characters, Hugo uses paradox to induce their unfortunate flaws. For example, Quasimodo. He represents the grotesque and the beautiful. He is shunned from society and must find comfort not from the insignificant material world but from deep within himself. Claude Frolllo displays evil propensities regardless of the fact that he is a priest and is supposed to be devout to God. The priest has lost his sacred faith in the pathway towards the evil that Hugo expected of humanity. Esmeralda is the beautiful and
him as a baby, then adopted by Claude Frollo. He grew up in Notre-Dame and at fourteen; he received the title of bell ringer. He considers this a high honor and he took his position very seriously. Unfortunately, the bells are what have taken his hearing from him. He very rarely ventures out of the cathedral because the people are cruel and despise him. The rare occasion that his does live the cathedral; he is elected as the Pope of Fools. His undying loyalty to Frollo gets him into trouble with the
There are many types of love and they need not be between members of opposite sexes. In Victor Hugo's novel, The Hunchback of Notre Dame, Quasimodo's love for Esmerelda is not as strong as his different sense of love for the Archdeacon, Claude Frollo. Quasimodo loves each person in a different manner, but is truer to the Archdeacon. The hunchback feels, among other things, a love described as Eros for the Mistress Esmerelda; whereas, for the Archdeacon the love he feels is known as Philia
: It was 1482 on the Day of the Festival of Fools. The protagonist, Quasimodo, otherwise known as the Hunchback of Notre Dame, was named the ugliest person in Paris. The antagonist in this story is Archdeacon Claude Frollo. Frollo uses Quasimodo as a personal slave and keeps him in a tall tower. One day, Quasimodo looks out of the tower to see a beautiful gypsy dancer La Esmerelda. La Esmerelda is dancing in the town square when a struggling poet named Pierre Gringoire attacks her. Quasimodo takes
nature, lived severed from human contact, excepting that of the solemnly aloof priest, Claude Frollo. For his part, Frollo strove for knowledge until he encountered the captivatingly gorgeous gypsy dancer, Esmeralda. She existed solely to adore an arrogant captain of the King's Archers, named Phoebus de Chateaupers, for saving her from being kidnapped. Enticed by Esmeralda's dancing to the depths of his being, Frollo outwardly denounced her as a sacrilegious sorceress, but his body raged for her out
cripple, but instead as a real human being with the bearing of a king. Lame and deaf, the one-eyed, misshapen curiosity of Paris, Quasimodo, dwells as a hermit in the Cathedral of Notre Dame during the 15th century. Taken under the care of Jean-Claude Frollo when only an infant, Quasimodo receives the occupation of bell ringer, and thus spends his life in constant devotion to the cold, exacting and insensate Archdeacon, extracting all earthly pleasure from his haven&emdash;the cathedral&emdash;and
doorstep of the Cathedral, to be found and raised alone in the bell tower by Judge John Frollo, the cold and heartless brother of the Archdeacon. Quasimodo was not wanted from the beginning and his lack of family, beyond his master, distances him from the viewers. The modern cartoon rewrites this unhappy beginning by introducing Quasimodo's mother as a beautiful young gypsy woman who died at the hands of Frollo to save her son's life. The fac... ... middle of paper ... ...an's 1939 black and
Viewing a person less of who they are just because of a physical or social attribute that they relate to, is what is known as oppression. It is a social ill that has been present in the society since time immemorial, and due to the societal imbalances, the vice is hard to deal with. In ‘The Hunchback of Notre dame’, oppression is highly practiced and just like any other normal society, dealing with it is impossible. The film highlights different types of oppression and the imbalances that are present
Claude McKay's If We Must Die One of the most influential writers of the Harlem Renaissance was Jamaican born Claude McKay, who was a political activist, a novelist, an essayist and a poet. Claude McKay was aware of how to keep his name consistently in mainstream culture by writing for that audience. Although in McKay’s arsenal he possessed powerful poems. The book that included such revolutionary poetry is Harlem Shadows. His 1922 book of poems, Harlem Shadows, Barros acknowledged that this poem
Communication by Claude Shannon and Warren Weaver For my research report, I read The Mathematical Theory of Communication by Claude Shannon and Warren Weaver. This book is an in-depth description of their theory. While I will focus mostly on Weaver's translation and application of information, I will also touch on the theory's core ideas as explained by Shannon. The information theory is the extentsion of Nyquist's and Hartley's origingal ideas on the subject. However, Claude Shannon includes
the arts, I wasn't exactly sure what I was being asked. I turned around to look at the painting on my grandparents' wall and saw the writing "Claude Monet 1903" in the bottom right-hand corner. I politely answered my aunt's question, "Yes, I believe so." After we both looked at the painting for a few moments, she commented on its beauty and praised Claude Monet as a "great artist." I liked the painting myself. The different shades of yellow, orange, red, and violet were very appealing, but I questioned
Claude Monet Claude Monet made the art community address a revolutionary type of art called impressionism. In a style not previously before painted, impressionism captured a scene by using bright colors with lots of light and different shades to create the illusion of a glance. The traditional method of working in a studio was discarded and the impressionist artists carried any needed supplies with them into the countryside and painted the complete work outside. The manufacture of portable tin
Claude Monet Claude Monet was one of the founding fathers of French Impressionism. Monet's concern was to reflect the influence of light on a subject. He never abandoned his Impressionist painting style until his death in 1926 when Fauvism and Cubism were en vogue and when abstract painting came into existence. First Painting Lessons Claude Monet was born in Paris, but grew up in Le Havre. His first artistic output was caricatures when he was a little boy. Close to his home was a little shop owned
Claude Monet: Grainstack (Sunset) Claude Monet's Grainstack (Sunset) is the painting I chose from the Boston Museum of Fine Arts. Monet was an impressionist painter in France, and did most of his work at his home at Giverny. Impressionism got its name from a painting that Monet painted, Impression Sunrise. Impressionist paintings are put into a category based on characteristics such as light that draws attention to objects, rough textures, and visual pleasure that the viewer receives upon looking
Claude McKay was born on September 15th 1890, in the West Indian island of Jamaica. He was the youngest of eleven children. At the age of ten, he wrote a rhyme of acrostic for an elementary-school gala. He then changed his style and mixed West Indian folk songs with church hymns. At the age of seventeen he met a gentlemen named Walter Jekyll, who encouraged him to write in his native dialect. Jekyll introduced him to a new world of literature. McKay soon left Jamaica and would never return to his
Claude McKay's "Harlem Shadows" During the Harlem Renaissance, the black body was considered exotic and the "flavor" of the week. Society had an obsession towards black women, in general, blackness. However, the white race wanted to listen to their music, mingle with the women, and enjoy the other finer luxuries that the black society could afford. Even the art was captured by this idea of the exotic and contentment in being "black." The masquerade began as members of the white race tried to
Monet2 Claude Monet is one of the most familiar and best loved of all Western artists. His images of poppy fields, poplar trees, water lilies and elegant ladies in blossoming gardens are familiar to people who have never seen the original paintings and may never have visited an art gallery. Monet's works have won a place in the affection of the general public that seems almost without parallel. (Rachman, 4) In the decades since his death in 1926, Monet's work has been intensely studied by a
The French New Wave In 1959- early 1960 five directors released debut feature length films that are widely regarded as heralding the start of the French nouvelle vague or French New Wave. Claude Chabrols Le Beau Serge (The Good Serge, 1959) and Les Cousins (The Cousins, 1959) were released, along with Francois Truffauts Les Quatre cents coups (The 400 Blows, 1959), Jean-Luc Godards A bout de souffle (Breathless, 1960) and Alain Resnais Hiroshima mon amour (Hiroshima my love, 1959). These films
Pierre - Auguste Renoir painted several paintings, very few being self portraits. There are three main portraits Pierre created of himself. While there are some differences between Renoir's self portraits, there are far more similarities. Like his color palette, his clothes, the style, and his passion. Renoir had an obsession over his brown trench coat and his white hat. He wore it in most of his self portraits. The coat hid his disability and the hat helped to shade his face from the world. In two
The 1942 movie, “Casablanca” portrays a World War II era enclave where refugees fled Nazi Europe and used this unoccupied city as a safe haven while pursuing their dreams of coming to America. The main character is Rick Blaine, played by Humphrey Bogart, who owns a nightclub and casino in unoccupied Morocco during the Nazi era. Blaine, whose sole purpose appears to be money, illuminates a sense of arrogance and self righteousness as he assists in retrieving the necessary immigration documents