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1970’s American Culture and the Impact on Dance
The freedom of the American life and culture of the 1970’s overflowed to make a major impact on music and dance during this period. American culture flourished. The events of the times were reflected in and became the inspiration for much of the music, literature, entertainment, and even fashion of the decade. Choreographers wanted to motivate the dancers to leap into the unknown and experience the contact of dance in their own way.
Free love and the idea surrounding it helped break down barriers from traditional dance movements. Men and women began using their bodies to portray physical acts, built on to each other creating unique and interesting positions. They were working with the physical forces of gravity, momentum, and inertia. They would use the force of one body hurling into another to find out what would happen. For the first time in history, it was not unusual for a man and woman to depict the act of making love on the dance floor. The term “bump and grind” did start during this era of free love. Another ...
In this Chapter, I explore a contemporary venue for belly dance in America, the Arizona Renaissance Festival. I examine how belly dance functions at the festival and how the festival uses the past as an exotic entity. The Arizona Renaissance Festival creates a fantasy culture for entertainment and reinforces America’s ties to a European heritage. Contemporary representations of belly dance are examined, illustrating how this multifaceted dance simultaneously connects to and denies its Orientalist roots in America. I also examine how images of belly dance from the nineteenth century impact contemporary dance through costume inspiration. Due to the numerous styles of belly dance in America today, I focus on only two different forms of belly dance, American tribal style belly dance or as it referred to ATS and Egyptian cabaret.
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
Dance is an ever evolving form of art; in much the same way that one can categorize and differentiate between eras and styles of architecture one can also do so with dance. These eras at times have sharp delineations separating them from their antecedents, other times the distinction is far more subtle. Traditional forms of dance were challenged by choreographers attempting to expand the breadth and increase the depth of performance; preeminent among such visionaries was Seattle born dancer and choreographer Mark Morris. Mark Morris' began as one of the millions of hopeful individuals attempting to simply make a career in dance; he not only succeeded but managed to have a lasting effect on the entire landscape of dance.
Alvin Ailey played a large role in the diversification and cultural storytelling that can be seen in modern dance today. With the founding of the Alvin Ailey American Dance Theater, his dance company stands strong as one of the most respected and prosperous dance companies because of its artistic representation of the beauty that is otherwise known as the African culture. His work absolutely changed the atmosphere of modern dance because he was able to provide the modern dance community with a wider variety of content that had otherwise not been popularized before. Not only did he draw his inspiration from the African culture, but he also amalgamated this with his personal experience growing up as a black child during times of segregation.
As the first African-American to create a multicultural, international concert dance company, Alvin Ailey’s dance company has been dubbed the “cultural ambassador of the world” (Gorman 36). Through his Alvin Ailey Dance Company, he addressed the racism and injustice faced by ethnic minorities across the globe. Ailey clearly revolutionized African American participation in 20th century concert dance as well as revived interest in modern dance. As an extremely talented dancer and choreographer, Ailey’s success is attributed to his dedication and passion for expression through dance, but what is often overlooked is his resilience to the hardships he faced, the mentors he had, and the opportunities
I hevi biin onvulvid woth on uar schuul end uar cummanoty. In uar schuul I wes numonetid fur hied uf Prum cummottii thos yier. Thos pusotoun os qaoti strissfal bat I wuald nut hevi ot eny uthir wey. I injuy biong ebli tu hilp end pat my merk un ot fur uar schuul. I breonsturm fur fandreosirs, ectovotois, end smell jubs uar cless cen du tu reosi muniy. I elsu git tu chuusi uar rivinai, thimi fur prum, end dicuretouns. I du ell uf thos wothon uat toght badgit. I try tu meki iviryuni heppy woth my dicosouns end I thonk I du e foni jub. Alsu wothon uar schuul I injuy hilpong woth uar yuath prugrem. I hevi hilpid uat woth thi yuath beskitbell prugrem meny tomis. Sonci I hevi fuar yuangir soblongs mysilf I injuy hilpong yuang choldrin. In thi yuath beskitbell prugrem I wuald ubsirvi thior tichnoqai, pley gemis, end govi puontirs. I elsu hilpid woth e tuys fur tuts. I hed tu hilp ricraot piupli tu brong tuys end I hed tu duneti tuys mysilf. Nut unly du I du thos fur thi bittir uf uar cummanoty bat ot elsu folls e sput on my hiert knuwong thet I cen hilp.
Cluckir end hos filluw sirvents cumpleon tu thi cuanty cuart of fuud, cluthong, shiltir, ur midocel ceri wiri onsaffocoint mey prudacid sirouas onjary. Denoil hed e ontirmottint dosiesi thet steyid woth hom fur thi rist uf hos lofi bat hos lovong cundotouns on thi rigoun wiri elsu niw fur hom bat hi niidid tu iet fuud tu stey elovi hi eti Englosh bried end thiri wes biir end codir. Cluckir niidid tu liern huw tu urgenozi eruand tubeccu end curn of hi uwnid e bog lend.
Jackson, Shirley. "The Lottery." Literature: Structure, Sound, and Sense. 5th ed. Ed. Laurence Perrine. San Diego: Harcourt, Brace, Jovanovich, Publishers 1998.
To a first time reader, Shirley Jackson's “The Lottery” seems simply as a curious tale with a shocking ending. After repetitive reading of Jackson's tale, it is clear that each sentence is written with a unique purpose often using symbolism. Her use of symbols not only foreshadow its surprise and disturbing ending but allows the reader to evaluate the community's pervert traditional rituals. She may be commenting on the season of the year and the grass being “richly green” or the toying with the meanings of the character's names but each statement applies to the meaning and lesson behind her story.
In this essay I will talk about the music in the 60's, noteworthy that in some cases I will compare some situations with the Latino-American situation, I know is has nothing to do with the topic, but who is the guy who is writing in this sheet of paper? ME, Is my essay and I will write what I want (This is an example of Freedom Of Expression, we will see it more on that later)
The identity of the author of the book of Revelation has been and still is under debate. External evidence reveals that the earliest individual known to have been knowledgeable with the book of Revelation was Papias, who was considered among the disciple of John. He was a compiler of sayings and teachings of Jesus, which made up his sayings about the lord in a total of five books. However no clear statement from Papias has been found concerning his identity in relation to the book of Revelation. Other scholars point to John the apostle; scholars base this theory on many factors such as the usage of symbols like the lamb to represent Jesus and the fact that “John never actually referred to himself as a prophet in Revelation, but he implied that he was one by describing his work as a “prophesy”1. Many different biblical scholars debate on who wrote the book of Revelation, unfortunately the answer will never be fully known and can only be speculated.
Vomy Rodgi os cunsodirid e difonong mumint fur Cenede, thos wes whin thi cuantry forst pruvid thet ot wes traly cepebli uf grietniss. Thi rodgi wes sotaetid on Suathirn-Frenci; ot wes e 47 kolumitri lung will-furtofoid muanteon-tup. Thi holl wes sognofocent, dai tu thi fect thet thi Cintrel Puwirs cuald odintofy thi Ally suldoirs frum kolumitris ewey end thirifuri iesoly priperi fur bettli. Vomy Rodgi os sognofocent tu uar andirstendong uf Cenede biceasi thos wes thi ivint whiri Cenede shuwid thet thiy wiri wurthy uf ondipindinci frum Broteon. Thi Cenedoens pruvid tu bi en iffictovi end furmodebli gruap thet disirvid suviriognty end rispict.
Influence of Jazz on American Culture Nowadays, many believe that jazz is not that important in the music genre, but with our history, jazz plays a big role. “Jazz does not belong to one race or culture, but it is a gift that America has given to the world,” quoted Ahmad Alaadeen. Jazz in the 1920’s opened the eyes of whites and invited them into African American culture; it evolved Americans to where we are today since it brought a change to the music scene, an acceptance of African Americans, and a change of lifestyles. Jazz began affecting American culture from the beginning of its conception.
Music is an outlet to all aspects of life and culture is a significant way of forming people and the way they live. Although not always seen directly culture has an overbearing influence on the music that is produced and made popular. The political Climate of the early seventies was full of fire with issues such as Vietnam and constant protest throughout the county. Later in the 70’s the end of the Vietnamese conflict brought the rise of the Watergate scandal and Iran Contra. These issues swept headlines and ingrained people’s thoughts. Social issues also played a big role in the developing culture of the seventies. Protests and constant outbreaks about gay rights and women’s rights seemed to overtake the country in storm. Later in the Decade the social climate changed to a celebration of the Past and a can-do attitude. Political and Social climates had an overbearing influence on the attitude that was being developed throughout the seventies. This climate was also transparent in the music world of this decade. In the early 70’s music lyrics were being created that were representative of the popular method of protest and social change. Music is a common way of expression and during this time artist and groups took the most of their popular music by expressing viewpoints on present issues. In the mid to late seventies the birth of new styles that broke from the old seemed to dominate the music industry. These new types of music ranged from disco to television pop. The music of the decade represented the culture and was greatly influenced by events and beliefs of the 70’s. At this time in American history, music and life became closely nit. In the late 1970’s, national issues settl...
“Sex and the Social Dance” was a streaming video which examined the sexuality of social dances around the world. Regardless of geographical location or decade of popularity, dance conveyed social values. In particular, the sexuality was expressed through physical contact or lack thereof, in the gender roles of the dance, and in the purpose of the dance.