A dominant rhetorical strategy presented by the author was his use of formal tone which made his article more official. The author explains his point of view in how banning words in music such as hip-hop and rap would be beneficial using strict arguments. Also, the author detached himself from the article and did not use the first or second point of view. In addition, in paragraph 9 the author wrote “it would” as an alternative of “It’d”, in paragraph 10 “that is” as a replacement for “that’s”, and in paragraph 11 “it is” rather than “it’s”, which concludes that he used full words and did not simplify or use contractions in most of his words. He also spelled out the National Association for the Advancement of Colored People when he wrote
its acronym. Moreover, the author was unbiased and was not influenced by other people’s opinion thus he made sure his article was written in an objective matter, he offered a full explanation to all of his points. In the “Keeping it real” and “Looking inward” paragraphs, the author introduced, elaborated, and concluded these points very well, making sure he was as detailed as possible.
For example, the essay discusses the problem of there not being enough eligible Black men attending college (Henry, West, & Jackson 245). The definition of eligible could be interpreted as attending college and on a path to some sort of success. Because there is a shortage of eligible young men “Black females believe that they must succumb to the whims and pleasures of men in order to find a mate” because this is the image being shown to them when young ladies in hip hop videos do seductive things in order to gain the attention of the a male (Henry, West, & Jackson 245). One of the most terrible effects is that the music destroys black women 's self perception making it hard for young Black women to “ exhibit personal pride” (Henry, West, & Jackson 245).
Black art forms have historically always been an avenue for the voice; from spirituals to work songs to ballads, pieces of literature are one way that the black community has consistently been able to express their opinions and communicate to society at large. One was this has been achieved is through civil disobedience meeting civil manners. In this case, it would be just acknowledging an issue through art and literature. On the other hand, there is art with a direct purpose - literature meant to spur action; to convey anger and shock; or to prompt empathy, based on a discontent with the status quo. That is, protest literature. Through the marriage of the personal and political voices in black poetry and music, the genre functions as a form
The genre of this article is an editorial. When the audience reads an editorial, they know there is going to be strong opinions and most likely some bias. With the genre of an editorial, though, readers are going to observe phrases and opinions authors would not use in other genres. An example of this is where The Editorial Board says “They are not asserting that black lives are more precious than white lives. They are underlining an indisputable fact — that the lives of black citizens in this country historically have not mattered, and have been discounted and devalued.” (Editorial Board, screen 4) Throughout the article, The Editorial Board included ethos, logos, and pathos in various ways. The Editorial Board represents itself very well and seems to have impeccable credentials and authority. The Editorial Board seems very trustworthy because of the members’ credentials and how publicized The Editorial Board’s editorials are. In the article, facts and evidence are found periodically, meaning that the article is factual to an extent. The Editorial Board presents more facts and evidence that are in support of African Americans than Caucasians, meaning that there is some bias in this article. There are some direct observations included in the logos also. The Editorial Board attempts to invoke an emotional response by saying “The movement sought a cross-racial appeal, but at every step of the way used
The words “civil rights” trigger a sense in the human mind. One of remorse, passion, and hope in a cause worth fighting for. Those weathered by its raging storms refer to it as a turning point in American life after over a century under segregation that can only be described as a necessary silence that African Americans were forced to take on the matter. However, the human mind found itself a way to express those feelings that flowed from its veins. That expression of power and revolt was music. Music acted as the horses that pulled pearlescent chariots of liberty and freedom to the front doors of the White House through public protests, involvement of musical artists, and its impact on the lives and culture of those who were oppressed. As a person against “civil rights”, it was viewed as a very simple matter, the music of the era was the devil’s work and needed to be stopped. Those approving of “civil rights” just pushed the activists further and further to the freedoms they believed that African Americans deserved.
Music can be reflection of our life experience. Each genre of music invokes different emotions and reactions in it's listeners. Rap has become a very popular genre in today's society. Is today “Gangster rap” and rappers exploiting society, introducing drugs and instigating violence? In the mid-1980s Gangster rap came to be portray images of violence, guns, gangs, drugs, and sexism. By the 1990s rap music became a major part of the industry and topped the charts. As people begin to operate different things; different music was engendered and that contributed to the variety of music that we have today. This is one of the many things that makes America different but is astringently under looked by everyone. There are many types of different raps
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
Music is one of the most powerful and influential language which to many people in
Hip-hop began in the undergrounds in Bronx New York in the early 1970s and has gradually grown to become mainstream music. According to Lori Selke a professional writer for Global post, “hip-hop is the term that refers to more than just a musical genre; it includes culture, dance, art, and even fashion” (Selke). Since it originated in the 1970’s, hip-hop has had profound influence on society, and has grown into the lives of listeners worldwide; hip-hop’s influential power is astonishing. Within the last decade, hip-hop artist like Jay-Z, Nas, and Young Jeezy helped to increase voting in the 2008 presidential campaign by informing a hip hop audience consisting of a majority of African Americans on soon to be 44th President of the United States, by using their voice and lyrics as their tool to encouraging people to stand up for a change by voting. According to Emmett Price in his book Hip Hop Culture (2006), “in the early years prior to the rise of recorded rap music via Sugar Hill Gang’s controversial “Rapper’s Delight” (1979) hip-hop was a growing culture driven by self-determination, a love for life, and a desire to have fun [through entertaining fans and expressing themself].” (Price) Although artists today accomplish the same things, the focus of the lyrics has changed consisting of “extolling violence, drug and alcohol use, and detailing sexual exploits” (Selke). If one were to observe the most popular music from artist in the 80’s until now, they would notice a definitive change in its overall message. If hip-hop continues on its current route it will become a musical genre known solely for its references to sex, drugs, and violence.
Nowadays if you ask someone to define the hip-hop genre, they probably would say that it’s an African American artist reciting lyrics that rhyme to the beat of music. However, it’s a form of expression where the artist’s lyrics connect to self-image and a meaningful bond to their community. The purpose of my paper will outline the true reality of hip-hop through urban black communities, the act of spreading positivity, and the techniques of hip-hop sounding.
The influence of Hip-Hop has never been as great as it is in this day and age. Often dismissed by a majority of America as simply a fad, hip hop has become a global phenomenon and has arguably been the most popular form of music for the past three decades. Hip-Hop has influenced art, language, fashion, culture, and sports. This music has been used to teach elementary level children, it has been taught in undergraduate universities and serves as a bridge for hundreds of philanthropies. The influence of Hip-Hop has also been felt in films. These films range from fictional works, documentaries, and autobiographies. A film known as, Something from Nothing by famous rapper Ice T sheds light on elements within Hip-Hop that have enabled the genre to reach millions of people.
My first ad that i chose uses ethos. Its clearly ethos since Eminem is seen driving the car throughout the ad. The second ad uses pathos because they show a cute dog throughout. They also show a family having good times together. They try to attract your emotions in this ad.
In recent discussion of hip hop culture, a controversial issue has been whether if hip hop makes people believe that money is everything you need to get respect and power. Some argue that you need to build respect and by building respect you become powerful and that will lead you to money. On the other hand, however, others argue that hip hop life helped them a lot by writing the lyrics and saying the things that they can’t do or say. One of this view’s main proponents, “money brings power, ” according to this view, people who have more money will get more power and then they usually use this power to do the most disturbing activities, such as crime. In sum, then, the issue is whether having too much power is good or it’s just a life destroyer.
Public Enemy created a pro-black anthem that contains a blunt message for the African-American community: push back the status quo, and one could also argue—literally—the leadership that has oppressed the black community for centuries. The social message behind
The Language of Hip Hop Before I detail how authenticity is constructed in Hip Hop, it is important to distinguish the ways in which I use the term throughout this paper. Many scholars use Hip Hop and rap interchangeably, however, I find this usage problematic due to its erasure of Hip Hop as a standalone cultural system. Rap is a musical genre that infuses rhythmic verses over bass lines and sampled beats while Hip Hop is the subculture that rap music exists within. More specifically, Hip Hop is comprised of four key elements: DJing (aural), rap (oral), b-boying/b-girling (movement), graffiti (visual). This is important to distinguish since it helps to explain how it functions as a cultural system and that the foundation that it is built
The author has been quite drastic with the use of words. He has used really strong words like “incarcerated, flippantly, constitutively fraught, maligned, categorical imperative” (Goldberg)- words like this might be hard for some people to understand. Also the use of sentences like “The universalization politics of ‘All lives matter’ is one of racial dismissal, ignoring, and denial” (Goldberg), “There are slippages on strategy, sometimes a lack of clarity on what is being demanded of political candidates as a result of BLM interventions……. representatives”, “Compelling social movements are struggles against entrenched structures and cultures of entitlement, self-protected privilege, and unquestioned institutional access on the part of the anointed to the exclusion of the unbelonging” (Goldberg) shows the extent to which someone could baffled by the sheer vagueness of the information. Statistics like “We are a better humanity because of the deep reflection and insight black intellectuals and artists have provided about what it means to survive in the face of repression, humiliation, and death, from Frederick Douglass and Sojourner Truth to James Baldwin and Toni Morrison.” (Goldberg) are arranged in such a