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Ancient greece influence on western culture
Ancient greece influence on western culture
Ancient greece influence on western culture
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Advertisement: Greek Statue and Perfume While flipping through the pages of a fashion magazine, my fingers stop abruptly as my eyes catch an image of a nude man holding a clothed woman. The man has a muscular body and is effortlessly supporting the woman who's body is arched backwards, her arms hang in a swan-like manner. On the ground by her left foot lays a paint palette and her right hand is grasping a paint brush. The room that they are in appears to be a studio with press board floors, brick walls, and old unfinished wooden workbenches draped in cloth. The woman is painting a canvas with the image of the nude man. The foreground consists of the artist and the model, the painting and the easel, a stool, and a table with art supplies spread out on top. In the background, to the right of the canvas, stands a life-size statue of a woman facing the wall. The statue is a generic image of Greek statues from around 400 - 200 BC. In the right bottom corner of the page, a bottle of golden perfume called Tabu is superimposed on the page. The caption written in cursive reads, "Blame it on Tabu". There are many instances in which older art works are used in contemporary situations. There is everything from cartoon characters performing in the Colosseum to government buildings modeled after the Greek Parthenon. Images from centuries ago such as those from European cave art, ancient Egypt, ancient Greece and Rome, and from medieval Europe can be seen in magazines and newspapers, television and films, architecture of buildings, etc. These images use the concepts people already have of past artworks to create a specific tone, convey messages, or sell products. The magazine ad for Tabu uses a Greek styled statue to enhance the tone of ... ... middle of paper ... ...indow streaming natural light seems to be the only source of light in the room. It falls directly on the action, the man holding the woman. Their shadows then form flawlessly across the canvas and their profiles are in perfect shape. The statue, which is behind the canvas, is in complete shadows, again signifying the conservative part of the image that hides in the shadows. Why is this picture used to sell perfume? The action in the picture is meant to be something that we all desire. To get the perfume would mean that our wildest fantasies could come true. However, the Greek statue is needed to remind us that this in not always good. The beauty, passion, and classicism are all features of the overall image that are brought on by the clothes and lack of clothes, the idealness of the model's body, and the classic aura of the statue, all aspects of ancient Greece.
factors that made the work look as it is today. Most sculptures were seen as symbols of politics
...h case the government will be more inclined to respond to it because of this (Robinson 1-2). With Crimea now part of Russia, perhaps the people of Ukraine can have some self-determined actions.
Freestanding sculpture that decorated the early Classical Period of Greek Art consisted of predominantly male nude figures. The male body was used in seeking to create "more realistic ways to portray the human figure in painting and sculpture and to place figures in more realistic settings"(Stokstad pg 178). This portrayal of young men through freestanding sculpture revealed a sort of obsession with the male body in which society took on as the norm. As opposed to the Greek society, the one of today might associate nudeness with aspects of profanity and vulgarity because of the view that certain parts of the body are not to be seen by public eyes. A nude body of today may also be seen as sexy or provocative. This allows the public art form of yesterday to be replaced by the controversial art form of today.
November 1998, written for FILM 220: Aspects of Criticism. This is a 24-week course for second-year students, examining methods of critical analysis, interpretation and evaluation. The final assignment was simply to write a 1000-word critical essay on a film seen in class during the final six-weeks of the course. Students were expected to draw on concepts they had studied over the length of the course.
Marble imitations are highly valued because they are a form of appropriation used to preserve the memory of destroyed art works. By creating an appropriation of an Ancient Greek bronze statue, the Romans preserved some of the history of art we would have otherwise never known existed. Had they just melted down the bronze without care for the potential art history we would only know of the very few statues found in ship wrecks.
Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.
Kumar, D. (2006). Media, War, and Propaganda: Strategies of Information Management During the 2003 Iraq War. Communication and Critical/Cultural Studies, Vol. 3(1). Pp. 48-69.
Even more difficult than defining art is coming to an agreement of what constitutes art. Along this extensive history of debate came the consideration of whether film is art. Films were not considered an art form and had not been seriously debated until film theorist Rudolf Arnheim challenged what art could be with his theory. Arnheim, who claims that the more a film differs from reality the more it should be considered art, would certainly argue that a film like Black Swan (Aronofsky, 2010) is art in that it significantly displaces the viewer from their lived reality. He rejects the “assertion that film is nothing but the feeble mechanical reproduction of real life” (“Film Theory and Criticism” 228), instead postulating that human perspective and choices should be involved in the process of making a film to meaningfully shape elements of our lived experience. In Black Swan, director Darren Aronofsky uses multiple tools and aspects of the medium of film to create a surreal narrative. The film Black Swan qualifies as art by Rudolf Arnheim’s standards because of the ways that the viewers’ experience of the film differs from our experience of reality.
He discusses that Roman statues appear greatly similar to those of Ancient Greece, both in material and in style. The statues both from Greece and Roman Republic were made from slabs of marble and bronze. In both cultures, portraits were used as expressions of honor to both the living and the dead. They were often used in funerary spaces and sanctuaries. Stewart supports the same principle that the other critics have stated, that portraits and statues were used primarily by the wealthy and elite members of the republic. They decorated the public spaces of the people, as a reminder of leadership within the community and as a way to honor the authority’s power. Imperial portraits were used as a symbol of devotion and established the presence of a powerful empire, bringing the devotion towards the emperor
...ver wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God” (Fitzgerald 119), in stark contrast with Tom Buchanan’s cheating personality a week after his marriage with Daisy. Gatsby has a genuine care for her that is not apparent in the rich who recede back to their wealth at the end of the novel after the death of Myrtle, Wilson and Gatsby as if nothing happened.
Greek Art today is known as, "Classical Art." Some of the most famous Greek architecture was presented in the medium of: sculptures, pottery or even built in temples more than 2,000 years ago in ancient Greece. We know about some of the Greek masterpieces that have been lost, such works as: writings, journals and other remains of Greek history. Archeologists and scholars have been searching for centuries for the lost pieces with little success.
To be efficient, it must correspond to products and be relevant to people, expressing and sustaining competitive advantages. My image appears in Glamour, a specialized publication for women, where the cultural context is gender, thus providing a greater degree of authority and the intention is to promote the reputation and sales of the perfume. The image is a collection of signs, these signs may include paradigmatic and systematic elements such as the name of the perfume, the fonts used, the colors or the woman which appears with a green apple in her hand. ‘The goal of semiotics in the study of advertising is, ultimately, to unmask the arrays of hidden meanings in the underlying level, which form what can be called signification systems’ (Beasley et.all, 2002: 20). It is obvious that in the interpretation of an image controversies can arise and the meaning could be different from person to person due to the cultural level or ways of image analysis, because the reader approaches an image from a personal ideological perspective.
Using bright colors and subjective mood, Robert Grilley’s 1967 oil painting, the Pink Lady, depicts a man and a woman casually standing before an intensely colored background. Now exhibited at the Chazen Museum in Madison, WI, this stylized work of art conveys a fantastical, almost trippy quality of a 1960’s cocktail party and gives the viewer a sense of unease and glamour. This painting highlights two figures standing close to one another while adverting their eyes and gazing somberly away from one another. While both smoking, the two people play into their gender stereotypes as the man is dressed in a bright blue suit, and the woman in a vibrant pink cocktail dress. During the 1960’s when the painting was created, gender roles were both simultaneously being held to their traditional standards, as well as starting to push against the predetermined boundaries. Grilley’s characteristic color palette, the adverted gaze, and placement of the hands serve as symbols that deal with the complexity of gender norms and sexuality. By decoding these symbols, the painting promotes voyeurism, and encourages the viewer to dissect the role of women and their bodies. Because of its use of iconography, this painting when examined under gender theory, comments on the stereotypical gender roles and how
...of Porn Or The Porn Of Art: A Look At Sex In Modern Art. Web. 12 Nov. 2013.
Edgar Degas presents us with a pastel piece of a nude subject aptly titled “The Bath.” We are given an intimate view of a young female in the process of bathing herself. He made thorough use of the pastel and gave impressionistic texture. It’s worth acknowledging his innovative approach of depicting the female nude in a way his predecessors did not venture, as well as original compositional ideas and elements. However, this piece remains a canonical voyeuristic portrayal of a female nude and appeals to the male gaze.