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Representations of sexuality in films
Female sexuality in film
Sexual portrayal of women in film
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Essay # 2: American Beauty and Thirteen
In this essay, I have chose to talk about the movies, American Beauty and Thirteen from group #1. The two topics discussed in this essay from group #2 are identity and difference along with sexuality. The cinematic elements from group #3 that will be discussed are cinematography and costume use. In many ways, both these films portray similar content in terms of characters fighting battles with themselves and society in order to fit in. In American Beauty, Lester Burnham tries to free himself from his boring life and depression. On the other hand, Thirteen shows the struggles of Tracy Freeland, who tries to fit in at school. This results in her to go on a self-inflicting rampage with her supposedly best friend Evie. Identity and differences are displayed through sexuality with Lester and Evie in different types of way. Lester lusts over his daughters best friend Angela, while Tracy tries to experience sexuality in different types of ways following Evie’s footsteps.
Sexuality creates an identity for both Lester and Tracy along with the supporting cast members in both films. The way both characters try to explore sexuality is what defines their character in the film. In American Beauty, the scene where Lester first sees his daughter’s best friend Angela dressed in a provocative cheerleading uniform while the camera slowly focuses on her hip movements is a great way to show sexual desire (Ball, 1999). Lester’s eyes in this scene are a clear way for the directors to show the type of sexual identity Lester will carry on throughout the film. In Thirteen, Tracy is identified as sexually conscious when she tries to talk to her brothers friends and they only end up paying attention to Evie and he...
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...tail. Also, many camera angles that exploit the atmosphere of sexuality make these films very similar in the eyes of a regular viewer. Both movies allow the viewer to experience how life is much tougher under social pressures from the point of view of many characters. Not only do these movies focus on small details in various scenes, they show the complexity of making movies while incorporating a unique story line and keeping the viewer involved with each and every characters problems.
Bibliography
Ball, A. (Writer), & Mendes, S. (Director). (1999). American Beauty [Motion Picture]. USA.
Hardwicke, C. (Writer), & Hardwicke, C. (Director). (2003). Thirteen [Motion Picture]. USA.
Monahan, R. B. (2013). Looking at Movies. In Chapter 9: Sounds (p. 416). New York: Norton & Company, Inc.
Sound as we discuss in our discussion question section, sound plays a significant role in every scene, it helps the audience in many ways such as to know the audience what is going to happen or to get the into the character. Now on days many directors increase realism brought on by sound inevitable forced acting styles to become more natural the scene can be identifying a digetic sound. Many people may think that the sound effect that a director use in a movie, novella or documentary is the same, they are totally confused, its two types of sound such as digetic sound and non digetic sound
In Visual Pleasure and Narrative Cinema, Mulvey states that, “Traditionally, the woman displayed has functioned on two levels: as erotic object for the characters within the screen story, and as erotic object for the spectator within the auditorium, with a shifting tension between the looks on either side of the screen.” (Mulvey 40). A woman’s role in the narrative is bound to her sexuality or the way she
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
Catherine Hardwicke’s illuminating Thirteen is a sobering film of uncommon emotional potency. The picture focuses on Tracy (the wondrous Evan Rachel Wood), a sensitive, impressionable, profoundly confused teen, who out of desperation and uncertainty, turns to nihilism. Some have deemed the picture lurid and exploitative, but for the more liberal-minded, its message is significant and has value. Thirteen does not condone or glorify reckless, self-destructive behavior; rather it warns adolescents of the dangers and temptations they will surely be confronted with, while concurrently stressing the need for parental guidance and insight.
Sixteen Candles, The Breakfast Club and Pretty in Pink have more in common than Molly Ringwald. Stereotypes, different economic backgrounds, and feminism all have some part in these 80’s teen films. The themes are all the same, rich vs poor, popular or unpopular and changing yourself to fit into the ‘norm’.
These movies allowed female characters to embody all the contradictions that could make them a woman. They were portrayed as the “femme fatale” and also “mother,” the “seductress” and at the same time the “saint,” (Newsom, 2011). Female characters were multi-faceted during this time and had much more complexity and interesting qualities than in the movies we watch today. Today, only 16% of protagonists in movies are female, and the portrayal of these women is one of sexualization and dependence rather than complexity (Newsom, 2011).
Elizabeth Weis, John Belton (1985) Theory and Practice Film Sound, New York: Columbia University Press, pp 346.
To conclude that both movies have own special traits that attract a lot of audience to watch these movies even though in these movies have contained violence and sexuality scene that seemly not suitable for children to watch. Furthermore, I’m really thought that both movies are good suggestions to entertain people during free time as both are very interesting and nice to watch.
The novel Pride and Prejudice is about five sisters and the things that happen on
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
Sam Mendes’s provocative debut film American Beauty was a blockbuster after its release in 1999, wrapping up three accolades at the Golden Globe Awards, reaping nominations in miscellaneous film festivals. Beauty and reality are the two major and discrepant elements in the film. Symbolically, beauty eludes humans’ possession, and such elusion is often offset by its presenting a form of reflection on the reality. Thrills, often followed by disillusionment, of quasi obtainment of such heavenly beauty feed humans’ incessant pursuit of beauty in reality. In the film, beauty gets lurid, and reality becomes horrid. A black comedy, American Beauty achieves a Grotesque atmosphere by escalating such disparity to a peak at which the protagonist Lester Burnham irrevocably bursts to death, posing a proposition of man’s raison d’être.
Sound is what brings movies to life, but, not many viewers really notice. A film can be shot with mediocre quality, but, can be intriguing if it has the most effective foley, sound effects, underscore, etc. Sound in movies band together and unfold the meaning of the scenes. When actors are speaking, the dialogue can bring emotion to the audience, or, it can be used as the ambient sound. Music is one of the main things to have when filmmaking. The use of Claudia Gorbman’s Seven Principles of Composition, Mixing and Editing in Classical Film gives audiences a perspective of sound, and, how it can have an impact on them.
Barsam, R. M., Monahan, D., & Gocsik, K. M. (2012). Looking at movies: an introduction to film (4th ed.). New York: W.W. Norton & Co..
, we often underestimate the importance of film sound. Audio codes are used in the documentary to add emotion and rhythm to a film. These aren’t usually noticeable; it often provides a tone or an emotional attitude toward the story. In addition, background music often foreshadows a change in mood. For example when Mrs Abigale comes cross a recording she hears alien taking in a different and strange language that was not from this planet then suddenly gloomy background music starts to play in the background creating a mysterious and scary atmosphere contributing to the documentary’s re-enactments and archive footage . The use of audio code makes the audience more susceptible to jump scares and leaves the audience emotionally
Unrestrained female sexuality in popular media is regarded as something of a taboo. As a society, we are not used to the pleasure of women being portrayed on screen, despite our supposedly ‘equal’ society. Much of this is the inflection of sexism and the patriarchy, placed upon the minds of the masses, influencing the internalized discomfort of female sexuality. This, of course, does not apply towards male sexuality. Male sexuality is unrelenting and respected, even revered. These concepts of unrestrained sexuality, equal pleasure and lack of censoring have leached into one of the major sources of media in our society, which is the all encompassing film.