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The process of socialization
Introduction of socialization
The process of socialization
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"America" is a song from the musical West Side Story, with music by Leonard Bernstein and lyrics by Stephen Sondheim. The story is based on Romeo and Juliet by Shakespeare, but is set in New York in the 1950s with themes of racial gang warfare. The musical was groundbreaking because of its sophisticated musical style and pioneering dance sequences. The music has elements of opera, musical, jazz and Latin-American dance influences. "America" is one of the most well-known songs from the show, and is a debate between Anita - the leader of Shark gang (Bernardo's) girlfriend and Rosalia - another Shark girl. I have chosen to analyse the musical version of "America" and not the film version. The difference is that Jerome Robbins (director of the West Side Story 1961 film) chose to include the Shark men in the song. I believe this was to highlight the concealed racism in American society, especially towards immigrants such as the Puerto Ricans because the men are shown as upholders of traditional culture and the women as eager to cast aside the old ways. This is arguably the main theme of the musical, and the most important as it highlights the political, social and cultural struggle of the immigrants in America. However in the original musical, it is sung between Anita and Rosalia. The reason I have chosen to analyse this is because only the film version has the rights to use the Shark men, and every stage rights available can only use the girls. So as this was originally intended by Bernstein and Robbins, and is the more commonly used, I have chosen to analyse the musical version. The purpose of "America" is to provide an opportunity for a dance number, as this musical is largely dance based and up until now we've only had ballads (M... ... middle of paper ... ... sections to show excitement and enthusiasm, for example on the syllables "mer-i" of "America". Bernstein uses sudden dynamics within every section including the final dance break. Pianissimo is used in the woodwind at the beginning of D2, and a huge tutti crescendo brings us into the final repeat of the main tune with the key change to E major. In conclusion, to analyse this essay I have scrutinized the melody, harmony and rhythm as these are elements that make this piece so popular. Included with the dynamics, articulation and use of texture, they all successfully work with each other to create a effective piece. The style and the social and cultural contexts are incredibly important to appreciating this piece and I feel I have examined the musical elements in a way that is essential to understanding the song, and its place in West Side Story.
Each movement of the work corresponds accordingly to a different country in Europe at the time known for a particular style of dance. The Intrada would be the opening of the program, followed by the French Basse Dance, the English Pavane, the Italian Saltarello, the Spanish Sarabande, and finally concluding with the German Allemande. Even though the work was performed by a modern ensemble, where many instruments had not even been invented when music of this type was originally composed, the instrumentation of the brass section versus the woodwind section and the artistry of the musicians performing are able to recreate a much older style. Overall, the piece Courtly Airs and Dances, is an emulation of a style dating back to the Renaissance period of music, with each movement reflecting a particular style of dance characteristic to the culture of individual European
Traditional analysis of Beethoven's use of Sonata Allegro form tends to focus on harmonic or melodic movement and key relationships. This study stretches such investigations to include questions of historical context and philosophic motivations that drive a composer to structure music in a certain way. Ultimately this leads to an inquiry about how these traditions affect us as listeners, and more specifically how they relate to gender issues in a musical tradition primarily made up of male composers.
The Glass Menagerie is a play written by Tennessee Williams. It involves a mother, Amanda, and her two children, Tom and Laura. They are faced with many problems throughout the play. Some of these problems involve: Amanda, the mother, only wants to see her kids succeed and do well for themselves. How does her drive for success lead the book?
In this musical, it uses several types of narratives, for example, after the fight between the Jets and Puerto Ricans, after the police leave, they enter the ally and the girl is begging to join the gang saying how much she wants to fight is a part of narrative sexuality (B 34). The girl is more of a tom boy who wants to be like one of the guys.
The West Side Story portrays the lives of two different gangs living in America, as well as their beliefs and examples of living a good life. The expectations of what people consider the good life to be may vary on a person’s morals and their dreams of what life is truly about. In this movie, whether or not these characters were good people, lived a good life, or lived in a good society is a very controversial topic.
The conveyance of distinctive visuals within texts draw great significance to the various aspects of life poised within their stories. Performed with the aim of elevating the audience’s understanding, this can suggestively nurture the common response amongst them of the significant aspects of life. This references a deep awareness of the composer’s concerns; further concocting the profound significance of the provided visuals and their implied meaning. This is clearly evident within John Misto’s play ‘The Shoe-Horn Sonata’ which with the provided listening stimulus of John Misto’s Interview and Peter Skrzynecki’s poem ‘Crossing The Red Sea’ through the exploration of delicate notions such as the physical journey through times of hardship
American Psycho is a savage account of a wealthy investment banker in the late 80s that commits heinous acts of murder, rape, and torture. Although on the surface, American Psycho seems as though it is just another horror story, it actually has a much deeper message. This story is a harsh critique of a superficial Wall Street society in the late 80s that was rampant with materialism and greed. This is the society in which the main character Patrick Bateman lives–where appearance, material possessions, and status define a person. This superficial existence leaves him hollow and dead inside and turns him into a psychopathic killer. A society such as this, devoid of any morality, inevitably creates psychopaths such as Bateman. The film shows an excellent portrayal of a vacant, nihilistic killer with no feelings or emotions. However, there is something more to the story that the film did not quite capture. The book seems to not only be a satirical take on this society, but a tragedy as well. Recreating the dinner scene with his secretary Jean shows that underneath the surface Patrick Bateman is, indeed, a human being with real feelings and emotions, and that it is a great tragedy that this superficial society has turned him into a monster.
The story of the American West is still being told today even though most of historic events of the Wild West happened over more than a century ago. In movies, novels, television, and more ways stories of the old west are still being retold, reenacted, and replayed to relive the events of the once so wild and untamed land of the west that so many now fantasize about. After reading about the old west and watching early westerns it is amazing how much Hollywood still glorifies the history and myth of the old west. It may not be directly obvious to every one, but if you look closely there is always a hint of the Western mentality such as honor, justice, romance, drama, and violence. The most interesting thing about the Old West is the fact that history and myth have a very close relationship together in telling the story of the West.
Composers have the ability to use their texts as an effective medium to provide insight into controversial issues. This gives them great power to share stories and opinions that can influence audience’s perspectives. The use of distinctively visual techniques in John Misto’s Shoe-Horn Sonata and Joe Rosenthal’s “Raising of the flag on Iwo Jima “gives the ability for both composers to contrast the issues that were faced in World War II. Misto’s text provides a dark perspective which presents the hardship of war through the story of two captured female nurses. This is contrasted with Rosenthal’s text which challenges the audience by idealising the heroism and teamwork associated with war through an iconic photograph.
...y conveyed a story based on the musical components. Through, pitch, duration, tempo, timbre, dynamics, tecture, rests, structure and mood at different parts, Harlem Shake conveyed a desensitized depiction of gang warfare in the rough Harlem district of New York during the 1920s. Perhaps the lack of emotion tries to convey a darker message. Indeed, an emotion that accepts tragedy and evil as reality because it has always been present. Yet, instead of ignoring the evil, acknowledging it and finding the positive out of it may help deal with the issue: Dancing.
American History X (1998) illustrates how segregation is aggravated by missing father figures as well as the herd mentality of the characters in the film. German philosopher Friedrich Nietzsche’s concept of the herd mentality states that people need a concept or a worldview to adopt in order to give meaning to their lives. This herding of people who choose to adopt this certain ideal or ideals in effect causes the stifling of individual thoughts or creativity because everyone chooses to think a certain way (Floyd). This mindset that people are attracted to is not always chosen or forced but is rather seen as an obligation because of loyalties certain people have to others.
West Side Story is set in the late 1950’s and portrays the times and racism found in New York City caused by the immigration at the time. The song found during this scene, ‘America’ jokingly represents the current situation. The scene shows the Sharks with their girlfriends comparing the advantages of Puerto Rico and the United States when Anita argues with Bernardo that he is too overprotective of Maria. There are two groups- Bernardo and the other boys and Anita and the other girls have an argument whilst singing and dancing trying to prove whether America or Puerto Rico is better.
West Side Story 1. What is the difference between a. and a. Point out how the general setting of the play is established. Give at least two examples. The play West Side Story takes place in a suburb on the West Side of New York City. We can conclude that we are talking about a socially disadvantaged suburb as the surrounding area is described with high brick walls, not very attractive and by the presence of the two gangs.
The main song being alluded to is "Varsouviana," a polka song that sounds a bit like merry-go-round music, which is constantly playing in Blanche’s head and disturbing her thoughts (Williams 141). Blanche’s husband had previously killed himself to this song, it now playing in repeat in her head and building up guilt on her shoulders as it was theoretically her fault. The tune works to set the scene for the instability overcoming Blanche, the creepy music inside her head unable to be heard by any other ears mixed with her inability to escape the guilt and anxiety that seems to blanket her every thought. Williams is able to incorporate this disturbing music on stage to show the audience Blanche’s slow decline of health, the insanity that steadily consumes her due to her lack of living with her present existence. Another song blended into the story is “It’s Only a Paper Moon” by Harold Arlen, a song that speaks on love and how it becomes an overwhelming aspect of people’s lives. It explains how love causes dependency as it morphs one's reality to fantasy: “It’s only a paper moon, just as phony as it can be— But it wouldn’t be make-believe If you believed in me!” (Williams 120-122). The song alludes to the illusory world she lives in, her desire for someone to join in on it through love as she slowly descends into madness, relying heavily on others to fuel her
The show is inspired by Maria Von Trapp and her family of Austrian origin, who became famous after fleeing their home country and becoming a touring musical ensemble. Director Vincent J. Donehue first gained inspiration for the musical from Maria Von Trapps memoir “The Trapp Family Singers”, along with the 1956 German film “The Trapp Family.”1, which was the first piece of work to tell the story of the family and slightly fictionalize it. With the thought of putting his good friend Mary Martin, a popular star of the time, in the leading role, Donehue enlisted the help of producers Leland Hayward and Richard Halliday (Martin’s husband). Ironically, they originally planned to create the show as a straight play with the exception of some Von-Trapp songs, and a couple of original numbers by Rodgers and Hammerstein. They quickly realized however, that to not musicalize the whole show would be next to impossible; thus sparking the creation of a full-fledged musical.