Jean Luc Godard’s Breathless is often regarded one of the earliest films exhibiting the French New Wave style of cinema due to its influence on the movement and innovation by the producers. One of the most noticeable edits that Godard does in Breathless is the jump-cuts made frequently during conversations, and other times when one would expect continuity, in order to break up the flow of story to the audience and force them to actively participate on understanding the progression of events. This is quite contrary to the typical Hollywood style of film editing as transitions between shots are usually smoothed over as much as possible so that the audience focuses solely on the plot events transpiring on the screen rather than the editing Godard breaks free from the mould countless times throughout the film in order to force the audience to pay attention to the editing as well as the progression of the plot in order to achieve a lack of continuity within and between scenes. His decisions were in part due to the producers asking that he shorten the film but also to his decision to create the sense of discontinuity present throughout the film. One such way that he breaks from away is through the use of nonprofessional actors and handheld cameras in order to achieve a more documentary style of storytelling while also allotting him a great deal of flexibility in deciding what and where to film the shots, allowing him to improvise regularly. Traditionally, filmmakers would attempt to make transitions and edits of scenes to be as seamless and unnoticible as possible, such is not the case with Godard, who insists on having jarring cuts even within a single conversation, often changing the angle and juxtapositioning between actors and objects in the scene. We first see these most prevalently when Michael first confronts and murders the police officer where there are continuous cuts between himself, the officer, and various objects such as the gun where the positioning of each are swapped between cuts, causing a sense of confusion for the audience. Scenes such as these become commonplace throughout the film and offer insights into both the characters and the themes of the film as a
Godard directed with the very goal to break the classical film rules of its era. Though watching it now, it would seem like many of the techniques used are very present in other film. But, backtrack to 1960, Breathless was the very first film to incorporate jump cuts into it. Before Breathless was released, most French films were shot and filmed in pretty much the same manner. Godard utilized jump cuts to create a sense of chaos and confusion that seemed quite peculiar in the postclassical period. He essentially cuts the gaps between time and space to elicit a more eerie and fast paced aura to the film. No matter the period we are in, thriller films all eventually try to bring out the emotion of suspense. Godard wanted to show that he was able to make a film through unorthodox measures and produce a film that was better that the traditional ones.
The Grand Mosque of Córdoba remains to this day, one of the finest mosques, of that which once was part of the west of the Islamic Umayyad Caliphate. Córdoba was once the capital and seat of the Umayyad Caliph in Spain; then known as Al-Andalus. As such, this city was graced in the days of Islamic Rule by the building of a mosque; a most fundamental part of any Islamic city. If one were to think of Spain now, Islam is of course not the first thought that would usually come to mind. Spain is, after all, a Christian land with a deep Roman Catholic history, and the location of many Christian Pilgrimage destinations. Thus, one would be forgiven for thinking that the Islamic Empires had probably never even reached as far as West Europe. The Grand Mosque of Córdoba tells a different story.
Both 1984 and The Handmaid’s Tale are dystopian novels, however, these books are a lot more complex than mere portrayals of dystopia, it can be argued that they are explorations of dystopia rather than mere portrayals. In order to explore dystopia, many themes must be considered, such as; feminism, love and repression. Nonetheless, it is apparent that human characteristics are the driving point of the two novels, predominantly, the depiction of human resilience. In an imperfect world, it is important to have certain qualities which, if plentiful, it can mean success, whereas if it lacks, it can mean failure, this characteristic is resilience. The protagonists in each novel, Winston in 1984 and Offred in The Handmaid’s Tale face situations which leave them both in disarray, and both even consider suicide. The authors tentatively highlight human resilience, its limits and most importantly its strengths into the two novels.
Incidents in the Life of a Slave Girl opens up with an introduction with a protagonist Linda (Harriet Jacobs) a slave girl which was born as a slave and states her reasons why she kept her autobiography private for so long. As Linda goes on and talk about her lifestyle as women slave, on the other hand I will be comparing the life style of another slave Olaudah Equiano who is a male slave which has a different point perspective of how he uses strategies to gain freedom from his master. How does gender complicate Linda’s (Harriet Jacobs) situation in comparison to Olaudah Equaino’s to gain freedom from their masters? Or does her gender complicate her situation? In a comparison of gender such as female and male there were always big difference which is also stated in the bible, from the Apostle Paul women were created second, sinner first and should always be kept silent. So what makes Linda’s gender so complicated to gain freedom from her master? The answer as stated in the book she was owned by Dr.Flint’s daughter which she couldn’t gain her freedom as long as the daughter did not gave her freedom, such on the other Equiano was owned by a master who gave him freedom. What was the reason why Linda could not get her freedom? Gender , Christianity, Strategies.
The Hunger Games was a critically acclaimed movie when it came out; however, some critics would argue that the movie can be sometimes too violent for its intended audience. In this essay I would dissert Brian Bethune’s essay “Dystopia Now” in order to find its weaknesses and compare the movie Battle Royale with his essay.
Religion’s chief functions include: a system of explanation and justification for morality. Religion in society provides us with a sense of purpose, security, morality, and obedience. This impacts every society because, as Pojman stated, “it legitimizes social mores, morality itself, as well as rituals for the dedication of children, rites of passage, marriage, and the passage from death to the beyond” (Pojman 1). This gives an accurate explanation of the different cultural traditions and views that exist worldwide.
“‘They score! Henderson has scored for Canada!’” Foster Hewitt wordlessly described” (Pelletier) when Paul Henderson scored the series-winning goal. This allowed Canada to win the 1972 Summit Series, a moment that no one would ever forget since it all happened during the climax of the Cold War. Prior to this, the Soviets had won the previous three Olympic gold metals since Canada could not use its NHL players. Thus, this provided Canada with the chance to play hockey against the USSR using its best players. This raised the question: if Canada were able to send its best players, would it still be enough to beat the Soviets? Everyone in Canada was certain that the Soviets would not win a single game, but little did they know they underestimated the extent of the Soviets abilities. Tied in the last few minutes of game eight, Canada had to score or they would lose the series. However, when Paul Henderson scored the game-winning goal, never before had a single sporting event meant so much to Canadians. Therefore, Paul Henderson’s goal is a defining moment for Canada in the twentieth century becauseit provided Canada with the opportunity to evolve hockey, proved that Canada and our democratic society were superior to the USSR and their communist society, and brought citizens together to unify Canada as a nation.
Has it ever crossed your mind what exactly is that makes people relate to each other? Whether its simple things like food and music or more complex things like language and religion, the feeling of being part of something gives us a sense of satisfaction, and common ground. Humans have an inevitable need to belong. However when those factors that make people interconnect with each other becomes distorted, the results can be catastrophic. In this essay I will discuss the how the genocidal events that took place in the U.S. with the Native Americans, the Belgian Congo, and German South West Africa were carried out and why elements of exploitation, racialization, identity, and inferiority played a role in them.
With every film, there are purposely intended details which are used that may seem unnecessary or irrelevant, but are vital components of the diegesis. For most, it can be helpful to re-watch a movie to get a better understanding for what is going on. To appreciate and completely comprehend a film to its full extent, one must look to identify the five principles of form. When analyzing the plot of Get Out, these principles must be addressed because of the significant details that captivate this entire story. When considering how the aspects of function, similarity and repetition, development, difference and variation, and unity/disunity shape the film, viewers can get a grip for why the director uses certain tactics to compose each scene for
I have the fortunate position of being able to say that my career, for the most part, has allowed me to invest my time in the places that both interest me and have had a beneficial impact on underserved and low-income communities. Through my work I have been able to respond to societal needs in healthcare and, my passion, community development. At the same time I realize that to have the greatest impact in the community development field requires me to further my formal education, deepen my policy expertise, develop my leadership skills, enhance my management ability and learn from the leaders in the field.
Breathless is in many ways the antithesis of the classical Hollywood cinema; the changes have a direct effect on the relationship the film has with the viewer. Classical Hollywood cinema includes standards such as continuity editing, highly motivated, character-driven stories and a coherent narrative structure. Breathless defies these elements of traditional filmmaking, instead defining what we know as French New Wave.
Analysis of Movie Moulin Rouge In this essay I will be analyzing in depth four scenes from Baz Luhrmann's critically acclaimed Moulin Rouge that was released in 2000. I will be analyzing the opening sequence, the sequence in the Moulin Rouge itself, the two dancing sequences 'Like a Virgin' and 'Tango Roxanne' and the final scenes of the film. Throughout this essay I will be commenting on the filming techniques that Luhrmann uses and what affects these have on the audience, also I will be analyzing how the film is similar and different to typical Hollywood Musicals.
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
The use of jump cuts within Breathless and Contempt was an unconventional technique during the French New Wave and still is today because it violates one of the rules of Classic Hollywood Style. Jump cuts create “…discontinuities that the perceptual system will not ignore because the stimuli fall outside of the accommodation ranges for perceptual continuity, then spatial coherence breaks down” (Berliner). Even though jump cuts are not aesthetically pleasing, Godard uses them for the deeper meaning of the films.
...udience would. He would try imagine what they were thinking, and then when he started to lose focus and have thoughts of other things, he would cut. In this way he was helping the audience how long they are going to think about a certain thing. Ideally the editing of a scene would go unnoticed as it flows smoothly. This is the skill of a talented editor. They’re are many more with equally impressive artworks. The editors perhaps have one of the most vital jobs to make a good film. However it is through the contribution of all members on set to help bring the quality to a performance.