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Poetry relationships theme
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A Comparison of Homecoming and Before You Were Mine The poem ‘Homecoming’ is about the poet (Simon Armitage’s) wife’s childhood and about their relationship at present. The poem begins with the poet talking about his wife at nursery. The poet shows us that it is about a child by describing a character wearing ‘one canary – yellow cotton jacket’ as it signifies childhood. The child gets her jacket ‘scuffed’ and ‘blackened’ in the cloakroom and her mother makes ‘proper fist of it’. In the next paragraph the character ‘sneaks’ out of the house and plans to run away but end up retracing her ‘walk towards the garden gate’ and goes home. In the last paragraph it talks about the poet’s relationship with his wife. Carol Ann Duffy’s ‘Before You Were Mine’ is about her feeling guilty that she was born as she believes that she ruined her mother’s life. The poet describes her mother as being a ‘high – heeled red shoes relics’. Both poems ‘Homecoming’ and ‘Before You Were Mine’ themes explore relationships. In ‘Homecoming’ Simon Armitage concentrates on relationships by describing the events of his wife’s childhood showing her conflict with her parents at different ages and stages of her life. When Armitage’s wife was at nursery she conflicts with her parents after scuffing and blackening her coat and her mother reacts to this by making ‘proper fist of it and points the finger. Temper, temper’. In ‘Before You Were Mine’ Carol Ann Duffy’s relationship with her mother is off guilt. In the poem Carol Ann Duffy feels guilty that she has destroyed her mother’s life by being born. The poet feels like th... ... middle of paper ... ... Duffy starts the second paragraph grammatically incorrect saying ‘I’m not here yet’. Duffy says this purposely so the reader can picture it in his head. Duffy says ‘ballroom with the thousand eyes, the fizzy movie’. Duffy uses this as it alludes to someone famous. Duffy again thinks highly of her mother saying ‘I knew you would dance like that’. Duffy says this to imply that her dance was perfect as if she were a princess. Duffy also becomes rather possessive in poem saying ‘Before you were mine’ as if her mother was an item. Duff also uses alliteration ‘hands in those high heeled’. Duffy uses alliteration as it is easy to remember. Duffy also uses ‘high heeled red shoes, relics’ to symbolises passion and youth. Duffy also employs onomatopoeia to. Duff also makes use of similes for instance ‘clear as a scent’.
Her goal was to move, not dance. She challenged the notions of what a quote on quote “female dancer” was and could do. Dance to her was an exploration, a celebration of life, and religious calling that required an absolute devotion (pg. 11, Freedman). She considered her dancers “acrobats of God”. An example of a dance which symbolized the “essentialized” body was Martha Graham’s Lamentation, choreographed in 1930, which served as an expression of what person’s grief, with Graham as the solo dancer in the piece. The costume, a tube-like stretchy piece of fabric, only allowed her face, hands, and feet to be seen, and, as Graham stated, “The garment that is worn is just a tube of material, but it is as though you were stretching inside your own skin.” In the beginning of the piece, she started out by sitting on a bench with her legs wide spread and arms held tight. Her head was going back and forth as if she was feeling sadness or maybe replaying thoughts in her head. By the way she was holding her hands so tight and close to her body, it symbolized the deep pain within her––the essence of her piece was grief, and she danced it from inside out. Russel Freedman, the author of Martha Graham A Dancers Life, stated, “She did not dance about grief, but sought “the thing itself”- the very embodiment of grief (p. 61).” Graham, dancing with strength and power, was encapsulated with her movement and was completely surrendered
In the South American storytelling tradition it is said that humans are possessed of a hearing that goes beyond the ordinary. This special form is the soul’s way of paying attention and learning. The story makers or cantadoras of old spun tales of mystery and symbolism in order to wake the sleeping soul. They wished to cause it to prick up its ears and listen to the wisdom contained within the telling. These ancient methods evolved naturally into the writings of contemporary Latin American authors. The blending of fantasy with reality to evoke a mood or emphasize elements of importance became known as magical realism, and was employed to great effect by Latin authors such as Gabriel Garcia Marquez in his novel, One Hundred Years of Solitude, and Rudolfo Anaya, in his work, Bless Me Ultima.
...ht because “she could no longer kick as high or move as fast as she might have wished” (129). Not only her ability to dance, Martha had to overcome with “the dying of old companions and collaborators” (134), for best dances leave her company to advance their independent career. She often mourned for her declining power, which was not inspected at all. However, she didn’t give up at any moment. She nurtured her aptitudes, which are desperate effort and choreographing skills. Since Martha “was still a brilliant choreographer, an inspiring teacher, a great actress”, she became an active head of her company again. Even though Martha unwillingly retired in 1916, she remained as a luminous, marvelous dancer in the world. During Martha’s interview, she had added her thought by saying, “without dancing, I wished to die” (137). It shows how dance was significant in her life.
¨Grease is the word¨, and ¨what team? Wildcats¨ are well known phrases that emerged decades apart, yet come from almost the same movie. With a twenty eight year age gap between the movies Grease and High School Musical, there was bound to be some differences in the way the characters handled their problems. The leading characters being protagonists, Sandra Dee with Danny Zouko and Gabriella Montez with Troy Bolton all being influenced by how their time period saw women. Grease takes place in the 1950’s; a period often viewed as one of conformity. Sandra and Danny portrait traditional gender roles; she desperately craved his approval (evidence). Gabriella, on the other hand, being brought up in the early 2000’s was independent and did not seek
Happiness is defined as enjoying, showing, or characterized by pleasure; joyous; contented. Based on this definition we all search for happiness our entire lives. Two very different stories address this idea of the quest for happiness. M. Butterfly by David Henry Hwang is the story of a man named Gallimard who is longing for his love "Butterfly" to return to him. John Deeney describes it as him, clinging to his idea of a "Perfect Woman" to the end by costuming himself into the victimized Butterfly though his final suicide. Although Gallimard’s infatuation with Song sometimes makes him cut a rather ridiculous figure, his dead seriousness at the end evokes a certain amount of pathos and even admiration as he dies for his ultimate ideal of perfect womanhood.
Both All the Pretty Horses and No Country for Old Men have a lot in common between the common setting, style, and themes of the stories. The common setting for both is the borderlands between Texas and Mexico. The sparse setting in both cases helps to create a desolate mood, where the events of the story seem more lifelike and intense. The same style is employed by McCarthy in both books, both have longs descriptions and imagery coupled with a lack of heavily structured and punctuated dialogue. The themes of both stories seem to emulate that desire to survive and thrive within the context of the situation the character is residing within. In All the Pretty Horses, John Grady Cole decides for a life of hardship as a cowboy in the desert, and
The confusion between “wants” and “needs” is greatly displayed in the movie, “Blue Jasmine” and the book, “A Streetcar Named Desire”. Both main characters, Jasmine and Blanche, have lived lives almost the same as the other but if compared, Blanche has lived worse therefore, she deserves my sympathy.
Then before she knew it she was performing at county fairs. Her home dance instructor was teaching a lot to become one of the greatest ballerinas of all time. But one dance instructor said that she had zero talent and had to go back to the basics, that made her sad and angry because she thought that she was not good at ballet.
The Outsiders, written by S.E Hinton, 1967 and produced(as a movie) by Fred Roos and Gray Frederickson in 1983, is about life as a hood, also known as juvenile delinquent, against the Socs, people in a richer or higher class. The main character Ponyboy goes through many challenges, like Johnny killing Bob, getting jumped, even knowing that Johnny and Dally are dead (at the end). The movie and the novel have similarities but also differences. While both of them showed the story in different ways, they both stuck to the same storyline. The movie added sound and visual representation of the novel. However, the novel really depended on the reader’s imagination to create the storyline and the characters. The movie was more enjoyable than the book
"After a while I went out and left the hospital and walked back to the hotel in the rain" (332). This last line of the novel gives an understanding of Ernest Hemingway's style and tone. The overall tone of the book is much different than that of The Sun Also Rises. The characters in the book are propelled by outside forces, in this case WWI, where the characters in The Sun Also Rises seemed to have no direction. Frederick's actions are determined by his position until he deserts the army. Floating down the river with barely a hold on a piece of wood his life, he abandons everything except Catherine and lets the river take him to a new life that becomes increasing difficult to understand. Nevertheless, Hemingway's style and tone make A Farewell to Arms one of the great American novels. Critics usually describe Hemingway's style as simple, spare, and journalistic. These are all good words they all apply. Perhaps because of his training as a newspaperman, Hemingway is a master of the declarative, subject-verb-object sentence. His writing has been likened to a boxer's punches--combinations of lefts and rights coming at us without pause. As illustrated on page 145 "She went down the hall. The porter carried the sack. He knew what was in it," one can see that Hemingway's style is to-the-point and easy to understand. The simplicity and the sensory richness flow directly from Hemingway's and his characters' beliefs. The punchy, vivid language has the immediacy of a news bulletin: these are facts, Hemingway is telling us, and they can't be ignored. And just as Frederic Henry comes to distrust abstractions like "patriotism," so does Hemingway distrust them. Instead he seeks the concrete and the tangible. A simple "good" becomes higher praise than another writer's string of decorative adjectives. Hemingway's style changes, too, when it reflects his characters' changing states of mind. Writing from Frederic Henry's point of view, he sometimes uses a modified stream-of-consciousness technique, a method for spilling out on paper the inner thoughts of a character. Usually Henry's thoughts are choppy, staccato, but when he becomes drunk the language does too, as in the passage on page 13, "I had gone to no such place but to the smoke of cafes and nights when the room whirled and you
In 1916 Martha arrived in Los Angeles, California to begin her training at the Denishawn School. When Martha first arrived at Denishawn she studied under Ted Shawn. Ted Shawn nor his wife Ruth St. Denis believed Martha would ever be a dancer they thought she was good enough to teach lessons at the school but they did not allow her to perform. It wasn’t until Martha stepped in for the lead dancer in a solo choreographed by Ted Shawn entitled Serenata Morisca that Martha was allowed to perform. The lead dancer had fallen ill and Ted was trying to decide which dancer would replace her for the tour, Martha stood up and said she could do it Ted replied “really Martha? You’ve never danced” Martha got up and performed the entire solo and when she
The two movies that our group decided to analyze were My All American and The Blind Side. When we watched The Blind Side, it had an emotional connection with its audience by showing the main character in a vulnerable light. An example of this can be shown when the 6ft tall African-American protagonist loved and cared wholeheartedly for this little boy. In My All American, it talks about the same sport as The Blind Sport, but it doesn’t pull the heartstrings as much as The Blind Side did. We believe that the success of some movies are based on the ability to attract, engage, and relate to their customer profile.
Dance has different definitions for each individual. For some it may symbolize beauty, perfection, and struggles amongst many others. The dance movement themselves can be executed in various ways (Ferrufino & Coubard, 2012). Not everyone performs the same exact way there are a variety of different ways to perform and that is what makes dance so special. From those precisely choreographed in advanced to those created on impulse or on the spur of the moment all dances require exploration and creativeness (Ferrufino & Coubard, 2012). Every person who watches choreography by Lizzie MacKenzie is probably surprised that she is not as well known as other choreographers (Nevin, 2013). However, she is identified as an exceptional dancer as well as for her many guest appearances in high profile social events (Nevin, 2013). She is also recognized as the founder and artistic director of Extensions Dance Company, which is one of the most successful and respected dance companies in the country (Nevin, 2013).
Redemption and revenge are strangely similar and at the same time, completely different. Both ideas can change a person’s life for better or worse. Both are used when something is done to someone that wasn’t good. On the contrary, one is used by those who look to the future and focus on how to solve the problem while the other is used by those who look at the past and focus on how to punish the wrong-doer.
He always had an unusual and imaginative dance routine floating around in his head. “I don’t really know why I clicked, I didn’t want to be a dancer, and I just did it to work my way through college. But I was always an athlete and gymnast, so it came naturally,” stated Kelly. Also stated by Kelly, “In the 1930’s, when I started, Martha Graham was the only dancer doing anything modern but she did it all to classical music. I couldn’t see myself doing Swan Lake every night, and I wanted to develop a truly American Style”