Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Concept of self and philosophy
Philosophy on self
How can stereotypes affect individuals
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Developing a sense of self is an essential part of every individual in which each person's self-conception is a unique combination of multiple identifications, composed of gender, race, class and language. Although self-identity is a part of every individual, it is often lost when individuals migrate to another country. Hispanic women migrating to the Borderlands of the United States and Mexico experience a number of events, it begins with a sense of stigmatization, that arises from their race, culture, tradition and language, which differ from that of the pre-dominant Anglo-Saxon. This rejection impacts their identity, creating a sense of loss, dislocation, alienation, and isolation. How do these women living in the borderlands battle against …show more content…
this stigmatization and how are they able find or create a new identity within the dominant American and Mexican cultures? And what are the consequences of living in a sexed and gendered world? My research will examine how exploitation, rejection, marginalization, and racism against these women, have compelled them to attain a colonized identity. I will be using an interdisciplinary approach from Anthropology, Literary, Feminist, Latin and Linguistics Studies of the Borderlands and their intersections with theories of race, gender, and class. I will argue that Hispanic women navigate between various and often contradicting demands placed on them by the Borderland culture, that creates a lack of self-identity. The entrance of large numbers of newcomers into the U. S. creates identity issues for the larger community as well. The dominant group is challenged to consider ways to embrace or at least accept the concept of a social diversity. This dominant group, while secured in their own identity and citizenship, are forced by the presence of the newcomers to ask: “What is an American?” Dr. Mark T Montoya, assistant professor or ethnic studies, describes the many assumptions made by other scholars of their definition of citizenship and how it is linked to identity. He states, “the assumption is that the concepts of citizenship and identity are complementary and that each person and group experiences and practices citizenship in different ways” (Montoya). Through his Chicano/a studies, he finds that when crossing the border to the U. S., it also means crossing into a new system of classification. A new system where, the “Chicano/a often claim two, and sometimes more, nation-states” (Montoya). More importantly, Chicano/a often create unique spatial formations that have evolved under the different cultural codes and conditions” (Montoya). In his article he discusses how the immigrant people have been dealing with the sense of not belonging, and how the borders confine citizens. He blames the traditional citizenship process, and argues that it is only given to those with power. The lack of citizenship leaves others including the people of color, the poor and the women in the positions of second-class citizens, non-citizens or both, leaving them with the lack of identity. Consequently, when two cultures come in contact, a number of events may occur. For example, the process of stigmatization may be first in place. Women experience rejection from the new society, which in turn gives them a sense of not belonging. The effect on women forces them to try to correspond to adaptation, rejection and enculturation, “Many Chicano scholars view the borderlands as a site of political and cultural conflict, a contested terrain shaped by changing individual and collective definitions of belonging and not belonging to the borderlands” (Montoya). At the same time, he states, “many Chicanas often feel that it is tougher to be a Mexican-American than to be a Mexican or an American, because on both sides of the border, they are often viewed with negative stereotypes” (Montoya). As the Chicana woman tries to adopt the process of acculturation, when they come into contact, both cultures may experience some changes. In reality, however, one cultural group will often dominate the other group. Rejection status impacts identity, it includes experiencing at first a sense of loss, dislocation, alienation and isolation, which will lead to processes of acculturation. When individuals migrate they do not leave their beliefs or idioms of distress behind. A series of factors in the environment combined with levels of stress, the ability to deal with stress, and the ability to root oneself according to one’s personality traits, will produce either a sense of settling down or a sense of feeling isolated and alienated. The borderland is a place where families negotiate identities while interacting within changing social, political, and economic dynamics.
When women migrate from one nation or culture to another they carry their knowledge and expressions of distress with them. On settling down in the new culture, their cultural identity is most likely going to change and that encourages a degree of not belonging; they also attempt to settle down by either assimilation or biculturalism. Consider identity issues of women from the borderlands like feminist Gloria Anzaldua. Her life in the borderlands was a constant battle of discrimination from the Anglo, she was caught in a world of two cultures, various languages, and male domination, “She realized she had two options, to be the victim or to take control of her own destiny” (Borderlands). In her book, Borderlands/La Frontera, she discusses conflicts of linguistic, sexual, and ethnic identity that exists on the border of Mexico and the United States. Gloria Anzaldúa articulates in one of her chapters, “How to Tame a Wild Tongue”, that “ethnic identity is twin skin to linguistic identity;” the languages she possess wield extraordinary influence over her cultural identification (Borderlands). In her book she combines both Spanish and English to emphasize the significance of the position from which she writes, yet Anzaldúa also depicts the near impossibility of reconciling the cultures her speech reflects. When she speaks English, she speaks “the oppressor’s language” (Borderlands); when she speaks Chicano Spanish, she speaks “an orphan tongue” (Borderlands). As a result, the implications of language on her identity are, at times, problematic. Since the English speakers she must accommodate deem her tongue “illegitimate,” she deems herself illegitimate (Borderlands). Her life struggles in the borderlands compelled Gloria Anzaldúa to be resilient and even hopeful. She will use her native tongue to “overcome the tradition of
silence” indicative of life in the borderlands and, by speaking, establish her legitimacy (Borderlands). In addition, women have more pressure to maintain many aspects of their culture and pass it on to their children. Girls must learn be wary of men from the dominant culture. These expectations can create problems of identity for young women who are forced to set themselves apart from the larger group. Identity is an even larger issue for children of mixed parentage. “Who am I?” “Must I take sides?” The story of Julia Sanchez, by Latin American Studies Professor Renya Ramirez, argues that gender perspectives as well as the transnational perspectives should be considered so that other women like Julia Sanchez can achieve a sense of belonging. She narrates the personal life story of Julia Sanchez, born from a Mexican mother and Indian father. As migrant workers, Julia as a young child helped her parents by taking care of her siblings instead of going to school. Julia shares her many struggles as a child but mostly dealing with the discrimination from both sides of the family. When visiting her fathers side at the Indian reservation, she was rejected, “The kids on the reservation did not accept us too well either. We spoke Spanish and they said we did not belong up there” (Ramirez). This same rejection was felt when visiting her mother’s side of the family; she knew that her father was not welcomed because he was Indian. Julia Sanchez was living her childhood filled with confusion and a sense of not belonging, “So what are we supposed to do. The Mexicans in town would say that we were Indians, and the Indians would say that we were Mexican” (Ramirez). Julia and her family lived in the borderlands, but their conflicts were not so much with the Anglo-Saxon, but with their own culture, “Their mixed identity put them in the borderlands, between “authentic” identities neither Mexican not Indian” (Ramirez). Additionally, sensitivity toward other cultures does not imply unquestioning acceptance of patriarchal definitions of cultural identities and behaviors. We should ask ourselves why is the focus placed on women’s roles rather than other aspects of culture and traditions. Living in the borderlands is a cross between emotional and behavioral boundaries. Boundaries that most women living in geographical border rarely anticipate they will confront. We know that the sexual and gender role behaviors of women serve a larger social function beyond the personal. In most societies, women's sexual behavior and their conformity to traditional gender roles signify that of a family’s value system. Many women learn to contest the patriarchal narratives of ethnic solidarity and thus, change the content of some of those narratives. Ethnic Studies Professor Pablo Vila argues that there is an association between identity and gender, he focus on two classes of Hispanic women living in the borderlands, the fronteriza, (American born with Mexican ancestry) and the Mexican. He points out that stigmatization exists between these two races and the discourse in the complexity of gender, has created a distinction between the fronteriza women from the Mexican, neither of them fond of the other. Both classes battling against each other to construct a complex identity by using the elements of race, ethnicity, nation and class. Through his studies of women from both sides of the border, he concludes that identities are constructed from the inside.
In a story of identity and empowerment, Juan Felipe Herrera’s poem “Borderbus” revolves around two Honduran women grappling with their fate regarding a detention center in the United States after crawling up the spine of Mexico from Honduras. While one grapples with their survival, fixated on the notion that their identities are the ultimate determinant for their future, the other remains fixated on maintaining their humanity by insisting instead of coming from nothingness they are everything. Herrera’s poem consists entirely of the dialogue between the two women, utilizing diction and imagery to emphasize one’s sense of isolation and empowerment in the face of adversity and what it takes to survive in America.
Gloria Anzaldúa’s unique writing style in Borderlands/La Frontera creates a more simple understanding of the complexities of identity through the eyes of a feminist-Chicana writer. Anzaldúa uses long, fast paced descriptions, alternating languages, and feminist perspective to really keep readers engaged throughout the passages. Anzaldúa often allows readers into her intimate memories to create a better understanding of living as a Mexican-American in Texas.
Anzaldua grew up in the United States but spoke mostly Spanish, however, her essay discusses how the elements of language began to define her identity and culture. She was living in an English speaking environment, but was not White. She describes the difficulty of straddling the delicate changing language of Chicano Spanish. Chicano Spanish can even differ from state to state; these variations as well as and the whole Chicano language, is considered a lesser form of Spanish, which is where Anzaldua has a problem. The language a person speaks is a part...
Martinez, Demetria. 2002. “Solidarity”. Border Women: Writing from la Frontera.. Castillo, Debra A & María Socorro Tabuenca Córdoba. Minneapolis: University of Minnesota Press, 168- 188.
Sandra Cisneros’s "Mericans" Introduction This paper discusses the story ‘Mericans’ by Sandra Cisneros. The very name of the story ‘Mericans’ is a combination of two words i.e., Mexicans and Americans. The essay discusses the place of the text, the relation of the young people with the fact of being bilingual or having cultural differences. A character analysis has been developed of the narrator and focus has especially been placed on the reasons provided for cultural complexities mentioned in ‘Maricans’. This is another work of brevity and humor by Cisneros that are accessible even to those unfamiliar with the Mexican-American culture. This is another one of those man-bashing stories of Cisneros. The feminism of women of color, however, is complicated by ethnic identification. Cisneros is an ethnic author who offers only "positive" images of minorities talking about sexism in minority communities. In this story, Cisneros presents a work a conception of immigrant culture that is based on the model of European immigration to the United States. The Mexican-American War (1846-48), now the southwestern United States (including Texas and California) was part of Mexico. This is a Mexican family also that after the war, many erstwhile Mexicans automatically became U.S. citizens when it annexed the land where Mexicans had lived since the sixteenth century. One important theme in Cisneros's work is the heterogeneity of the Mexican-American community. Cisneros is, typically, more interested in detailing the dynamics of her own community rather than representing conflicts between Anglo-Americans and Mexican-Americans. Conflicts between Anglo and Latino cultures are, of course, present in Cisneros's writing, but they often take the form of ...
Suppose your mother has hammered into your head over years to marry a man unlike your father. You may not ever marry, you may even become a harlot. Now, suppose have six siblings and you are the only daughter. Your Mexican fathers’ only expectation is for you to marry. You end up not marrying, but always seeking your father’s approval. These are the fascinating cultural enriched protagonists in “Never Marry a Mexican” and “Only Daughter” by Sandra Cisneros. The cultural expectations of these women and the roles they decided to take went against what older generations had demanded or saw fit. These protagonists challenged these expectations with the roles they chose and I instantly became a fan. Sandra Cisneros is a Latina American
Like many Chicanos, she developed a strong sense of cultural belonging. This is primarily due to discrimination amongst neighboring Mexicans, whites, and anyone in between. Latinos and latinas would attack her, saying “...cultural traitor, you’re speaking the oppressor’s language, you’re ruining the Spanish language” (Anzaldua 412). It was this ethnic struggle that drove her to latch onto her cultural background so strongly. In the personal narrative “How to Tame a Wild Tongue” by Gloria Anzaldua, Anzaldua states “When other races have given up their tongue, we’ve kept ours. We know what it is to live under the hammer blow of the dominant norteamericano culture” (Anzaldua 419) when referring to the resilience of her native people. She states this in response to other cultural groups having abandoned their language, meanwhile they retained theirs. The Chicanos are aware of the harsh standards of North American society. By saying “When other races have given up their tongue, we’ve kept ours,” she means that even when other ethnicities have been pushed to eliminate their languages, her ethnicity stayed strong; they refused to cave in. Likewise, when Anzaldua states “We know what it is to live under the hammer blow of the dominant norteamericano culture,” she draws pride from her culture’s ability to fend off even the most suffocating adversities. In this way, Anzaldua conveys
The essay “How to Tame a Wild Tongue” by Gloria Anzaldua is relevant to today’s society, because it brings to discussion important social issues such acculturation, racism, and sexism. A major social event that she lived through and was an advocate of was the Chicano movement, which influenced her in her writing. This essay is not only written solely using her intelligence and research, it also comes from personal experience. Furthermore, she says that she will not be silenced anymore, that all people deserve the right to freedom of speech and the freedom to their culture. Not to have to submit to the dominant cultures found here in the United States. This essay is directed towards two groups
In order for an immigrant to survive in a new country they have to be able to adapt to a new community and expand their self concept. There is great plasticity in the self perception and identity of immigrant offspring. The memoir, The Woman Warrior, by Maxine Hong Kingston, does a good job in highlighting this statement. Her memoir shows the struggle of the older generation to adapt to American culture after migrating, it shows how the second generation contends with their dual identity, and how their unique perceptions emphasize the gap between the two generations.
In “How to Tame a Wild Tongue”, Gloria Anzaldua talks about her feelings about social and cultural difficulties that Mexican immigrants face when being raised in the United States. Anzaldua was raised speaking Spanish, but had to change her language because she was living in the United States, she had to speak a public language to survive in public society. “Pocho, cultural traitor, you’re speaking the oppressor’s language by speaking English, you’re ruining the Spanish language,” (Anzaldua 35). She was confused because she couldn’t speak every English and Spanish words. When she became a teacher, she was supposed to teach “American” and English literature, but soon she got fired because she taught her students about Chicano short stories, poems, a play. People thought the language Anzaldua use, ‘Tex-Mex’ is distorted, neither Mexican or American didn’t accept that language Anzaldua use. Anzaldua had to learn the English language in order to feel comfortable in public society. The single story told about Anzaldua is that the language she speaks is considered incorrect in this society, she was forced to learn English, because English is considered the language that should be spoken in her society. She mentions that people would tell her that she was speaking incorrectly when she states “In childhood we are told that our language is wrong. Repeated attacks on our native tongue diminish our
When Gloria Anzaldua writes in The Homeland Aztlan “this land was Mexican once, was Indian always and is and will be again” one can assume or conclude that she recognizes that the land was taken away from the Indians by Americans. Therefore, you can say that she catecterize the border as Indian Land. To my way of thinking,Gloria Anzaldua blends poetry, personal narrative and history to present the view and experiences of people affected by living in the borderlands and to establish credibility to the poem. On the other hand, this chapter and the two poems present a connection because the three of them express the drwabacks of being Mexican- American.
Many people appreciate their culture in many ways, for example, Gloria Anzaldua in “How to Tame a Wild Tongue”, she argues that Latin Americans are forced to abandon their heritage and be submissive to white society, in order to persuade English speaking Americans to accept different social identities. Gloria Anzaldua discusses that on the border, the language is getting forgotten. Living in the lands between America and Mexico seems to be a place of confusion, of separation, of not knowing to which side you belong. “Nosotros Los Chicanos straddle the borderlands. On one side of us, we are constantly exposed to the Spanish of the Mexicans, on the other side, we the Anglo’s incessant clamoring so that we forget our language (62). Gloria clearly talks about the importance about getting accepted by who we are and not trying to be someone that society sees because of their culture. One of the example everyone one of us have a story to tell about how our culture personally affect us and how meeting people from another country made us more comfortable into accepting each culture and beliefs without judging others because of their
Anzaluda’s mixture of Spanish and Indian culture pulls her in different directions and away from her primary culture. This metaphorical whirlwind causes a loss of identity, and it forces her assimilate to Caucasian culture in order to be accepted in society. When a person has biological parents of different races and ethnicities, that child experiences life as a racially-mixed individual. Essentially, the child is straddling the racial, cultural social and economic divide between two worlds. He or she child does not actually have a mental or sometimes physical safe space to which they can feel that they belong. Even in the company of their own “people,” these children feel a constant sense of otherness. When a person lacks a single, firmly established identity, they run the risk of becoming lost in the chasms between worlds. In a sense, this means that these people are devoid of an actual a place that they can feel strongly rooted in and call home.
The piteous nature of sexism, abuse and how it can be overcome by the power of a voice and strong relationships, is exhibited in the inspiring novel, The Colour Purple by Alice walker. Set in rural Georgia in 1910, protagonist Celie narrates her unfortunate life through confessional and religious letters written for god. Being verbally, physically and sexually abused, Celie's confidence is at an all time low. She sees the world in a skeptical manner focusing her writing on her feelings. When she starts developing strong female relationships, her outlook on life changes, as well as her writing style. Walker expresses that your past does not dictate your future and by altering your mindset and establishing powerful relationships, you can become a stronger person.
Abraham Maslow believes that a sense of belongingness is the most essential part of life; only after breathing, eating, and sleeping. Without a sense of belongingness people can become lonely and accordingly, loneliness can cause people to feel, empty, alone, and unwanted. A series of recent studies have shown people without connections and relationships with people are more susceptible to drug and alcohol addiction. The state of being, in which one feels a sense emptiness does not only have negative effects on both physical and mental health, but it is also transmittable. However, relationships can help battle issues with loneliness. Therefore, for one to feel a sense of belongingness relationships, connections, and bonds are vital. In order to live a happy and healthy lifestyle, people need to feel like they belong.