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Hip-Hop Culture and Contemporary Race Relations
Hip hop music as black music essays
Hip hop music as black music essays
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Recommended: Hip-Hop Culture and Contemporary Race Relations
Race and feelings of injustice are intertwined into the very roots of hip hop music. African-Americans have long felt exploited and undervalued and have further used hip hop as an outlet and a form of media to portray their feelings of injustice. Killer Mike, Tef Poe, and Gyasi Ross write about “whiteness” and the privilege associated to demonstrate that a majority group’s privilege is actually a method to suppress and ignore the people below, causing many in need to feel demoralized and broken. “Whiteness” is a social construct that portrays people of Caucasian descent as elite, more intelligent, more abled bodied people than people of color. Furthermore, “whiteness” has been used as a way of segregating people of ability and importance …show more content…
Gyassi Ross in the song “White Privilege III” he responds to Macklemore’s song “White Privilege” by writing, “White privilege is making a song out of someone else’s pain/ Making a million off of it, then doing it again/ Find a new cause next time, this is all personal gain” (69-71). “Privilege” is the ability to act with immunity or with advantage regardless of whether or not what the individual is doing is just. “Privilege” is the advantage many whites have, allowing whites to feel safe, without judgment, or being characterized in a negative light. “Pain” is the feeling of neglect and abuse people in need feel. “Pain” is the feeling many people without privilege feel — a feeling of hopelessness and defeat. A “cause” is an awareness program that educates people on an option and hopefully strives to eradicate or assist in the issue at hand. A “cause” is how people in the media look at “Black Lives Matter,” but a cause that only further exacerbates the problem and exploits the situation. “Gain” is to increase one’s wealth or status through a venture of some sort. A “gain” is the feeling those who exploit the police brutality issue feel, only to increase their status and hinder those at need from rising up. The media has consistently taken advantage of those in need, only to increase their wealth and viewership, all while negating the harsh reality and feelings of hopelessness those in need
A Lesson Before Dying by Ernest J. Gaines takes place in Louisiana in the 1940’s. When a young African American man named Jefferson is unfairly sentenced to death, school teacher Grant Wiggins is sent to try to make Jefferson a man before he dies. Throughout the novel, racial injustice is shown in both Jefferson and Grant’s lives in the way other people view them.
In her article “From America’s New Working Class”, Kathleen R. Arnold makes clear that welfare/workfare recipients are treated like prisoners or second class citizens. Likewise, In Michelle Alexander’s article “The New Jim Crow” she describes how blacks is made criminals by a corrupt criminal justice system. Alexander also points out in her article “The New Jim Crow” that shackles and chains are not the only form of slavery. Furthermore, Alexander states that although America is thought of as the home of the free, blacks are more likely than any other race to be arrested, unemployed, or denied housing. Freedom is not an absolute value in America, as slavery is more ubiquitous than ever.
They frequently kill stories they dislike and in other ways inject their own preferences.” (p. 61). Michael informs the reader how it is rare to see media portray attention to those who are poor and who are undergoing financial instability. In Mass Media: For the Many, by the Few, the author, Michael Parenti, persuades the reader by providing a variety of facts to support his claim. This article is persuasive because it has valid resources to convince that the media is mostly ran by higher corporations. After reading his writing, I was able to see that the media does not illustrate every side to every story. There is much more to nation/world issues than just rich politics, and private
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
“Blacking Up” is an inspirational and eye opening film that looks at racial identity through hip hop and its culture. The film explores the tensions that surround white identification with the hip hop culture. Typical white people identify hip hop with responses that are uncharacteristic. They are termed as a “wigger” or “wannabe” who think they can become part of a strong culture. The film clearly identifies these people as those trying to connect with others who usually won’t accept them. I have watched this film before for my Hip Hop class in high class and was happy to watch it and learn more about the hip hop community.
As hip hop culture became prevalent in pop culture, so did black culture. Hip hop stems from black struggle. Their vernacular, songs, and spiritual ways were different from what whites were used to. Their different lifestyle of “living on the edge” was intriguing yet inaccessible for the whites living among them. Thus, this initiated America’s fascination with the culture. It became about what people assume and perceive about black people rather than what they actually are. In essence, an essential to cool is being on the outside, looking in. In the media and celebrities today,
Disproportionate Incarceration of African Americans The disproportionate numbers of African Americans in the prison system is a very serious issue, which is not usually discussed in its entirety. However, it is quite important to address the matter because it ultimately will have an effect on African Americans as a whole. Of the many tribulations that plague Americans today, the increase in the number of African American men and women in prisons is unbelievable. It would be nave to say that the increase is due to the fact that more African Americans are committing crimes now than before.
George covers much familiar ground: how B-beats became hip hop; how technology changed popular music, which helped to create new technologies; how professional basketball was influenced by hip hop styles; how gangsta rap emerged out of the crack epidemic of the 1980s; how many elements of hip hop culture managed to celebrate, and/or condemn black-on-black violence; how that black-on-black violence was somewhat encouraged by white people scheming on black males to show their foolishness, which often created a huge mess; and finally, how hip hop used and continues to use its art to express black frustration and ambition to blacks while, at the same time, refering that frustration and ambition to millions of whites.
Prior to World War I there was much social, economic, and political inequality for African Americans. This made it difficult for African Americans to accept their own ethnicity and integrate with the rest of American society. By the end of World War II however African Americans had made great strides towards reaching complete equality, developing their culture, securing basic rights, and incorporating into American society.
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question: “whether hip-hop is, in fact a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead” (9). An often heard phase, “hip hop is dead,” refers to the high occurrence of gangster rap in mainstream hip hop. Today’s hip hop regularly features black youths posturing as rich thugs and indulging in expensive merchandise. The “hip hop is dead” perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops’ criticisms. This essay will examine the past and present of hip hop in o...
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
By focusing on those who have taking advantage of others, some chose to believe poor people deserve to be poor due to media perceptions, the assumption of those in poverty not working hard enough, and through government aid. The media plays a large role in shaping society’s view of the world and those involved in the society. This especially effects those living in poverty. There is a strong stigmatism on those living in poverty.