As soon as you walk into the Metropolitan Museum of Art, there is an overpowering sense of culture and aesthetics. One work you’ll notice as soon as you enter the museum is the Great Hall, which is both grand and visually attractive. It contains intricate moldings on the surface of the walls, with a ceiling height comparable to an ancient Catholic church. The Great Hall isn’t the only visually appealing work; the Moroccan Courtyard is as well. The courtyard leaves you mesmerized by sheer beauty and openness of the courtyard. The hand-crafted patterns and shapes crafted on the wall are similar to those visible on linen clothing. Both the Great Hall and Moroccan Courtyard are architectural examples that not are only works of art but in fact differentiate in their composition as well as serve varying structural purposes, for the museum.
The Great Hall, constructed by architect Richard Hunt, serves as the lobby of the museum. It is one of the first pieces of artwork that visitors of the museum come across. The work presents a spacious atmosphere, not only on the ground floor but in the ceiling, through its usage of a dome-shaped glass ceiling. This in turn helps radiate natural-light throughout its lobby floor, which is important because it is the location of the information/welcome desk and is the first thing visitors see upon entrance. Furthermore, the artwork contains floral decoration pieces, ancient pillars and moldings, which are located throughout the walls. The Hall is mostly comprised of gray-color space which allows for the colorful floral decorations and other objections, become more noticeable. Ancient Pillars that are present throughout the floor serve not only an artistic-purpose but a structural purpose, in that they s...
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...the surface area, the size of the arches and the columns of the Great Hall are exponentially bigger than those of the Courtyards. The two areas are also different in color. The Moroccan Courtyard is richer in color than the Great Hall. The Great Hall is mostly comprised of four to five colors. On the contrary, the Moroccan Courtyard is decorated with much more different colors. The function of the Moroccan Courtyard differs from the function of the Great Hall. The Courtyard focuses mainly on Moroccan Art. The main purpose of it is to show what Moroccan Art looks like. The Great Hall is supposed to function as a lobby. There is no exhibits located in the Great Hall. The whole idea behind it is to present that more art lies ahead.
Both the Great Hall and the Moroccan Courtyard are excellent things to see. They really demonstrate both good art and good architecture.
With the Pantheon being built over 1700 years ago, it’s amazing that architects are still using features and techniques from this work of architecture in modern creations. The use of this type of classical architecture will continue to be used in works for public space due to its remarkable exterior appearance and it’s long lasting structural durability. When both Jesse hall and the Pantheon are compared it is possible to see their similarities from the types of domes that top each, their external facades, and their interior plan. While they share many similarities, the differences that Bell and Binder used in their creation make this work of architecture unique to many other public spaces.
The Los Angeles County Museum of Art, or LACMA as it is commonly known, is among the world’s largest art collections in North America, and to be specific enough the most prevalent artwork in the western United States (Compton 165). This massive art museum has a collection of over 100,000 artworks, which extends from the ancient times to present days (Gilbert and Mills 174). These collections, which are mainly from Asia, Africa, Europe, Latin-America and America itself, are grouped into several departments within the museums buildings, depending on the region, culture, media, and time period. This paper analyzes the different genres of art and explains the main features that make the Islamic artworks distinguish themselves as historic masterpieces, by using stylistic and interpretive analysis methods.
Bihzad has placed strong emphasis on the complexity of the palace’s architecture which he has adorned with colorful ornaments and emblazoned with gold. Each room is decorated with rugs and tiles featuring complex floral and asymmetrical patterns that cover each chamber from floor to ceiling. The palace appears to be three stories tall and features a balcony on the left and a zigzagging staircase on the right. The asymmetrical style of these two architectural features gives the impression of the work being 3-dimensional ...
In this project, we going to compare two historical building, the Roman Pantheon (c.AD 125) and the Macon Auditorium completed in 1925 (“Macon City Auditorium”). Although very recent in historical perspective, we did find fewer information about the latest building compare to the Roman Pantheon. In this project, we did find a striking resemblance between these two building, starting from the idea behind the project, the architectural concept and it evolution and finally how these respective building fit within the time frame of their creator.
The Vestibule leading to this entrance hall is identical to the entrance of the Temple of Erectheus on the Acropolis of Athens. The statues in the deep niches, carved by Frederick MacMonnies, combine “American idealism with the elegance of Second Empire Style and is in advanced realm by their lack of enframement or paneling.” The vaulted entrance hall, which leads to the grand staircase, is segmented into three aisles and is clad in Iowa sandstone. The arched central aisle has the names of prominent Bostonians inscribed on them.
The Metropolitan Museum of Art came about as an idea from Jon Jay in Paris, France in 1866 with the idea of “national institution gallery of art” within the United States. Once this idea was proposed, it was immediately moved forward with his return to the United States. With the help of the Union League Club in NY they began to acquire civic leaders, businessmen, artists, and collectors who aided in the creation of the museum. For over 140 years, the visitors who go here have received everything the mission of the institution states.
One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.
During my second time visiting the museum, I looked at paintings from the 15th and 19th centuries. Two of the art works that I choose is “The Story of Joseph” from the Renaissance period and “The Marketplace” from the modern art period. Both of these paintings were from different time periods but they were also very similar in content and style.
The “superstar” museum gained this status by considering every important detail during its establishment and initial phases of conversion from royal palace to museum (Gombault, 2002). As the purpose of the building changed, each room addressed new functions with new requirements. Although the function of the Louvre is different from the building’s original intention, the building is still appears dignified and important enough to display priceless artifacts and painting (Steffensen-Bruce, 1998). This consideration was applied in designing the Met. The Met looked towards the South Kensington Museum (Victoria and Albert) and the “ideal role model” due to its extensive collections and international reputation (Heckscher, 1995). The Met found itself in a similar situation to the South Kensington, because it did not have a building or a collection to start with (Heckscher, 1995). When designing museums, architects strived to create monuments that “prepare and educate the mind of the visitor (Steffensen-Bruce, 1998).” Education is an essential function of a museum. Acquiring, preserving, and properly displaying materials, permits a museum to fulfill this duty (Steffensen-Bruce, 1998). For instance, lighting is a factor that affects the manner in which artwork is viewed and can be properly appreciated. When determining the proper lighting for the Louvre, Comte d’Angiviller, strongly believed that natural, overhead lighting was the most effective solution (McClellan, 1994, p. 72). The same determination impacted the decision to add skylights at the Met. During the initial phase, architects Vaux and Mould, added skylights to the upper floor, and windows to the lower floor that provided a natural light solution (Heckscher, 1995). Additionally, glass-roofed courtyards provided “unimpeded light” for displaying
But these contrived differences give rise to esthetic difficulties too. Because inherent differences—those that come from genuinely differing uses—are lacking among the buildings and their settings, the contrivances repre...
There is a Romanesque style in the arched windows and the brick walls. The Beaux-Arts tradition is a T-shaped floor plan. The building measures 75 feet in diameter with three wings. The Rotunda’s walls are made of Italian marble and the floors have mosaic tile. The statue in the center of the floor is called “Three Muses.”
I think a gigantic funerary mosque of white marble, built in Agra by order of the Mogul emperor Shah Jahan in memory of his favorite wife, the Taj Mahal is the most perfect jewel of Moslem art in India and is one of the universally admired architectures of the world’s heritage. Not only see the beautiful Taj Mahal from the video, I also knew the history of itself and its country. A white marble tomb sums up many of the formal themes that have played through Islamic architecture. The video did talk a lot of how much Shah Jahan himself and his father loved art and made many gorgeous artworks. Taj Mahal’s refined style is a conspicuous contrast to the Hindu architecture of pre-Islamic India, with its thick walls, arches, and heavy supports. Even though Taj Mahal is the symbol of grief and sadness, it still has it beauty looks from marble and sand stone.
Design was inspired by the dynamic of flight and the feathers of a falcon which reflects celebration of Highness Sheikh Zayed's love of nature and legacy based on a timeline of his life with the traditional Arabic Design. It was built using highly effective recent elements in order to provide the hospitality museum that’s maintainable, welcoming and culturally of its place. All the designs...
Choga Zambil and Djeser-Djeseru are not as well known today as buildings such as the Empire State Building or St. Peter’s Basilica, but when they were originally constructed each was respectively possibly the greatest monument of its time. While the structures may have had formal differences, both were meant to show the power and strength of their creators. They both do this through their size and the architectural choices made in their construction which reference the past while pointing towards the future and innovation.
Taj Mahal. ( Mahal is the word in urdu language used for Palace) How can I describe The Taj Mahal? You can’t its impossible. You just have to experience it. To gaze in wonder at that magnificent dome and elegant gardens will be a moment that you remember for the rest of your life. It is one of the greatest sights in the world, some say the greatest, and like Victoria Falls, The Grand Canyon, and Macchu Picchu, it simply is one of those things you have to see in your life. The architectural grace and symmetry of the Taj Mahal just takes your breath away. We had chosen our visit carefully--the sun was setting and the light that washed over the Taj was golden in color. The minarets were now stark against the setting sun . The actual dome was a surprise, it is not yellow-white but blue-white and covered in inscriptions and detail. From below it looked like something out of "Arabian Nights." But inside were the tombs of Mumtaz Mahal and Shah Jahan. The central tomb is a lofty chamber with light streaming through fine latticework, and hanging above was an elaborate lamp. Words cannot describe its beauty when you stand on that marble platform overlooking the Yamuna, with the setting sun turning it into a golden ribbon. You may a...