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The plague albert camus literary devices
The plague albert camus literary devices
The plague albert camus literary devices
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Albert Camus' Philosophy in The Plague
To know ourselves diseased is half our cure. - Alexander Pope
As the title clearly suggests, the novel The Plague is, indeed, a story of disease. On the surface, the novel The Plague, may be an accounting of facts detailing the outbreak of bubonic plague in the town of Oran. But on a deeper level, it is a novel that reveals awareness and acceptance of the limits of human existence. And it is also a reminder of our absurd freedom and the choices we make in life, especially when facing death.
In writing The Plague we are told that Camus "sought to convey [...] the feeling of suffocation from which we all suffered and the atmosphere of threat and exile in which we lived" (Bree, 1964:128). He was, of course, speaking of the horrors of World War II. But "at the same time [he wanted] to extend [his] interpretation to the notion of existence in general" (Bree, 1964:128).
Camus' interpretation of existence is revealed in his philosophical essay The Myth of Sisyphus in which he discusses the absurd and its consequences, revolt, freedom and passion. Some interesting connections can be made between the philosophical discussion in The Myth of Sisyphus and the existential themes found in The Plague. In The Myth, Camus outlines his notion of the absurd and its consequences; in The Plague he brings his philosophy to life.
This tale of life and death is told by Dr. Rieux, who maintains that his "business is only to say 'this is what happened', when he knows that it actually did happen, [and] that it closely affected the life of a whole populace [...]" (Camus, The Plague, p.7). Of the novel, Germaine Bree says,
"considered in its totality [The Plague] transmits a personal experience ...
... middle of paper ...
..., one way or another, and The Plague is a reminder of that absurd fact.
The quote at the beginning of this paper, "To know ourselves diseased is half our cure" has its relevance in the ultimate lesson we learn from The Plague. But there is another lesson to be learned and Camus reminds us of it in The Myth of Sisyphus: "the point is to live" (Camus, The Myth of Sisyphus, p.65). While facing the horrors of death, the characters in The Plague do an excellent job of bringing that philosophical point to life.
Works Cited
Bree, Germaine. (ed.), Camus: Collection of Critical Essays. Prentice-Hall: Englewood, NJ. 1962.
Camus, Albert. The Myth of Sisyphus and other essays. New York: Vintage Books, 1991.
Camus, Albert, The Plague. Vintage: NY, 1991.
Ellison, David R. Understanding Albert Camus. Columbia, SC: University of South Carolina Press, 1990.
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The Plague (French, La Peste) is a novel written by Albert Camus that is about an epidemic of bubonic plague. The Plague is set in a small Mediterranean town in North Africa called Oran. Dr. Bernard Rieux, one of the main characters, describes it as an ugly town. Oran’s inhabitants are boring people who appear to live, for the most part, habitual lives. The main focus of the town is money. “…everyone is bored, and devotes himself to cultivating habits. Our citizens work hard, but solely with the object of getting rich. Their chief interest is in commerce, and their chief aim in life is, as they call it, 'doing business’” (Camus 4). The citizens’ unawareness of life’s riches and pleasures show their susceptibility to the oncoming plague. They don’t bother themselves with matters not involving money. It is very easy for the reader to realize that they are too naive to combat the forthcoming calamity. The theme of not knowing life is more than work and habits will narrow the people’s chances of survival. Rieux explains that the town had a view of death as something that happens every day. He then explains that the town really doesn’t face towards the Mediterranean Sea. Actually it is almost impossible to see the sea from town. Oran is a town which seems to turn its back on life and freedom. The Plague was first published in 1948 in France. “Early readers were quick to note that it was in part an allegory of the German occupation of France from 1940 to 1944, which cut France off from the outside world; just as in the novel the town of Oran must close its gates to isolate the plague” (“The Plague” 202). When the plague first arrives, the residents are slow to realize the extreme danger they are in. Once they finally become aware of it...
The Black Death, also known as the Great Mortality and Bubonic Plague, occurred during the years of 1347-1350. Although it didn’t last very long, it is said that the Plague killed over 1.5 million people in its short amount of time in activity throughout the Mediterranean and Europe. The Black Death was a very gruesome and horrible disease that caused fever, headache, chills weakness, and inflammation of the lymph nodes causing the disturbing site of buboes on the neck, groin and armpits. Petrarch, an Italian Scholar, described his feelings towards the Plague as he wrote, “O happy posterity, who will not experience such abysmal woe and will look upon our testimony as a fable” (qtd. in Nohl 17). Here, P...
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Albert Camus was a French writer who was very well known all over the world for his different works but especially with the idea of “absurdism”. Camus believed that something that was absurd was not possible by humans or logically. It was beyond ridiculous and therefore impossible. This was the basis of one of his most famous works, The Plague. The Plague is a novel that explores aspects of human nature and condition, destiny, God, and fate. The novel is about a plague that takes place in Oran, Algeria that is fictional, but it’s believed to be relatively based on a cholera outbreak in the mid 1800’s in Oran that killed thousands of people. Dr. Bernard Rieux is the protagonist but also is the narrator. However, he doesn’t admit to being the narrator until the end of the novel. Camus writes in the beginning that the instances in Oran are being told by witnesses of the plague. In The Plague, Camus wants his audience to read the book unbiasedly not knowing the narrator in order to take sides with the characters that one wants to and not to be persuaded by the narrators telling of the events.
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