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Women portrayal in movies
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The confusion between “wants” and “needs” is greatly displayed in the movie, “Blue Jasmine” and the book, “A Streetcar Named Desire”. Both main characters, Jasmine and Blanche, have lived lives almost the same as the other but if compared, Blanche has lived worse therefore, she deserves my sympathy.
Blanche wants to be loved and respected. She dresses appropriately and elegant enough for people to look at her higher than others. She may have tried too hard but the fact that she tried is the only thing that matters. Jasmine does the similar but she doesn’t have to work hard for it like Blanche. Her husband, Hal, provides everything for her such as expensive clothes, bags, shoes and jewelries. Jasmine expects people to love her and respect
her when all she does is sit down and look pretty. To make a long story short, Blanche works hard for what she wants and Jasmine, well, she obviously doesn’t. Jasmine is the spoiled brat who chooses to depend on her husband for everything. When Blanche finds out about her significant other cheating on her, she confronts him for an explanation. It was wrong for her to use harsh words but emotions can sometimes carry people away and do silly mistakes. Although the explanation is not given to Blanche and the confrontation results to the boy committing suicide, Blanche lives her life with the guilt haunting her. Her past pushes her to trust and desperately seek for love. Love is what all Blanche wants.
Comparing A Streetcar Named Desire and Cat on a Hot Tin Roof In the game of life, a man is given the option to bluff, raise, or fold. He is dealt a hand created by the consequences of his choices or by outside forces beyond his control. It is a never ending cycle: choices made create more choices. Using diverse, complex characters simmering with passion and often a contradiction within themselves, Tennessee Williams examines the link between past and present created by man's choices in "A Streetcar Named Desire" and "Cat on a Hot Tin Roof. "
Isn't it true the relationship between Stella and Stanley is praiseworthy, since it combines sexual attraction with compassion for the purpose of procreation? Isn't it true that as opposed to Stanley's normalcy in marriage, Blanche's dalliance in sexual perversion and overt efforts to break up Stanley and Stella's marriage is reprehensible? Isn't it true that Stella's faulty socialization resulting in signs of hysteria throughout the play meant that she probably would have ended her life in a mental hospital no matter whether the rape had occurred or not?
In Tennessee Williams’ play A Streetcar Named Desire, main character Blanche Dubois to begin with seems to be a nearly perfect model of a classy woman whose social interaction, life and behavior are based upon her sophistication. The play revolves around her, therefore the main theme of drama concerns her directly. In Blanche is seen the misfortune of a person caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present.
In today's rough and tough world, there seems to be no room for failure. The pressure to succeed in life sometimes seems unreasonable. Others often set expectations for people too high. This forces that person to develop ways to take the stress and tension out of their lives in their own individual ways. In the plays "The Glass Menagerie" and " A Streetcar Named Desire" written by Tennessee Williams, none of the characters are capable of living in the present and facing reality. Two of the characters are Amanda Wingfield and Blache Dubios. In order for these characters to deal with the problems and hardships in their lives they retreat into their own separate worlds of illusion and lies.
This statement also emphasises much of Blanche’s own views on sorrow and explains how it has affected her life since she has made the comment from personal experience. To conclude, Tennessee Williams’ dramatic use of death and dying is an overarching theme in ‘A Streetcar Named Desire,’ from which everything about Blanche’s character has formed from. Without the death of Allan, Blanche would not have resorted to prostitution and the brief affairs with strangers, also the deaths of her family have driven Blanche to Stella’s where she is “not wanted” and “ashamed to be”. Therefore these dramatic deaths have lead to the past which comes back to haunt
In the novel The Great Gatsby and the play A Streetcar Named Desire the main characters James Gatsby and Blanche Dubois have a lengthy search for love. Both characters go about their search in similar and different ways. The characters choose illusion over reality, but the way in which they go about it differs. Also in an attempt to impress, both characters try and “buy” love by using material possessions to attract people to them. Although Gatsby and Blanche devote a lot of their lives to finding true love, their searching leaves them unsuccessful.
The loss of her beloved husband kept Blanche’s mental state in the past, back when she was 16, when she only cared about her appearance. That is why at the age of 30 she avoids bright lights that reveal her wrinkles. Blanche does not want to remember the troubles of her past and therefore she attempts to remain at a time when life was simpler. This is reinforced by the light metaphor which illustrates how her life has darkened since Allan’s suicide and how the light of love will never shine as brightly for Blanche ever again. Although, throughout the play Blanche sparks an interest in Mitch, a friend of Stanley’s, who reveals in Scene three that he also lost a lover once, although his lover was taken by an illness, not suicide, and therefore he still searches for the possibility of love, when Blanche aims to find stability and security.
Our lives are consumed by the past. The past of what we once did, what we once accomplished, and what we once could call our own. As we look back on these past memories we seldom realize the impact these events have on our present lives. The loss of a past love mars are future relationships, the loss of our family influences the choices we make today, and the loss of our dignity can confuse the life we live in the present. These losses or deaths require healing from which you need to recover. The effects of not healing can cause devastation as apparent in the play A Streetcar Named Desire. The theme of A Streetcar Named Desire is death. We encounter this idea first with the death of Blanche and Stella's relationship as sisters. Blanche and Stella had a life together once in Bel Reve and when Stella decided to move on in her life and leave, Blanche never could forgive her. This apparent in the scene when Blanche first arrives in New Orleans and meets Stella at the bowling alley. Stella and Blanche sit down for a drink and we immediately see Blanche's animosity towards Stella. Blanche blames Stella for abandoning her at Bel Reve, leaving Blanche to handle the division of the estate after their parents die. As result of Stella's lack of support, we see Blanche become dependent on alcohol and lose her mental state. Blanche comes to be a a terrible reck through out the play as we learn of the details of her life at Bel Reve. Her loss of the entire estate and her struggle to get through an affair with a seventeen year old student. This baggage that Blanche carries on her shoulders nips at Stella through out eventually causing the demise of her relationship. As Blanche's visit goes on with Stella, the nips become too great and with the help of Stanley, Stella has Blanche committed to a mental hospital, thus symbolizing the death of the realtionship they once had. The next death we encounter in the film is the death of Stella and Stanley's marriage. Our first view of Stanley is of an eccentric man, but decent husband who cares deeply for his wife. However, as as Blanche's visit wears on, we come to see the true Stanley, violent and abusive.
In Tennessee Williams’ “A Streetcar Named Desire,” paper lanterns, kitchen candles, and multicolored strobes reveal the various shades of reality surrounding Blanch DuBois. When Blanche visits her sister, Stella, and Stanley Kowalski’s modest apartment in New Orleans, tension regarding her mental stability immediately emerges. Blanche cloaks the apartment’s harsh light with a paper lantern, which initially suggests the fervency of her insecurity regarding physical beauty; however, this dim light eventually evolves to expose her unwillingness to embrace reality, one of Blanche’s principal character flaws that stems from the devastating suicide of her former husband. While recounting her husband’s tragedy, Blanche heavily relies on light imagery to accentuate the suicide’s influence on her existence. Towards the play’s conclusion, Mitch destroys the paper lantern and forces Blanche to candidly expose her deteriorated mentality, thus commencing Blanche’s downfall into hysteria. Blanche DuBois’ aversion to light, an element which epitomizes the concept of transparent reality, reveals her superficiality and exposes her capricious mentality, ultimately perpetuating the theme that willful deception leads to unstable reality.
Blanche wanted their love, but each of their individual flaws sunk her deeper into a hole. The people around Blanche were unwilling to change and develop an open-minded way of dealing with her situation. Blanche needed kindness and affection, but nobody was able to give it to her when she needed it the most.
...es and thinks that her hopes will not be destroyed. Thirdly, Blanche thinks that strangers are the ones who will rescue her; instead they want her for sex. Fourthly, Blanche believes that the ones who love her are trying to imprison her and make her work like a maid imprisoned by them. Fifthly, Blanche’s superiority in social status was an obscure in her way of having a good social life. Last but not least, Blanche symbolizes the road she chose in life- desire and fantasy- which led her to her final downfall.
She desires a fairy tale story about a rich man coming and sweeping her off her feet and they ride away on a beautiful oceanic voyage. The most interesting part about Blanche is that through her unstable thinking she has come to believe the things she imagines. Her flashy sense of style and imagination hide the truly tragic story of her past. Blanche lost Belle Reve but, moreover, she lost the ones she loved in the battle. The horror lies not only in the many funerals but also in the silence and the constant mourning after.
During scene one, the audience is introduced to Blanche as Stella's sister, who is going to stay with her for a while. Blanch tries her best to act normal and hide her emotion from her sister, but breaks down at the end of scene one explaining to Stella how their old home, the Belle Reve, was "lost." It is inferred that the home had to be sold to cover the massive funeral expenses due to the many deaths of members of the Dubois family. As Blanche whines to her sister, "All of those deaths! The parade to the graveyard! Father, mother! Margaret, that dreadful way!" (21). The audience sees this poor aging woman, who has lost so many close to her, and now her home where she grew up. How could anyone look at her, and not feel the pain and suffering that she has to deal with by herself? Williams wants the audience to see what this woman has been through and why she is acting the way she is. Blanche's first love was also taken from her. It seems that everyone she loves is dead except for her sister. Death plays a crucial role in Blanche's depression and other mental irregularities. While these circumstances are probably enough for the audience to feel sympathy for Blanche, Williams takes it a step further when we see Blanche's...
Empathy is a fundamental human connection, it allows us to strengthen relationships and build a stronger character. In Tennessee Williams play Streetcar Named Desire Blanche is weakened by the lack of a basic human trait. The lack of empathy that Blanche gives and receives greatly affects her poor resilience to Hardships in her life. Thus, causing her to be an emotional train wreck and a highly flawed character. Blanche often receives no empathy through her character because of her inability to empathize with others; this is demonstrated by her relationship with her husband, her sister, brother in law Stanley, and the death of her family. Through these Devastating events she searches for empathy in all the wrong places. Her struggle without
Blanche represents the Old American South, she was well educated, appreciates poetry and music, but The South is never glorified in the play, Blanche recollects the poverty and squalor of death there, “Funerals are pretty compared to death”.