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Albert Camus’s The Plague is a novel about an ordinary town that is suddenly stricken by plague. A few of Camus’s philosophies such as the absurd, separation, and isolation are incorporated in the events of the story. The absurd, which is the human desire for purpose and significance in a meaningless and indifferent universe, is central to the understanding of The Plague. In The Plague, Camus uses character development and irony to show that even through the obvious superiority of the universe, man is in constant effort to outlive the absurd. The Plague is crafted around the belief that humans live life in search of a value or purpose that will never be revealed to them because it does not exist.
Character development in The Plague plays a significant role in illustrating the way that man will endure against an incomparable being or force. In this case, the plague. The people of Oran have an understanding, though an indefinite one, of the power of the plague because Dr. Rieux publicly accepts the situation. Rieux makes it clear that he plans to “get busy with [the plague]” (89), but “[he] knew: that this wasn’t the easiest course” (89). In other words, Dr. Rieux us fully aware that he is up against something much stronger than himself. However, he is intent on combating the plague. Dr. Rieux, however, does not represent all of the people. Not all of the people are immediately awake to the fact that the plague is a force to be reckoned with. Because a majority of them do not know the true power of the plague, they have no desire to counteract the early stages of the disease. Without knowing the actual severity of the situation, “the risk of the plague seemed insignificant” (70) to them. The overall nonchalant attitude of the citi...
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...eping a death toll is a way that the people can spot signs of a victory that may be near. However, they have no control over the deaths. The fight is ultimately quixotic.
The futile attempts by Oranian people are shown throughout the phenomenon that is the plague. Not once do they completely give up hope, even when it seems like the best course of action is to do so. At the end of the story, the plague does seem to vanish, but not because of the people. Camus’s ingenious usage of irony and the subtle development of the characters effectively supports the idea that man will forever strive to outlast and outwit the absurd. When the plague leaves, and the city is in ruins, the people can actually see for themselves how they’ve changed. The literal plague no longer floods the streets, but with its departure comes the realization that the plague will never truly leave.
Plagues and Peoples written by William H. McNeill follows the patterns of epidemics and endemics within human history. It is within this history that McNeill finds parallels between diseases and humans in the forms of microparasitism and macroparasitism. Merely from the title, McNeill gives equal importance to viruses and humankind. In several instances, humans behave the same way viruses, bacteria, and parasites do in order to survive and to compete. Surprisingly enough, McNeill’s overarching theme can be summarized using his last sentence, asserting that “Infectious disease which antedated the emergence of humankind will last as long as humanity itself, and will surely remain, as it has been hitherto, one of the fundamental parameters and
It’s the year 2028, and the world we used to know as bright and beautiful is no longer thriving with light. A disease similar to the plague broke out and caused great havoc. Although it may seem like forever ago, sickness spread only a few years ago. The Road by Cormac McCarthy is about a man and his son who fortunately survived this sickness; although they made it, the struggle to keep going is tough. Before most of the population became deceased, people went insane. They started to bomb houses, burn down businesses and towns, and destroy the environment. Anyone who had the disease was bad blood. Many saw it as the end of the world, which in many cases was true.
Think of a North America without electricity, no running water, no government, almost no buildings left intact, and ravaged by a Chinese manufactured plague, even though it’s hard to imagine that's what happened in Jeff Hirsch’s The Eleventh Plague. In Jeff Hirsch’s Eleventh Plague a family made up of the Dad, Mom, Grandfather, and son are trying to survive in a North America ravaged by a Chinese Plague , But then the mom and grandpa die and dad and Stephen are left on their own, but when the dad gets injured running away from some slavers, A Town named Settlers Landing that seems too good to be true takes them in. Then Stephen befriends a girl named Jenny, and when they play a prank that sends Jenny, and when they play a prank that sends the town into chaos. A war is started and it is up to them to help stop it. I thought that The Eleventh Plague was a believable piece of Speculative Fiction because of Hirsch's use of elements of Conflict, Theme, and Red Herrings.
This failure in government can be seen as somewhat of a selfish act in order to preserve the country’s secrecy. Because they did not take the initiative to tell anyone else about the disease, people were unable to take caution and prevent themselves from contracting the plague. Similar to the book Blindness, nobody understood that the disease was amongst them at first. People were suddenly beginning to go blind with many unanswered questions. However, there was never any real truth to be revealed to the citizens in Blindness as there was in World War Z.
William H. McNeill makes a monumental contribution to the knowledge of humanity in his book Plagues and Peoples. He looks at the history of the world from an ecological point of view. From this viewpoint the history of human civilization is greatly impacted by changing patterns of epidemic infection. Plagues and Peoples suggests that "the time scale of world history...should [be] viewed [through] the "domestication" of epidemic disease that occurred between 1300 and 1700" (page 232). "Domestication" is perceived "as a fundamental breakthrough, directly resulting from the two great transportation revolutions of that age - one by land, initiated by the Mongols, and one by sea, initiated by Europeans" (page 232). This book illustrates how man's environment and its resident diseases have controlled human migration, as well as societal successes and failures. McNeill discusses the political, demographical, and psychological effects of disease on the human race. He informs his audience that epidemics are still a viable threat to society, and warns of potential future consequences.
Once they finally become aware of it, they must decide what measures they will take to fight the deadly plague.... ... middle of paper ... ... In the long run, not only was the town separated, but so were the people.
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
It was a village on a hill, all joyous and fun where there was a meadow full of blossomed flowers. The folks there walked with humble smiles and greeted everyone they passed. The smell of baked bread and ginger took over the market. At the playing grounds the children ran around, flipped and did tricks. Mama would sing and Alice would hum. Papa went to work but was always home just in time to grab John for dinner. But Alice’s friend by the port soon fell ill, almost like weeds of a garden that takes over, all around her went unwell. Grave yards soon became over populated and overwhelmed with corpse.
In Camus' The Plague we recognize that the plague took away peoples health on both a physical and mental level. Yet despite this, it generally left ones capacity to love, in an excellent condition. Although not everyone remained able to love like they did prior to the infestation of the pestilence, most endured the emotional challenges, and upheld, if not strengthened their desire for human affection.
As a Christian speaking to the people of Oran, it would be very difficult to say anything to a people facing such terrible affliction. Even though Father Paneloux believed what he was preaching, I believe he was completely wrong. This would make what I would say much different from what Father Paneloux said. However, some strong points did emerge from his sermons. Overall, the two sermons in Albert Camus’ The Plague fail to help people become more faithful and fail to even preach to the people of Oran the truth.
Dr. Rieux is absolutely an absurd hero because he does what he has to do. He still works as a doctor instead of hiding in fear, hoping to not get the plague like many other of the citizens. Of course, he does not want to fall ill, but he knows that should not stop him from completely ignoring his duties. Unlike many of his fellow citizens who just cowered in their home, he realizes his responsibility and lived up to his specific duty. Everyone’s belief was that the whole city is condemned to die, which was influenced by the priest's sermon, stating this is punishment for the sins of the townspeople, but Dr.Rieux ignored that and stayed to fight. "There's no question of heroism in all this. It's a matter of common decency. That's an idea which may make some people smile, but the only means of fighting a plague is – common decency." (Camus, The Plague). He does not give up and he does not show weakness. Dr. Rieux has a very similar personality to the character Sisyphus in The Myth of Sisyphus. Sisyphus is sentenced to roll a rock to the top of the mountain and then watch it roll back down, for eternity. “Man...
Camus uses repetition of dialogue to communicate the necessity of man to rise up and fight in a absurd world. Throughout, the chapter, Camus focuses on the words "see" and "eyes" to grab the reader's attention. In less than one page, Camus alludes to seeing or eyes four times. This technique is used by the author to communicate the point that if man is to survive in the world, he must "rise above themselves. All the same, when you see the misery it brings, you'd need to be a madman, or a coward, or stone blind, to give in tamely to the plague" (125). In this quote, Camus compares the two sides and that man can either see the reality around him and face it; or he can be blind and let the world win. In this chapter, Camus also elevates the plague, saying that it opens men's eyes and forces them to take thought (125). Tarrou gives an example of this when he says that the only survivor of the previous epidemic was the man who cleaned the bodies: the one who faced the reality of the situation was the only one to survive(130). A motif of the book, is habits and how they lead to bad faith. What the author is trying to do by introducing the plague is cause the citizens to wake up from their bad faith and face the reality of the world and be heroes in it. Through the artistic style of repetition Camus shows how man can be a hero in a world of
Albert Camus was a French writer who was very well known all over the world for his different works but especially with the idea of “absurdism”. Camus believed that something that was absurd was not possible by humans or logically. It was beyond ridiculous and therefore impossible. This was the basis of one of his most famous works, The Plague. The Plague is a novel that explores aspects of human nature and condition, destiny, God, and fate. The novel is about a plague that takes place in Oran, Algeria that is fictional, but it’s believed to be relatively based on a cholera outbreak in the mid 1800’s in Oran that killed thousands of people. Dr. Bernard Rieux is the protagonist but also is the narrator. However, he doesn’t admit to being the narrator until the end of the novel. Camus writes in the beginning that the instances in Oran are being told by witnesses of the plague. In The Plague, Camus wants his audience to read the book unbiasedly not knowing the narrator in order to take sides with the characters that one wants to and not to be persuaded by the narrators telling of the events.
Failure isn’t always something you have control of or have the ability to predict. Failure seems to happen at the worst of times; however we need to accept it, because you cannot always win. My greatest failure would be tearing my anterior cruciate ligament (ACL), my junior year in a lacrosse game, through no fault of my own in which my body physically failed me, but it truly changed my aspect of life in multiple ways.
In 1962, writer Mark Esslin took pleasure in composing the novel Theatre of the Absurd and quickly became a major influence on the works of many inspired writers. Esslin subsequently made ensuing plays and stories which focused on nonspecific existentialist concepts and which did not remain consistent with his ideas, rejecting the “narrative continuity and the rigidity of logic.” As a result, the protagonist of these stories is often not capable of containing himself within his or her disorderly society (“Theatre”). Writer Albert Camus made such an interpretation of the “Absurd” by altering the idea into his view of believing it is the rudimentary absence of “reasonableness” and consistency in the human personality. Not only does Camus attempt to display the absurd through studied deformities and established arrangements; he also “undermines the ordinary expectations of continuity and rationality” (“The Theatre”). Camus envisions life in his works, The Stranger and “The Myth of Sisyphus,” as having no time frame or significance, and the toiling endeavor to find such significance where it does not exist is what Camus believes to be the absurd (“Albert”).