been put on, from televised recordings to radio shows to film adaptations. Many of Shakespeare’s popular plays such as Romeo and Juliet, The Merchant of Venice, and A Midsummer’s Night’s Dream have been adapted into films in recent years. In 2010, Julie Taymor, famed for her directing on stage and screen, adapted Shakespeare’s The Tempest to film. Taymor’s rendition follows the return As Caliban wanders the jungle of the island with Trinculo and Stephano, a very different characterization of the character
difference between William Shakespeare’s The Tempest and Julie Taymor’s film version of the play is the altered scenes that made quite a difference between the play and the movie version. This difference has the effects of creating a different point of view by altering the scenes affected the movie and how Taymor felt was necessary by either by keeping or deleting certain parts from the play. I use “Altered Scene” in the way of how Julia Taymor recreates her own point of view for the movie and the direction
the world by storm (The Lion King, 1997). Regarding the process of the musical, Artistic Director Julie Taymor’s first thoughts for choosing the Lion King as the next big thing on stage, was classed as ‘impossible’ due to the film’s lack of theatrical material (The Lion King, 1997). Therefore, staging this particular work contained a great deal of uncertainty and the need for taking huge risks. Taymor (1997) suggests how ‘the Lion King was the worst idea possible to create a stage show.’ It has become
Director Julie Taymor's 2010 re-imagining of Shakespeare's fantastical play, The Tempest, introduces a few major changes to its source material. The most noticeable one is her choice to gender-swap the protagonist, Prospero, a male, into Prospera, a female (played by Helen Mirren). In this essay, I will explore how a sex change, and its effects on all the relationships Prospero has - with his daughter, Miranda, his servants, Ariel and Caliban, and his brother, Antonio - disturb The Tempest’s original
3 Differences Between The Play And Movie “The Tempest” “The Tempest” is a play written by William Shakespeare in early 1600s that has been previewed in different kinds of movies, such as the one made in 2010, directed by Julie Taymor. It is a play containing themes such as; revenge, allusion, retribution, forgiveness, power, love and hatred. When it is compared to the play, there are specific differences seen in the movie, such as; Prospero is reflected as a woman in the movie. The time differences
The lion king is the musical based on the 1994 Disney animated film of the same name by Elton John and lyrics by Tim Rice. The musical score created by Hans Zimmer and with choral arrangements by Lebo M. The musical shows it takes 2 hours and 30mins. The musical debuted July 6, 1997, in Minneapolis, Minnesota at the Orpheum Theatre and instant success before a premier on Broadway at the Amsterdam theater on 15, 1997. The show starts with the kind and wise lion king of the pride lands. Mufasa and
A strange film, a strange film indeed. It's quite amazing that director Julie Taymor was even able to get this thing distributed by a major movie studio, despite how flawed an experience it is. In fact, about half of the film just flat out does not work, however the half that does work is simply magical. The threadbare story, which is really just a vehicle for masterfully-staged musical segments, follows Jude, a young dock worker from Liverpool who journeys to America in search of a father he never
The movie Titus directed by Julie Taymor a well awarded director who has created many visual arts, made countless thought-provoking choices when directing Titus, a movie based off the book Titus Andronicus by William Shakespeare. Titus Andronicus is a tragedy highlighting Titus, a roman general that becomes obsessed with getting revenge with Tamora, a previous prisoner of his and the Queen of Goths. When Taymor directed the film Titus she incorporated many aspects from the present (when the movie
In 1999, a spectacle hit the west-end after it roared through Broadway in the USA, and a few weeks ago I went to see it at the Lyceum Theatre. Disney's award winning animation, The Lion King, was brought to life in musical fashion by director Julie Taymor. It was seen with its story line intact, but as a completely original and sophisticated piece of theatrical art. With over 40 actors, singers and dancers giving a stunning performance of puppetry, song, dance, fairytale and even humour.
William Shakespeare, in his play, The Tempest, tells the story of a fictional exiled Duke of Milan. In the original play, Shakespeare casts the duke as a man, Prospero. In a modern movie version of the play, writer and director Julie Taymor casts the duke as a woman, Prospera powerfully portrayed by the very convincing performance of Helen Mirren. The play, surprisingly, requires only a few very minor line changes to substitute a woman lead for the original male role. While the actual dialogue changes
from behind the surrealistic doors. In addition, she was able to present self-portraits in many forms, all influenced by a tragic bus accident which led to a broken spine that affected her whole life. Described mostly in the film Frida directed by Julie Taymor, and the book Frida: A Biography of Frida Kahlo written by Hayden Herrera, Kahlo’s portraits made viewers see not just her life, but into themselves as well. Motivated by tragic events such as her physical condition, an inability to bear children
Nightingale, Joesph. Symbolism in Shakesphere. Boston: Delmar, 1995. Shakesphere, William. Titus Andronicus. England, 1596. White, Janet. "From the Gallows to the Stage." 6/17/99. Ebsco host. Accessed at HCC lib., MA. 12/03/04. Titus. Julie Taymor, Jody Patton, Shakesphere. VHS. Fox Searchlights, 2000
What Is The Plot? Okay, so we’ve covered the music and the characters. It’s time to move onto the plot. So, what is The Lion King about? The film tells the story of Simba, a young lion cub who is the son of Mufasa, King of Pridelands. Simba’s Uncle Scar was jealous of him and his father because he was constantly being pushed down the pecking order of who was going to be the next king. That is, until Scar gets the idea to kill his brother and nephew. In spite of his brother and nephew, Scar has
In the world of the arts, The Lion King was a work that imposed the lessons of growing up, handling death, and teamwork to seemingly an entire young generation. The play was first developed into a movie by Walt Disney Feature Animation as a dramatic musical movie. A surge in the box office led to the creation of what has become one of the most iconic Broadway plays in history. The Lion King went on to be the highest grossing Broadway play and also won six trophies at the 1998 Tony Awards. But it’s
The Lion King takes place in the African Pride Lands, as the title suggest lions are the kings of the Pride Lands of Africa, ruled by the powerful king Mufasa, he and his mate, Sarbi, raise the joyful Simba. In the dark of the morning all the animals are summoned to Pride Rock in the welcoming ceremony of the young Simba. Simba is introduced to the animal kingdom by Rafiki, similar to a baby being baptized, Simba is held before the kingdom of the Pride Lands. As Simba grows older so does his curiosity
The lion king is a well-known contemporary musical, which shows the life of a young lion named Simba. Linda Winer from Newsday wrote a review about the lion king, “A jaw-dropping magnificent spectacle. The show and the playhouse are enchanting. The unprecedented production is worth every penny. If this is Disney's idea of a theme park, we are delighted to report that the theme is quality.” I have had the experience of watching this musical twice on Broadway in New York City. The first time was many
Julie Taymor’s Titus Andronicus Shakespeare's first tragedy has been a topic of discussion since the day it was written. Titus Andronicus "was staged on 24 January 1594 by the Earl of Sussex's Men at the Rose Theatre" (Welsh 1). Though this tidbit of information seems somewhat irrelevant to Titus, we must note that there are certain standards and practices established by a play from its first performance. It is also important to establish the general attributes that audiences attribute to
Ancient and Modern Elements in Julie Taymor's Adaptation of Shakespeare's Titus Andronicus Roman coliseum . . . Formica kitchen Armored warrior . . . Armored tank Gregorian Chant . . . Hard Rock White toga . . . Metallic business suit Ancient Rome . . . Modern America At first glance, these categories appear entirely incompatible, unable to exist together. However, in Julie Taymor's adaptation of Shakespeare's Titus Andronicus, we find that they are compatible after all. With
John and Julie, your two best friends, have just read an article about the death penalty. It explains the reasons why death by lethal injection is a legitimate punishment for certain crimes. As Julie reads the article, she strongly agrees with what the author has to say. “An eye for an eye, a tooth for a tooth,” she imagines. Without examining the ideas that are involved, she’s satisfied with everything the article says because, “It’s only fair.” John, on the other hand, is deeply offended
that small town, although some people find his jokes funny as long as they are not on them. There are many examples of those on whom Jim always makes annoying jokes such as Milt who "has got an Adams apple that looks more like a mushmelon" Julie Gregg and especially Paul Dickson who fell out of a tree when he was about ten years old : "Lit on his head and it done something to him and he ain’t never been right. No harm in him, but just silly." Paul is the most important one among them