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Compare the features of renaissance and a baroque sculpture
Reflection about art appreciation
Compare the features of renaissance and a baroque sculpture
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Marble imitations are highly valued because they are a form of appropriation used to preserve the memory of destroyed art works. By creating an appropriation of an Ancient Greek bronze statue, the Romans preserved some of the history of art we would have otherwise never known existed. Had they just melted down the bronze without care for the potential art history we would only know of the very few statues found in ship wrecks. Not only do they have historical value, but they also have story telling power. In the sculpture Hermes Infant Dionysis there is a story of protection is being told. The gaze of trust is a powerful message being conveyed through the sculpture. (Hermes Infant Dionysos, n.d.) We see another strong story being told in …show more content…
There are minor marks on the canvas showing the marks from the previous artist in Erased de Kooning Drawing, there are even holes in the canvas. Any kind of work that is erased to become something new is art, it just isn't as respectable in my opinion. There is a large amount of detail in Da Vinci's work whereas Raushenberg does not have any details at all. I respect Da Vinci's work more so than Raushenberg due to the simple fact that it is one-hundred percent his own work and not an erased art that belonged to someone …show more content…
(2008). The Alexander Mosaic. [online] Available at: http://alexandermosaik.de/en/ [Accessed 23 Sep. 2017]. Accademia.org. (2017). Michelangelo's Prisoners or Slaves at the Accademia Gallery. [online] Available at: http://www.accademia.org/explore-museum/artworks/michelangelos-prisoners-slaves/ [Accessed 22 Sep. 2017]. Da Vinchi, L. (n.d.). Self Portrait. [Paint on canvas] Italy. Doryphoros Naples Museum. (n.d.). [Marble Sculpture]. Hamill, A. (2011). What's Greek about a Roman Copy? | The Art Institute of Chicago. [online] The Art Institute of Chicago. Available at: http://www.artic.edu/exhibition/whats-greek-about-roman-copy [Accessed 23 Sep. 2017]. Hermes Infant Dionysos. (n.d.). [Marble Sculpture]. Roberts, S. (2010). [online] SFMOMA. Available at: https://www.sfmoma.org/artwork/98.298/essay/erased-de-kooning-drawing/ [Accessed 22 Sep. 2017]. Roman Venus Copy of Praxiteles. (n.d.). [Marble Sculpture]. Warrior A. (460-450 BCE). [Hollow Bronze
Kleiner, Fred S. A History of Roman Art. Boston, MA: Wadsworth, Cengage Learning, 2010. Print.
...ons. New York’s Metropolitan Museum of Art, the Louvre in Paris, and all other western museums contain vast collections of work from other parts of the world. These marbles symbolize the cultural property in all of the world’s museums, and this debate affects them all.
The layout of the museum makes it very easy to find works of art from different time periods. Since I have always been fascinated with ancient Greece and Rome, I knew exactly where to start my search. The Indian Triumph of Dionysus is on display directly at the top of the staircase leading up to the second floor. It is surrounded by many other artifacts from ancient Greece and Rome. As your eyes move across the room, catching a glint of gold here and pearly white marble there, it’s very easy to become overwhelmed for a moment. As I reached the top of the stairs, it was evident that the staging of this magnificent piece was carefully planned. The staff of the museum undoubtedly wants this piece seen by each and every visitor. The exhibit itself is well done. If you stand directly in front of The Indian Triumph of Dionysus, everything around you seems to fade away and tunnel vision sets in. As I stood in front of The Indian Triumph of Dionysus, diligently taking notes since photos are not allowed, I experienced an extreme spiritual connection to the past. I tried to put myself into the shoes of the author. What was his purpose? What d...
Sculpture is a medium that artists in ancient Greek commonly used to express spoken truths in an unspoken form. Every piece of ancient Greek sculpture has more than what the eye sees to explain the story behind the [in this case] marble.
1. Tim Cornell, John Matthews, Atlas of the Roman World, Facts On File Inc, 1982. (pg.216)
Burckhardt, Jacob, The Greeks and Greek Civilization, St. Martin’s Press, 175 Fifth Ave, New York, NY 10010, 1998.
...r. "Ancient Greece." Gardner's art through the ages the western perspective. 13th ed., Backpack ed. Boston, Mass.: Wadsworth Cengage Learning, 2010. 101, 123,129. Print.
Onians, John. Art and Thought in the Hellenistic Age: The Greek World View 350-50 B.C. London: Thames and Hudson, Ltd., 1979.
3)Dionysius, Earnest Cary, and Edward Spelman. The Roman Antiquities. Cambridge, Mass: Harvard UP, 1937. Print.
Guerber, H. A. Myths of Greece and Rome. New York: American Book Company. 1921. Print.
Antony Kamm ~ The Romans: An Introduction Second Edition, Published in 2008, pages 47, 93
Grant, M. (1962). Myths of the Greeks and Romans (1st ed.). Cleveland: World Pub. Co.
He discusses that Roman statues appear greatly similar to those of Ancient Greece, both in material and in style. The statues both from Greece and Roman Republic were made from slabs of marble and bronze. In both cultures, portraits were used as expressions of honor to both the living and the dead. They were often used in funerary spaces and sanctuaries. Stewart supports the same principle that the other critics have stated, that portraits and statues were used primarily by the wealthy and elite members of the republic. They decorated the public spaces of the people, as a reminder of leadership within the community and as a way to honor the authority’s power. Imperial portraits were used as a symbol of devotion and established the presence of a powerful empire, bringing the devotion towards the emperor
Sculpture is one of the most important parts of Greek art since it is almost the only art form that has survived in some quantity. The ancient Greeks were especially known for their sculpture because their sculptures were extremely life like and beautiful. It was important to the ancient Greeks to combine passion and reason in their sculpture. Greek sculptures were mostly of the human form since they looked at their gods as having a human form. All of the sculptures were nudes of males because society looked down upon female nudity until latter on in time when you started to see sculptures such as the Venus di Milo, which was modeled after Aphrodite (Wikpedia the free encyclopedia. Wikpedia.11 Nov 2004. 12 Nov 2004 http://www.wordiq.com/definition/Greek_art ). One of the most amazing sculptures is the colossus sculpture of Zeus in Olympia it was one of the 7 wonders of the ancient world. Ancient writers said that it stood 12.40 meters high, 6.65 meters long and 9.76 meters deep the body of Zeus was made of ivory followed by a robe made of gold topped with a silver olive wreath and his throne was decorated with mythological scenes painted by Panainos and Kolotis the statue itself was created by Phidos. Michael Lahanas. 25 Dec 2002. 11 Nov 2004 (http://www.mlahanas.de/Greeks/Arts/ZeusStatue.htm). Another great sculpture is the colossus Athena Parthenos. This sculpture just like the colossus statue of Zeus was made of gold and ivory and had various mythological engravings in her shield, helmet and pedestal.
The Romans have adopted many features from the Greek style of art and architecture during the third and second centuries B.C. During that time period the Romans discovered that they have taking a liking to Greek statues, which they placed in many different places. The Roman sculptors then decided to also start making statues alongside the Greeks. The statues that the Romans created were realistic looking with, sometime, unpleasant details of the body. The Greeks made statues with, what they thought of, ideal appearances in the statues figure. Sculpture was possibly considered the highest form of art by the Romans, but figure painting was very high considered as well. Very little of Roman painting has survived the tests of time.