Star Trek Next Generation is an example of a space opera. Space opera includes a lot of romantic elements such as love stories, space battles, oversized heroes and villains, exotic locations, and gorgeous women. Anyone with even just some exposure to Western pop culture has heard of at least one of the Star Trek series. The series predicted many technological mainstays such as the tablet, automatic doors, mobile phones, and natural-language AI programing long before their commercial-market debuts. It is set about 71 years after the first series, in 2364. The show’s overarching focus is human exploration; i.e. humanity vs. alien, the discovery of new life, humanity as savage, and social/political relationships with alien cultures. The show also displays some examples of progressive gender politics. However, the show itself puts more focus on humans (the human condition) that any on any other/alien race and could have done more in the promotion of gender politics and equality.
For the presentation we choose to focus on two episodes: “Encounter at Farpoint” and “All Good Things...” “E...
This is not the only evidence that indicates a sign of stereotypical events that occurs in the novel. A great ind...
of how John Steinbeck uses extraordinary circumstances to create appeal and realism to the reader.
Updike, John. “A&P”. The Norton Anthology of Short Fiction. Eds. R.V. Cassill and Richard Bausch. Shorter Sixth Edition. New York: W.W. Norton and Company, 2000. 864 - 869.
Updike, John. "A&P." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York: HarperCollins, 1991.1026-1030.
The Norton Anthology of English Literature, Volume 1c. New York: W.W. Norton & Co, 2006. Print. The.
The Hounds of Tindalos is a short science fiction story containing many and varied elements that have been long associated with the genre of science fiction. This essay will identify these elements, examining their placement within this short text and also the interchange of these elements with the characteristics of other genres, more specifically, horror. Belknap Long, the author, was clearly intent of incorporating the elements of horror within the genre of science fiction and this amalgamation of these two genres was a popular combination employed by future horror and SF writers. Perhaps the inclusion of horror within the SF genre is a comment in itself about perceptions of SF held by writers, the elements of horror being a cautionary warning to those in the science world.
In the initial example used in the introduction, which took place in Chapter II of the novel, the reader is not only able to see the reason for Newland Archer’s behaviour, but the example also acts as a method of foreshadowing which alludes to the significant role ...
Gainor, J. Ellen., Stanton B. Garner, and Martin Puchner. The Norton Anthology of Drama, Shorter Edition. New York: W. W. Norton &, 2010. Print.
Silko counsels that the story's potential for good or ill should not be easily discounted or dismissed. She seems to understand all too well that human beings house both virtuous and vicious impulses; our stories are infused with both the sinister and the sublime. There is a unifying, mythical or archetypal realm which exists just beyond the scope of individual consciousness. Stories are tethered to and wound around this insubstantial place, and the power of each story is firmly rooted in this connection.
The stories in the Discworld-continuum are almost always parodies of real-life events, people and places. The novel Night Watch, for example, is a...
Dialogue (March 2001): 85-90. Academic Search Premier. EBSCOHost. University at Albany Library, Albany. 11 November 2002.
Stump, Colleen Shea, Kevin Feldman, Joyce Armstrong Carroll, and Edward E. Wilson. "The Epic." Prentice Hall
113- The Norton Anthology of English Literature. 6th ed. of the book. Vol.
Gainor, J. Ellen, Stanton B. Garner, and Martin Puchner. Old Times. 1971. The Norton Anthology of Drama. New York: W. W. Norton &, 2009. 1018-042. Print.
Lawall, Sarah, ed. The Norton Anthology of World Masterpieces, Seventh Edition, Volume 1. New York: W.W. Norton & Company, Inc., 1998.