Jean-Luc Picard as a Leader Jean-Luc Picard, Captain of the Starship Enterprise, is a good leader because of his ability to guide and direct his crew in such a way that protects the Federation from its enemies and inspires others to have similar goals. Every leader has their own unique characteristics and Picard is no different. He is able to utilize his crew members' talent's, ship's technology, and his own experiences to be the best leader he can be. Webster's New World Dictionary defines
Henry V and Picard "The Defector" is the 38th episode from Star Trek the Next Generation's third season. This episode is received well by many ST TNG fans. The episode deals with several interesting and conflicting issues such as a traitor / defector, innate human qualities and a Shakespearean type leader. The most intriguing personality on the episode is Jean Luc Picard, the great captain. Picard has many similarities to Henry V, they both probe into every conflict and always prove to be a
Star Trek - The Next Generation Star date: 41176.8 Captain's log. This is my (Captain Jean-Luc Picard of the U.S.S. Enterprise #NCC-17O1 D) account of the events leading up to and beyond the Federation and Romulan war (2380-2385 AD). Star date: 32851.2: The Enterprise received a distressed call from a fleeing scout ship. SOS... I am ... under ... attack!! request ... asylum ... Federation ... Space!!.. The ship was pushing the limits of its engines as it hurtled out of the neutral zone -- the
the Romulans and the Federation are enemies. Picard and his crew are members of the Federation, and Jarok is a Romulan; therefore, Jarok and Picard are enemies. Jarok claims that he has discovered a plot for a new Romulan offensive, and he wants to help the Federation stop a possible war. By coming to the Federation to help them, he betrays the Romulans and is a traitor by "helping the enemy of one's country or cause." Jarok elaborates by telling Picard that the Romulans are building a base on Nelvana
Star Trek Next Generation is an example of a space opera. Space opera includes a lot of romantic elements such as love stories, space battles, oversized heroes and villains, exotic locations, and gorgeous women. Anyone with even just some exposure to Western pop culture has heard of at least one of the Star Trek series. The series predicted many technological mainstays such as the tablet, automatic doors, mobile phones, and natural-language AI programing long before their commercial-market debuts
the Enterprise cause Captain Picard to doubt Jerroc's explanation for why he has undertaken such a course of action. Jerroc's argument is fairly shaky, as he relies initially on ethos, trying to put forth his cause in the most straightforward manner. As time progresses and the situation grows more grave, however, Jerroc begins to utilize a more emotional argument, which is often very effective when conversing with the "good guys." Jerroc's method of convincing Picard that he is sincere plays heavily
enemy and giving helpful strategic information to them, would be considered treason. Obviously Tomalak, the Romulan leader, feels this way when he demands, with contempt in his voice, for Picard and crew to release "traitor Jarok" For Tomalak, who represents all Romulans, Jarok broke faith to his people. "You see, Picard, after we dissect your Enterprise for every precious bit of information, I intend to display its broken hull in the center of the Romulan capitol as a symbol of our victory. It will inspire
Admiral Jarok as a Traitor Although a somewhat tacky and predictable program, Star Trek: The Next Generation, succeeds where other television shows don't. Beneath all the glitz and glamour, a very straightforward theme arises in each episode parallel to our own society. One such episode is "The Defector," wherein the intrepid crew of the U.S.S. Enterprise happens upon a Romulan renegade requesting asylum in Federation space. The Federation, (protected by its military organization Starfleet), and
evidence to assume that a traitor is among us. Just as Admiral Jarok is a traitor among the Romulans. To begin with, Admiral Jarok is a traitor in that he sought asylum from the Federation in exchange for confidential military information. Captain Picard and his crew beam up a Romulan seeking asylum in to the Enterprise. This Romulan declares himself as, "Sub-lieutenant Setal, who claims to be a logistics clerk who has discovered a plot for a new Romaulan offensive" (Tong 1995). Clearly stated are
trust Maddox to be dismantled because there was a possibility for Data not return the same way he did once the experiment was over. Not only Data didn’t agree with his decision, but Commander Jean Luc was not going to permit Data to be taken apart either. Jean and Data worked closely together in Star Trek and Jean believed Data was more than a simple machine and therefore his decision
This episode of Star Trek: The Next Generation begins with a performance from Data and his quartet. Data tells Captain Picard and Dr. Crusher they may want to wait for the next performance, since his peers in the group believes he lacks “soul” in his playing. Picard sends a valuable message to Data and the viewers; never advertise your shortcomings. Picard insists on hearing Data play, and of course, as the concert starts, the Enterpirse is hailed by the Sheliak. They, by treaty, with the Federation
Jean Luc Godard’s Breathless is often regarded one of the earliest films exhibiting the French New Wave style of cinema due to its influence on the movement and innovation by the producers. One of the most noticeable edits that Godard does in Breathless is the jump-cuts made frequently during conversations, and other times when one would expect continuity, in order to break up the flow of story to the audience and force them to actively participate on understanding the progression of events. This
As a current college student and future educator, remaining open-minded is a goal I strive towards. There are many times where I am close-minded and can not understand the "diversity" within an area. Rider campus is my biggest example because when I first stepped onto it, I felt alone and isolated. Due to class discussion and experience, I realized diversity could apply to everything that makes a person unique. With this knowledge I looked at my fellow students and friends in a new light, with not
Ways of Reading and Jane Tompkins In the book, Ways of Reading, the authors Bartholomae and Petrosky outline what they describe as a "strong reader". They characterize the attributes that collectively contribute to this title and then talk about the relations between a strong reader and a strong writer. The perspectives that Bartholomae and Petrosky discuss on ideas and textual analysis are very interesting and in point of fact remind me of the thought process of which I use when analyzing
Most people when confronted with conflict, do not know how to face it, which is understandable; although, these people make no effort to learn how to deal with situations as small as everyday arguments within society. Examples of such individuals who dealt with these cases (both large and small) would be Anne Frank as seen in “Anne Frank: The Diary of a Young Girl”, which was written by Anne Frank herself; as well as “Dear Miss Breed” by Joanne Oppenheim. From these people, others can learn that
Character Changes in Antigone In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes
context of the narrative, tell viewers what it is they are about to see, remind viewers of the filmmakers intrusion on the narrative, and emphasize the way the filmmaker has chosen to shape and organize the structure of the film. Filmmakers like Jean Luc Godard employ the devices of the self-reflexive mode of screen reality because they do not value the mode of realism or expressionism to adequately convey some social truth or ideal. In choosing a didactic style of representational reality, he sought
from the Lumière brothers and the fantastical shorts of Maries Georges Jean Méliès, cinema has continually fulfilled its fundamental purpose of artistic reflection on societal contexts throughout the evolution of film. Two French cinematic movements, Poetic Realism (1934-1940) and French New Wave (1950-1970), serve as historical bookends to World War II, one of the most traumatic events in world history. The Rules of the Game (Jean Renoir, 1939) is a classic example of French Poetic realism that depicts
The French New Wave, particularly the works of Jean Luc Godard, has an important in the history of modern cinema. The new sense of realism that came out of his works would change film as an art form for the rest of time. A group of trailblazing directors who formed there own critical school called Cahiers du Cinema, set a new form of filmmaking in motion in the mid 1950’s. André Bazin is one of the most well known of these critics. The new style of the “Nouvelle Vague” rejected the linear tropes
Jean-Luc Godard’s film, Breathless (1960), is a conventional crime movie that is told using unconventional methods. The film tells a tale of a low-level gangster, Michel (Jean-Paul Belmondo), who aims to become Humphrey Bogart, a character in American crime films. He steals a car, in turn, shoots and kills a policeman. Michel escapes to Paris where he begins seducing a young, American, blonde named Patricia (Jean Seberg). Patricia does not know of his criminal activities. However, when the police