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Hip hop's effect on popular culture
Hip hop's effect on popular culture
The influence of Hip Hop culture on society
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The influence of Hip-Hop has never been as great as it is in this day and age. Often dismissed by a majority of America as simply a fad, hip hop has become a global phenomenon and has arguably been the most popular form of music for the past three decades. Hip-Hop has influenced art, language, fashion, culture, and sports. This music has been used to teach elementary level children, it has been taught in undergraduate universities and serves as a bridge for hundreds of philanthropies. The influence of Hip-Hop has also been felt in films. These films range from fictional works, documentaries, and autobiographies. A film known as, Something from Nothing by famous rapper Ice T sheds light on elements within Hip-Hop that have enabled the genre to reach millions of people. Most people believe that they know what hip hop is. Yet, these same people are more familiar with rap music than hip hop. Rap music tends to b the music broadcasted on television and radio stations alike. Hip-Hop itself is relates to a culture and history of peoples. Hip-Hop tells the stories of people oppressed in urban ghettos in all cities, and it promotes change and a transition in those oppressed. Dr. Charles Pinckney author of The Influence of Hip Hop Culture on the Perceptions, Attitudes, Values and Lifestyles of African American College Students states that "Hip hop culture is a form of musical art in words and stories that describe critical messages that are spoken over music" (Pinckney). William Boone who has conducted research in hip hop best explains the phenomenon of Hip Hop as, " Art in "the hood". Hip Hop is the antitheses of economic discrimination and social alienation in Americas impoverished African American communities" (Boone).These origins of ... ... middle of paper ... ...ts out to do, the art of rap and hip hop. That is the skill, talent, and ability that one must have in order to rhyme. Yet, the movie seems to not provide enough historical background or inform the audience of the cultural aspect of Hip Hop. Had the movie went deeper into the origins of Hip Hop then the audience would be able to get a fuller grasp about all the elements that are truly entwined in such a genre. Works Cited Blanchard, B. (2014). THE SOCIAL SIGNIFICANCE OF RAP & HIP-HOP CULTURE. [online] Boone, W. (2010). The Beautiful Struggle: An Analysis of Hip Hop Icons, Archetypes, and Aesthetics. 1st ed. Ann Arbor, Michigan: University of Michigan Pinckney, C. (2007). The influence of hip-hop culture on the perceptions, attitudes, values, and lifestyles of African-American college students. 1st ed. Something from Nothing: Art of Rap. (2012). [DVD] Ice T.
A dominant rhetorical strategy presented by the author was his use of formal tone which made his article more official. The author explains his point of view in how banning words in music such as hip-hop and rap would be beneficial using strict arguments. Also, the author detached himself from the article and did not use the first or second point of view. In addition, in paragraph 9 the author wrote “it would” as an alternative of “It’d”, in paragraph 10 “that is” as a replacement for “that’s”, and in paragraph 11 “it is” rather than “it’s”, which concludes that he used full words and did not simplify or use contractions in most of his words. He also spelled out the National Association for the Advancement of Colored People when he wrote
Hip Hop’s according to James McBride article “Hip Hop Planet” is a singular and different form of music that brings with it a message that only those who pay close attention to it understand it. Many who dislike this form of music would state that it is one “without melody, sensibility, instruments, verse, or harmony and doesn’t even seem to be music” (McBride, pg. 1). Though Hip Hop has proven why it deserves to be called music. In going into depth on its values and origins one understands why it is so popular among young people and why it has kept on evolving among the years instead of dying. Many of Hip Hop values that make it unique and different from other forms of music would be that it makes “visible the inner culture of Americas greatest social problem, its legacy of slavery, has taken the dream deferred to a global scale” (McBride, pg. 8). Hip Hop also “is a music that defies definition, yet defines our collective societies in immeasurable ways” (McBride, pg. 2). The
The film Hip-Hop: Beyond Beats & Rhymes is directed by filmmaker Byron Hurt. The film was released on January 24th, 2006. Hip-Hop: Beyond Beats & Rhymes is a documentary that looks at issues within hip-hop issues such as masculinity, sexism, violence, and homophobia. The problem I see in hip-hop/rap culture is the promotion of violence, sexism, and homophobia. Most artists don’t practice what they preach or rap about. They might rap on a track promoting gun violence to teens but the same rapper never touched a gun and he has a degree. Many artists also down play the effects their lyrics have on the youth.
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
The movie Style Wars, directed by Henry Chalfant and Tony Silver, is a documentary about the lives of hip-hop artists and how they influenced New York. Hip-hop is a culture known for having the key styles of rapping, breakdancing, and graffiti. In the early 1980s, hip-hop was a form of art used by all sorts of people varying from young to old. Hip-hop was a way to let one be recognized by everyone in the city, but specifically, most hip-hop artists aimed to be recognized by their fellow hip-hop comrades. Most, if not all of the people that did not comprehend the nature of hip-hop, thought that hip-hop artists were going against the system and used hip-hop as a form of rebellion. Hip-hop was a revolutionary “bomb” that led to the transformation of New York and led to the birth of a new culture.
Since the early to mid 90’s, hip-hop has undergone changes that purists would consider degenerating to its culture. At the root of these changes is what has been called “commercial hip-hop". Commercial hip-hop has deteriorated what so many emcees in the 80’s tried to build- a culture of music, dance, creativity, and artistry that would give people not only something to bob their head to, but also an avenue to express themselves and deliver a positive message to their surroundings.
In black media today the hip hop culture is often referred to when defining what it means to be a black person in society. In particular the
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.
Hip hop is both a culture and a lifestyle. As a musical genre it is characterized by its hard hitting beats and rhythms and expressive spoken word lyrics that address topics ranging from economic disparity and inequality, to gun violence and gang affiliated activity. Though the genre emerged with greater popularity in the 1970’s, the musical elements involved and utilized have been around for many years. In this paper, we will cover the history and
Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for expressing the struggles of life amidst the prevailing crime and violence as well as an enjoyable and cheap form of recreation.
All of the articles dealt with hip hop as an industry and how that industry is portrayed to African Americans through the commercialization of hip hop and stereotypes in society. The articles also discuss how that portrayal influences the opinions of African Americans to others and themselves.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
By corporating the airwaves with message, serve as a blueprint for our youth to self-destruct by creating a large army of pants-sagging, Blunt-smoking, tattooed-up, uneducated, STD-infected, impoverished thugs. Hip Hop is defined as: “subculture especially of inner-city youths who are typically devotees of Rap music, graffiti, break dancing, and DJing”. If one asks a fan of Hip Hop what the definition is to them, then one might get something deeper. Some fans define Hip Hop as a culture that consists of many of its own subcultures and its knowledge of the history and principles of Hip Hop. Hip Hop can also be defined as an expression of the relationship between urban youth and their environment....
Not only is hip-hop a way of expressing ones feelings or views, but it is a part of the urban culture and can be used as a communication tool. Slang originally came from hip-hop music and has become a very popular use in today’s society, especially the urban parts. Hip-hop is a standout amongst the most compelling musical sorts on the globe. There are rappers everywhere that know what amount of an impact their music can have. Some entertainers attempt to utilize that force of impact to do great (Ruiz INT).