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Role of music in christianity
Role of music in christianity
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The Evolution of A cappella A cappella music is a very unique style of music that is strictly vocal, without any instrumental accompaniment. There are no instruments involved and every part of the melody and harmony is covered by a singer. The term “a cappella” was originally used to differentiate the styles of Renaissance polyphony, which is a style of music that contains multiple melodies, and Baroque concertato, which is a style of music where voices and instruments share a melody. A cappella music was originally derived from church music and most commonly Gregorian chant. Gregorian chant developed between the 9th and 10th century in the Roman Catholic Church, most commonly believed to be started and founded by Pope St. Gregory the Great. The 19th century sparked a newfound interest in Renaissance polyphony but grew old to the fact that many of the voice parts were doubled by instrumentalists. In order to satisfy this need the instrumental parts were cut out and performed by only vocalists, thus the birth of a cappella music. Christian a cappella, or polyphony, music first developed in the late 15th century. The earliest recorded compositions of this style of music were written by Josquin des Prez. While this style of music did still have an instrument doubling the vocal …show more content…
The evolution of music and the rebirth of a cappella has helped keep this style new and fresh. Bringing new ideas to keep people interested in the craft. In order for music in general to grow we must continue to improve upon it and create new uses for it. Music in general is an outlet for ideas and emotions. A cappella music gives these abilities new life. By just using your voice you can stretch yourself to new limits and discover new ways to make music. A cappella music has benefitted societies in the past and with the growth of the style it continues to do
Gregorian Chants have been around for the longest time, the music is a form of monks getting together and singing and they sang like church like choirs with a magnificent sound. Monks had skills behind this because of rhythm and their accents were soft. Being that the monks had two or three notes or beats to go along with the better the process of singing these chants it became.
Combined Choirs. 1964. A History of First Baptist Church Lindale, Georgia. N.p.: n.p., n.d. 1-68. Print.
Elana Sanguigni April 18, 2016 Honors Music Term Paper. The Wind Ensemble and Concert Band reflect a rich history. The formation of the Concert and Wind Ensemble bands dates back to the Middle Ages and Medieval Times. The Concert Band and Wind Ensemble have evolved over the years, due in part to significant historical events, music combinations, individuals, and progress.
On March 13th the Rochester Oratorio Society and Houghton College Choir performed at the Hochstein Performance Hall in the city of Rochester. It was a predominately vocal concert with an accompanying pianist. The main performance of the evening was the Rochester Oratorio Society’s rendition of Johannes Brahms’ “Ein deutsches Requiem,” in which vocal soloists Elena O’Connor and Benjamin Bloomfield took the front stage, and Linda Boianova joined Kevin Nitsch as a second pair of hands behind the piano.
In either case, both pieces agree with the concept of a motet because although this music style was more expected to be heard in churches, it started as a composition of secular
Atlas, Allan W. Renaissance Music: Music in Western Europe, 1400-1600. New York: W.W. Norton & Company, Inc., 1998.
During the Medieval period the Catholic Church had an enormous amount of power and control over the people of that time. The Medieval period began with the collapse of the Roman Empire around the year 450. Then with much of Europe in disarray, the Roman Catholic Church, the main unifying force at the time, unified many cultures together. “All segments of society felt the powerful influence of the Roman Catholic Church. In this age of faith, hell was very real and heresy was the gravest crime” (Kamien 63). The church controlled everything and it was of greatest importance in this period. “Very little non-Christian music from this period survived, due to its suppression by the Church and the absence of music notation…” (History of Music). The enormous Gothic Cathedrals and churches demonstrate how powerful and important the church was. The amount of physical labor put into each one shows the devotion of the people to God and the church in the medieval time period. Life in these times revolved around the church so it makes sense that the music of this time also revolved around it. The composers of this era were often involved with the church. They were usually priests, monks, or nuns. For example Hildegard of Bingen, a nun from Germany, who, wrote many musical pieces and other forms of art.
The Catholic Church has always played a large role in the growth of music, and has led to some of its most important developments. One such musical development to come from the Church is the chant, a unison song with melodies to accompany different prayers and texts of the church. Perhaps one of the most memorable chants of the Catholic Church is the Dies irae, a Gregorian chant that has been performed for many centuries. The text of it is attributed to Thomas of Celano, who most likely based it on a trope from the responsory Libera me. The Dies irae is a particular genre of chant known as a sequence; sequences were used in the early years of the church. However, the Catholic Church held a series of three meetings from 1545 to 1563,
Humans from the coast of West Africa arrived to the New World as slaves. Stripped of everything familiar, they brought with them their traditional ways of using music to record historic events, expressions, and to accompany rituals. While toiling in the tobacco fields of Virginia, slaves were not permitted to speak to each other. So, they resorted to their African tradition. They sang!
There are many examples of which European religious music have been borrowed by black Americans, the key characteristics of their African-heritage were never forgotten such as improvisation, vocal slides and shouts, call-and-response style singing can all be found even in modern day gospel. Many of the lyrics and texts are performed in a half sung, half spoken manner which became a signature vocal technique. Vowel sounds like “ah”, “oh”, “yeah” etc. are mixed within the melodies as prolongations and or ornamentations to the music. Some words could form an entire melody with such elongations on its own. (Roach 24) Musicians can often alter the melodies and improvised vocal riffs in addition to the main melody which is an extension of the purpose
... composition made it impossible to comprehend the sacred texts. People asked for monophonic hymns, such as Gregorian chants, for mass. Coming to a head, the council decided church music should not be made “to give empty pleasure to the ear,” but the hymns should inspire religious contemplation instead. (Kamien, 2011) The Council of Trent did not outright ban polyphonic mass, even though the public wanted monophonic hymns for masses, Giovanni Pierluigi da Palestrina, one of the most prominent Italian Renaissance composer’s, most famous mass, Pope Marcellus, was polyphonic.
As time passed and music continued to evolve what is known as the Renaissance period emerged from 1475-1600. Music during this period was still written with worship as its intentions. Where the Medieval period had no harmony the Renaissance period introduced the use of a constant chord to form the building block of the different pieces. A good example of this period of music is “Ave Maria” by Josquin written in 1485. The many different voices the repeat the same words create a process called imitation. This particular chant is capella, meaning that it is performed by voices alone and has no musical accompaniment and with all the voices entering at different times but in harmony counterpoint i...
Music in the Renaissance differed from medieval music because Renaissance music tended to be more complex and polyphonic, while medieval music was often monophonic with one melody. Most music in the medieval era was written for religious services because the catholic church prohibited any other music. With the rise of the renaissance era, music was used for many other reasons. Composers created complex music by using notation and musical forms. During the medieval era, music often contained one tone and one or no instruments. Instruments were more widely accepted in music during the Renaissance.
Gregorian Chant came from, how it was adapted from the Old Roman Chant, and when the
For me personally, music appreciation is defined as looking at different pieces of music and musical forms, and learning to find appreciation for them. This appreciation is formed not only by listening to several pieces of music, but by learning to understand what you may be listening too. This involves introducing yourself to many pieces of music and learning to interpret, what makes each piece different and unique. Understanding the historical background and societal changes that have taken place during the creation of the musical piece, is also an important factor to consider. Music is not only creative, but it also makes up part of a societies history. Music is an art form that connects different societies and cultures together, it possess the amazing ability to make us into one.