The ONIX standards for metadata are XML-based standards intended to facilitate the transfer of bibliographic and production information along the book and e-book production and supply chains. Its origin and development were originally intended to organize and standardize supply chain metadata for the publishing industry, but libraries soon found many benefits to its use, and now several methods of incorporating ONIX data into library catalogs exist. This paper focuses on ONIX for Books, which includes the standards for both printed and electronic books. According to EDItEUR, the organization responsible for the development and maintenance of ONIX standards, “ONIX is founded partly on principles developed within the project and upon the EPICS data dictionary, but is firmly rooted in real-world use cases and the practices of book supply chains in many countries.” (Best Practices, 2014.)
ONIX for Books v 1.0, was first published in 2000, with updates following rapidly. Release 2.0 was published in 2001 and 2.1 in 2003, followed by several revisions. The last new version was Release 3.0, released in April 2009, but after three years of availability, many US publishers had yet to adopt the newest upgrade because while the 2.0 versions of the standard were backwardly compatible with all previous versions, Release 3.0 is not. This compatibility was both blessing and curse; while it meant that publishers could more easily update their practices as new revisions to the standard were released, the improved and increased capabilities of later releases introduced conflicts with earlier versions. Release 3.0 was developed to solve problems that arose with earlier versions of the ONIX standard, but the publishing industry was initi...
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In 1976 Marshall H. Klaus and John H. Kennell came out with a book called “Parent Infant Bonding”. It discussed their hypothesis that like other animals, there is a brief moment directly following the birth of a child where skin-to-skin contact between mother and offspring creates a strong bond. Although this theory continues to be supported by many, some criticized the process of Klaus and Kennell’s studies. Some of these criticisms likely came from their definition of a “critical” time period after birth.
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John Bowlby and Mary Ainsworth studied imprinting and developed the attachment theory. He rejected ...
This source considers the issue of converting to digital books, specifically as it pertains to the effect that this change would have on the global environment. Although the research does recognize that there are disadvantages to not having a physical copy of a book and to abandoning certain platforms that do not transfer well to a digital form, overall, these researchers conclude that publishers should move towards digital products not only for the sake of cheaper long-run costs, but also for the good that going paperless can do for the environment. By displaying a series of graphs, as well as including multiple data sets, the text explains how e-books compare with printed texts; then, analysis of these facts is also included to show the reader the authors’ point.
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Based on the analysis of the on demand conversion potential, several long-runs can be targeted by the Book-In-Time technology. For example, subscription reference have a 100% conversion potential, downside being it just covers 1% of market share. College, University press and Professional textbooks all have a demand conversion potential of 50%. Clearly conversion potential is a key component in estimating market size for Book-In-Time technology. In this sense we can estimate market size for on demand market would be 240,000 books per year. Details enclosed in appendix 1
Traditionally, book authors have had the Copyright Law to protect their creations. That changed, however, since their books have become available in electronic format. In short, the creations had been turned into information – one that can effortlessly be copied and distributed thanks to invent of computers, Internet, and (lately), cheap data storage devices. Adobe Corporation’s eBook was meant to fix that problem for the copyright owners, while letting the readers keep their rights to their copy of the book.
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With advances in digital technology, there is increasing popularity of reading electronic books over traditional paper books. For example, ebooks now outsell traditional ones on Amazon. Although paper books still have tremendous values and have own market niche, as evident from the number of books placed on shelves at various retailers, e-books will be the trend of text publishing going forward. There are many glaring advantages that e-books have over traditional paper books, as e-books are more convenient to carry, have greater update capacity, have greater storage capacity, more accessible and environmental friendly. This paper will therefore elaborate on the advantages of e-books and provide a comparative analysis of e-books versus traditional books.
Without a doubt, book publishing is an industry in a state of flux, but even the nature of the flux is up for grabs. Many investors are out to make money from the industry to as the need for books is on the increase. Publishers have been known to offer similar advances for books that they only hope will find a large audience.
Hypertext is changing the way we read, write and conceptualize literature. Traditionally, the distance between reader and writer with written works is maintained by multiple levels of people, paper and time. Once a piece of work is published, the writer's responsibility basically ends; meanwhile, the reader is still responsible for knowing and understanding all of the references the writer includes in the work. Hypertext creates a hyper-extension of the work, basically giving it a life of its own. A printed book is unable to recreate this same detailed precision and accessibility because of its physicality. A published book cannot be recalled instantly in order to make any changes or update information, unless it is reprinted and there is always a defined amount of time involved. Hypertext has the ability to link a multitude of related subject matters and authors, while incorporating a variety of techniques, such as sound and movement, to involve and extend the relationship between readers and writers.