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Bennett, Geoffrey. "Hip-Hop: A Roadblock or Pathway to Black Empowerment?
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“Fight the power. We’ve got to fight the powers that be.” These potent lyrics make up the hook of Public Enemy’s hit track, Fight the Power. As soon as the song begins, an excerpt from a civil rights activist is introduced, setting the mood for the uplifting and empowering message that follows—making references to several black icons such as James Brown, Malcom X, and many more. Fight the Power, as one can tell from just the title, is a candid song filled with resistance and defiance. Public Enemy created a pro-black anthem that contains a blunt message for the African-American community: push back the status quo, and one could also argue—literally—the leadership that has oppressed the black community for centuries. The social message behind …show more content…
While during the phonograph era, racism was more public and apparent, blacks have had to continuously deal with the systematic oppression of their culture. It is from this oppression that a sense of resistance against the norms of musical ownership formed, beginning with Harry Pace and continuing today with Hip Hop. Public Enemy’s “Fight the Power” is the perfect culmination of this trend, combining lyrics that speak to the oppression of African Americans and a multitude of samples. It is Public Enemy’s heavy use of samples that highlights its challenge to musical ownership. By sampling other songs, Public enemy continued the trend of redefining musical possession, pushing the boundaries on what it meant to “own” music. Hip Hop opened a gate for possibilities that were once never imagined. Black artists in the late twentieth century did no play by the rules; the tactics they used were unprecedented: “whether it was cassette decks, turntables, or—later—digital samplers, hip-hop artists made their electronic equipment do things for which the equipment was not originally intended, opening up new creative possibilities” Beginning with technology, Hip Hop artists challenged the status quo and continued doing so when they applied these technologies to their music. By inventing new ways to create music, Public Enemy and other artists within Hip Hop helped redefined black music and the meaning behind owning music. As Hip Hop today makes up a significant portion of popular culture, it will be interesting to see how Hip Hop will continue to push both musical and societal boundaries. What will its next step
Before beginning to analyze both Motown and Stax Record’s influence on black consciousness it must first be understood why black consciousness itself can be seen as a step in the right direction in the fight against black struggle. Brian Ward does a great job of capturing the true success of soul music’s influence on black consciousness. Ward says, “[Black radio’s] real strength… was its ability to dramatize and celebrate shared aspects of the black experience… to promote a revived sense of black identity, pride, solidarity and common consciousness” (Ward 449). In his book, Ward also points out that despite this successful development of black consciousness, there was limited success both economically and structurally on behalf of the black music industry. This shows that even though ther...
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
Motown paved the way for future artists to explore themselves. It helped created the grounds of a great music and cultural integration in the 1970’s to now and hopefully forever. Hip Hop’s arrival was credit to Motown triumphs in the musical world. Through the mixing of percussion and the rhythm of the drumbeats of funk and disco, hip hop revealed the opposition to social inequality and discrimination
Black anthems have a long standing history that can be traced through their African roots to modern day songs. Political groups have used these anthems to both lead and thrown into crisis their aims and objectives of their political messages. Not only have anthems been used in political areas they have also been used to showcase the culture at the time of their prominence. These anthems have many benefits such as uniting people together for certain causes, however, some of the anthems drawbacks are that they have been nearly forgotten as their respective political groups have faded away into history. The book Anthem: Social Movements and the Sound of Solidarity in the African Diaspora by Shana L. Redmond proves that anthems have been used
Since the early to mid 90’s, hip-hop has undergone changes that purists would consider degenerating to its culture. At the root of these changes is what has been called “commercial hip-hop". Commercial hip-hop has deteriorated what so many emcees in the 80’s tried to build- a culture of music, dance, creativity, and artistry that would give people not only something to bob their head to, but also an avenue to express themselves and deliver a positive message to their surroundings.
Swedenburg, Ted. "Homies in The ‘Hood: Rap’s Commodification of Insubordination." Rpt. in That’s the Joint!: The Hip-Hop Studies Reader. Ed. Murray Forman and Mark Anthony Neal. New York, NY: Routledge, 2004. 579-591. Print.
...olka, Petr Bc., and Jeffrey Alan Vanderziel. “Black or White: Commercial Rap Music and Authenticity.” Masaryk University Faculty of Arts, Department of
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Black culture in our society has come to the point where it is allied with pop culture. The most popular music genres, slang terms, to dance forms it all comes from black culture. Hip hop emerged from black culture, becoming the soul of it that is seen in the media. Hip hop helped the black community by creating new ways of expressing themselves, from breakdance, graffiti, rap and other music, to slang. This culture was rooted in their tradition and created from something new. Hip hop created a new form of music that required the use of turn tables, ‘cuts’, loops, rhythm, rhyme, stories, and deep-rooted emotions, but also incorporated black oral forms of storytelling using communal authors.
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .
Hip-hop is moving backwards in the sense that it is regaining its revolutionary and activist voice, as more independent artists are claiming control of the spotlight. Hip-hop is moving forward in the sense that it is no longer catering to one general sound, and corporate labels are losing their grip on the images that get displayed to the masses. Hip-hop is becoming more local. Hip-hop is becoming more about the experience, and less about what is hot and on the top 100 right now. Hip-hop is catering more to the individual’s unique taste, rather than mass-producing one sound and one message. Hip-hop, in the future, will be able to truly uphold its title as “the people’s genre” again. Hip-hop is being reborn, and being returned to a state that runs on artistic investment rather than commercial
Race and feelings of injustice are intertwined into the very roots of hip hop music. African-Americans have long felt exploited and undervalued and have further used hip hop as an outlet and a form of media to portray their feelings of injustice. Killer Mike, Tef Poe, and Gyasi Ross write about “whiteness” and the privilege associated to demonstrate that a majority group’s privilege is actually a method to suppress and ignore the people below, causing many in need to feel demoralized and broken. “Whiteness” is a social construct that portrays people of Caucasian descent as elite, more intelligent, more abled bodied people than people of color. Furthermore, “whiteness” has been used as a way of segregating people of ability and importance
Public Enemy, though controversial, was a band crucial to the late 80’s - a time when the civil rights movement was at a standstill, and various other artists such as N.W.A. were feeding society's stereotypical ideas of low income African Americans. It Takes a Nation of Millions to Hold Us Back is an extremely powerful album as it discusses and expresses emotion on a range of issues both political and social plaguing American society at the time. It touches on the topics of black pride, stereotyping, media libel, and the oblivious nature of many citizens. Public Enemy was angry, and had every right to be. The society they lived in was not fair to them, and the used their music to speak up and protest the injustices they and other African Americans faced daily.
In the song, “Glory” by John Legend and Common, a form of oppression they sing discusses racism and police brutality. “Glory” however also serves as a form activism which responds effectively to racism and police brutality through different verses. Oppression
The song that I choose to do this assignment on is Fight the Power by Public Enemy. Fight the Power was written in 1989 and quickly became a street anthem for millions of youths. It reflects with issues dealing with both the Civil Rights Movement and to remind everyone that they too have Constitutional Rights. This particular song is about empowerment but also fighting the abuse of power that is given to the law enforcement agencies. It gave citizens of the U.S a more modern outlook on the many struggles that not only the African American community is up against but the other minority groups as well. The song’s message was eventually supposed to bring people together and make the world a better place, even though some teens saw it as a way