Afrocentrism In Public Enemy

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Public Enemy, though controversial, was a band crucial to the late 80’s - a time when the civil rights movement was at a standstill, and various other artists such as N.W.A. were feeding society's stereotypical ideas of low income African Americans. It Takes a Nation of Millions to Hold Us Back is an extremely powerful album as it discusses and expresses emotion on a range of issues both political and social plaguing American society at the time. It touches on the topics of black pride, stereotyping, media libel, and the oblivious nature of many citizens. Public Enemy was angry, and had every right to be. The society they lived in was not fair to them, and the used their music to speak up and protest the injustices they and other African Americans faced daily. …show more content…

Merriam-Webster defines Afrocentrism as the “emphasis on African culture and the contribution of Africans to the development of the western world.” Essentially it is the glorification and pride of African American culture and progress. Public Enemy shows this through their song Don’t Believe the Hype. In this song, Public Enemy calls attention to the media and societal portrayal of African Americans. “They claim that I'm a criminal. By now I wonder how some people never know the enemy could be their friend, guardian. I'm not a hooligan.” Public Enemy is expressing the fact that though they are seen in this light, it is not true, and they are still proud to be who they are. They’re encouraging people to open their eyes and realize that African Americans are just like white people; they aren’t a stereotype and do not all fit into one large generalization. But, no matter what is said about them, Public Enemy is proud to be

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