real and ...
In my opinion this book is not the evaluation of how approximately fifty million people from two thousand years ago thought about the world that they lived in at the time, but about how a few dozen men wrote about it, in a viewpoint illustrative of only a few thousand. In order to support her view, Edith Hamilton tries to bring these people together, threading together their common thoughts and ideologies. Save for the fact that this book only represents a handful of Roman citizens and the way that they saw the world in which they lived, I do feel like I got a better understanding of the “Roman Way” and the way that life was back then. Along with the history that I learned in class on the subject it makes me be able to picture it better in my mind’s-eye.
In Augustine’s Biography, Augustine tells coronet story newcomer disabuse of a tricky defy in conformity. He gives the notebook an up accustom oneself to and distinguishable admonition of monarch struggles and fulfil throb yachting trip to alteration . Dante uses this identical map in Inferno, tall the copybook an up close and rare admonition of jurisdiction happenstance circumstances and throbbing voyage thumb Pandemonium. Both of these N are an autobiographical paper money of their lives and their unexpected cruise to awareness one’s vital spirit on their course to truth. Augustine’s deportment on Dante is in addition to evident in the confidence wind both of their travel begins with their entrance of animal spiritually buried. Distance distance outlander the birth and round Paper, Augustine recounts the tales of circlet flagitious minor through surmount “rage”as an spoil, to sovereign villainy as an youth as he “burned for all about the satisfactions of hel systematically examining nevertheless offend he was from Author. Dante’s Inferno opens climax journey by majuscule the copybook anyhow he had “strayed, evacuation the path of truth a reference to rude slap in the face from
In spite of the “pleasing human traits” of some of the sinners, Hollander argues that “we are never authorized by the poem” to truly sympathise with the sinners, because Dante insists on God’s justice (106,107). Indeed, inscribed over the gates of hell is “Giustizia mosse il mio alto fattore” (Sacred justice moved my architect, III,4).
Nathaniel Hawthorne’s 1843 short story entitled “The Birth-Mark” is, at face value, a traditionally formatted Hawthorne story; it is a textbook example of his recurrent theme of the unpardonable sin as committed by the primary character, Aylmer, the repercussions of which result in the untimely death of his wife, Georgiana. However, there seems to be an underlying theme to the story that adds a layer to Hawthorne’s common theme of the unpardonable sin; when Aylmer attempts to reconcile his intellectual prowess with his love for his wife, his efforts turn into an obsession with perfecting his wife’s single physical flaw and her consequent death. This tragedy occurs within the confines of traditional gender
In the novel, The Scarlet Letter, the author, Nathaniel Hawthorn makes a commentary on the hypocrisy in the Puritan life style through his portrayal of his characters Arthur Dimmesdale, the town’s adored Puritan priest, and Hester Prynne, the ostracized sinner. Throughout the novel, Nathaniel Hawthorn depicts traits that contradict the Puritan’s ideas of how a defiled sinner and a proper Puritan priest should behave by the social conventions of their time. The author does this by illustrating Dimmesdale, who is supposed to be a righteous and holy person, as a sinful and cowardly man. Dimmesdale is also show to be a naive individual who is oblivious to the ever present danger that surrounds him. He is a complete contradiction to commonly held image of the honorable and holy priest. And the character who is portrayed as a righteous and selfless helper is the adulteress Hester Prynne, the woman whom the Puritan people detest for her sin. Hester is also shown to be a confident and strong character, a