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Claude McKay was born on September 15th 1890, in the West Indian island of Jamaica. He was the youngest of eleven children. At the age of ten, he wrote a rhyme of acrostic for an elementary-school gala. He then changed his style and mixed West Indian folk songs with church hymns. At the age of seventeen he met a gentlemen named Walter Jekyll, who encouraged him to write in his native dialect. Jekyll introduced him to a new world of literature. McKay soon left Jamaica and would never return to his homeland.
In 1912, only 23 years old, Jekyll paid his way to the United Sates to study agriculture at Tuskegee Institute. Before leaving Jamaica, McKay had gotten a reputation as a poet. He had produced two volumes of dialect poetry, Song of Jamaica and Constab Ballads. His work is said to always echo both the British colony’s musical dialect and the sharp anger of its subject race. McKay moved to Harlem, New York in 1914, during a very discriminating time. His first American poem appeared in 1917. Of all the Renaissance writers, he was one of the first to express the spirit of the New Negro.
By 1921, McKay had become the associate editor of a magazine called, The Liberator, a socialist magazine of art and literature. In 1922, Harcourt, Brace and Company published a collection of seven poems called, Harlem Shadows. This made him receive the status of being the first significant black poet. Even though he was considered an African-American icon, McKay said he still considered himse...
In addition, after WWI, there were many waves of Jamaican peoples that would come to America. This poem gives background information about the author’s mother and then moves into the authors opinion on
Langston Hughes wrote during a very critical time in American History, the Harlem Renaissance. Hughes wrote many poems, but most of his most captivating works centered around women and power that they hold. They also targeted light and darkness and strength. The Negro Speaks of Rivers and Mother to Son, both explain the importance of the woman, light and darkness and strength in the African-American community. They both go about it in different ways.
McKay was born in Sunny Ville, Jamaica, in 1889. McKay was the son of a peasant farmer. He took pride and knew a lot about his African heritage. He was interested in English poetry dealing with literary. McKay’s brother, Uriah Theophilus and an Englishmen Walter Jekyll helped McKay study British masters. McKay studied the British masters including John Milton, Alexander Pope and the later Romantics and European philosophers such as well-known pessimist Arthur Schopenhauer, Jekyll had to translate from German into English. It was Jekyll who advised hopeful poet McKay to stop mimicking the English poets and begin producing poetry in Jamaican dialect.
After graduating high school, he started attending New York University. In 1923, he won second prize in the Witter Bynner undergraduate poetry contest, which was sponsored by the Poetry Society of America. He won with a poem entitled The Ballad of the Brown Girl. At around this time some of his poetry was featured in the national periodicals such as Harper's, Crisis, Opportunity, The Bookman, and Poetry. The following year he again placed second in the contest and finally winning it in 1925. Cull...
She wrote for several newspapers throughout her life in the United States and in 1958 she established Great Britain’s first major black newspaper called “The West Indian Gazelle”. She even wrote while she was incarcerated, mostly in the form of letters and poems. Her writings were mainly focused on the issues relating to black people, such as racism, the struggles of the working class, and Jim Crow laws. In the introduction, Davies discusses how Jones’s work were ahead of their time and how they are still applicable and relevant in today’s society.
In 1950, McKay moved from Baltimore to New York to host a local 90-minute variety show for CBS. The executive producers of the show wanted him to change his name from James McManus to what he is now referred to as, Jim McKay, in order to coincide with the shows title, “The Real McKay.” Over the next decade, he pursued other ventures for WCBC-TV and CBS network as a weatherman, a public-affairs moderator, a game show host and a sportscaster. As a sportscaster, he covered the Masters golf tournament, Ivy League college footb...
...can writers, a guardian of traditional African-American culture, a civil rights activist through his writing and and as the face of the Harlem Renaissance. His importance to not only the Harlem Renaissance but the African-American identity is immeasurable and for that we should be forever grateful and pay him the highest regard.
Jean Toomer's family was not typical of migrating African Americans settling in the North, or fleeing the South. Each of his maternal grandparents were born of a caucasian father. But a "speck of Black makes you Black." Thus, Toomer's grandfather, Pinckney Benton Stewart Pinchback, was a free born black, a Union officer in the Civil War and was elected to the office of Lieutenant Governor and later Acting Governor of Louisiana during Reconstruction. The Pinchback's retired north and settled in the Negro community of the capitol. Thus, Toomer was born, as Nathan Pinchback Toomer into an upper class Negro family in Washington D.C. on December 26, 1894. Shortly after Toomer's birth, his caucasion father deserted his wife and son, and in 1996 Toomer's mother, Nina Toomer, gave him the name Nathan Eugene (which he later shortened to Jean). At the age of ten he was stricken with severe stomach ailments which he survived with a greatly altered life. He showed strength early - when faced with adversity, rather than wring his hands and retreat further into himself, Toomer searched for a plan of action, an intellectual scheme and method to cope with a personal crisis. Toomer writes in Wayward and Seeking, "I had an attitude towards myself that I was superior to wrong-doing and above criticism and reproach ... I seemed to induce, in the grownups, an attitude which made them keep their hands off me; keep, as it were, a respectable distance." Eugene and Nina and a new husband moved to New York in 1906; however, upon Nina's death in 1909, Nathan moved back to Washington and his grandparents.
Countee Cullen was a prominent American poet and was known as the “poster poet” of the 1920 artistic movement called the Harlem Renaissance. The Harlem Renaissance produced the first African American works of literature in the United States. There were many leading figures in the Harlem Renaissance such as James Weldon Johnson, Claude McKay, Langston Hughes, Wallace Thurman and Arna Bontemps.
Hughes, who claimed Paul Lawrence Dunbar, Carl Sandburg, and Walt Whitman as his primary influences, is particularly known for his insightful, colorful portrayals of black life in America from the twenties through the sixties. He wrote novels, short stories and plays, as well as poetry, and is also known for his engagement with the world of jazz and the influence it had on his writing, as in "Montage of a Dream Deferred." His life and work were enormously important in shaping the artistic contributions of the Harlem Renaissance of the 1920s. Unlike other notable black poets of the period—Claude McKay, Jean Toomer, and Countee Cullen—Hughes refused to differentiate between his personal experience and the common experience of black America. He wanted to tell the stories of his people in ways that reflected their actual culture, including both their suffering and their love of music, laughter, and language itself.
During the time period of the emancipation proclamation multiple black authors were becoming educated enough to write works of poetry. Such works have influenced and persuaded the minds of white people all over America to this very day. It also gave their own people a work of art to turn to for their own history. The poets have ventured into modern day eras also, and still have the same topics at hand. The main idea of these poetry pieces was on their ancestors in Africa but also of course of the modern problem of slavery. Langston Hughes was the first influential black poet. Lucille Clifton and Colleen McElroy are modern poets but is a black woman who has other views on slavery but also very similar looks on their historical past. All of the poets all mentioned their historical background in Africa. Langston Hughes, Lucille Clifton, and Colleen McElroy all wrote about their ancestors and of slavery, and some of the same references were of the rivers, and the connection between the people even though they are literally worlds apart; a difference between the poems was the desire for freedom and the freedom that was already existing in the modern day poetry of Lucille Clifton and Colleen McElroy.
...for equal rights. In some poems McKay even called for violent acts to change the laws, however, as an educated man, reason prevailed. As result he adopted religion, and his poetry, like himself became conflicted. Out of this confliction came some of the most powerful African American poetry in history. Claude McKay poured his soul onto to paper, and as a result, it seeps in to all who read it.
Poetry served as another form of self expression for African-Americans, similar to that of Jazz and the Blues. This form of media served the same (or a very much similar) as music did, Some notable poets include the likes of Langston Hughes, who is considered by some to be one of the most important and influential Harlem Renaissance poets of the time, James Weldon Johnson, and Claude McKay. Most notable of the three is, poet and intellectual, Langston Hughes who, in addition to writing books and plays, served to spread the emotions of African-Americans as well as himself and to make clear the ambitions and dreams of the American people within the United States. As stated by Concordia Online Education, ”Hughes wrote novels, plays and short stories, but it is his emotional, heartfelt poems that expressed the common experiences of the culture of black people for which he is most remembered”.
Claude McKay was an important figure during the 1920's in the Harlem Rennaisance. Primarily a poet, McKay used the point of view of the outsider as a prevalent theme in his works. This is best observed in such poems as "Outcast," "America," and "The White House." In these poems, McKay portrays the African-American as the outsiderof western society and its politics and laws and at times, the very land that he is native to.
During the 1920's and 30’s, America went through a period of astonishing artistic creativity, the majority of which was concentrated in one neighborhood of New York City, Harlem. The creators of this period of growth in the arts were African-American writers and other artists. Langston Hughes is considered to be one of the most influential writers of the period know as the Harlem Renaissance. With the use of blues and jazz Hughes managed to express a range of different themes all revolving around the Negro. He played a major role in the Harlem Renaissance, helping to create and express black culture. He also wrote of political views and ideas, racial inequality and his opinion on religion. I believe that Langston Hughes’ poetry helps to capture the era know as the Harlem Renaissance.