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The Hunchback of Notre-Dame
“Love is a universal language.” This popular quote
from many movies and literary works describes the importance
of love, and how there are no limits or barriers when
dealing with love. Many people cannot even help whether or
not they fall in love. There are many types of love and
they need not be between members of opposite sexes. In
Victor Hugo's novel, The Hunchback of Notre Dame,
Quasimodo's love for Esmerelda is not as strong as his
different sense of love for the Archdeacon, Claude Frollo.
Quasimodo loves each person in a different manner, but is
truer to the Archdeacon.
The hunchback feels, among other things, a love
described as Eros for the Mistress Esmerelda; whereas, for
the Archdeacon the love he feels is known as Philia. While
Quasimodo is drawn to Esmerelda by her inner beauty and
personal qualities, he admires the Archdeacon for his
powerful position in the social structure of the town.
Throughout the story, Quasimodo does his best to protect
Esmerelda. Contrarily, he is protected by the Archdeacon.
There are four types of love, only one of which involves a
man's physical love for a woman and vice versa. This type
of love is known as Eros. It is defined as a relationship
in which two parties are physically attracted to one
another. Esmerelda, the gypsy, is quite beautiful. She
dances in the midst of a crowd near a bonfire: “All eyes
were fixed on her, all mouths hung open. As she danced to
the rhythm of the tambourine which her round, delicate arms
held over her head, she seemed to be some sort of
supernatural creature(p.22). Quasimodo is taken by her
loveliness just like most other men. However, because he is
deformed and hideous, Quasimodo's physical attraction to the
Mistress is unrequited. Nevertheless, this attraction is
uncontrollable. Although he never acts upon his urges nor
openly displays his affection, the hunchback feels the type
of love called Eros for Esmerelda. Accordingly, he feels a
different kind of love for the Archdeacon: Philia. Just as
Eros as love stems from physical factors, Philia is a result
of external factors. The Archdeacon is a man of God. He is
considered the religious authority in Paris. Quasimodo
resides in the Notre Dame Cathedral. He takes a great
interest in God, and apparently shares this interest with
the Arc...
... middle of paper ...
... priest's company and leadership. Quasimodo
continues to show gratitude by obeying every command given
to him by the Archdeacon. When the Archdeacon decides that
Esmerelda should hang, even though Quasimodo loves her he
could not defy the priest's command: he sat quietly by and
awaited the hanging. It is clear that this love stems from
the protection of the Archdeacon through Quasimodo's early
years of life. This also exposes the fact that Quasimodo's
respect and obedience to the Archdeacon outweighs his
feelings for Esmerelda.
Throughout the story by Victor Hugo, Quasimodo shows
love to both Esmerelda, a beautiful gypsy, and to Claude
Frollo, the Archdeacon that took the hunchback into his
custody. Two types of love displayed are Eros, to the
Mistress, and Philia, toward Frollo. Quasimodo's protection
of Esmerelda is seen inversely through his relationship with
the Archdeacon. The Archdeacon and Esmerelda have diverse
qualities that evoke separate types of love from Quasimodo.
In the end, the bell ringer's relationship with Frollo
supercedes his emotions towards the Mistress. The Philial
and brotherly love triumphs over unrequited erotic love.
In this novel The Hunchback of Notre-Dame (1831), Victor Hugo talks about the life of his characters in the city of Paris. This story takes place in the late-fourteenth century. With inequality all around it was hard for a person to gain respect without good looks or social status. In this paper I will mainly discuss the story of Quasimodoe Esmeralda, and their struggle in this story Quasimodoe`s mother was a gypsy.
...estructive. Love led to Dido’s physical death and it lead to Augustine’s spiritual death. Virgil and Augustine further demonstrate that there our ideals greater than love. Aeneas ends his romance with Dido in order to fulfill his destiny to become founder of Rome. Aeneas must obey the gods before his passion. Augustine forsakes his life of lust when Christ calls him. He obeys his God and learns to love and esteem Him above all else. Aeneas fulfills his duty to his gods and to his country; Augustine fulfills his duty to His God and his church. Duty should take precedence and overpower love.
In The Lais of Marie de France, the theme of love is conceivably of the utmost importance. Particularly in the story of Guigemar, the love between a knight and a queen brings them seemingly true happiness. The lovers commit to each other an endless devotion and timeless affection. They are tested by distance and are in turn utterly depressed set apart from their better halves. Prior to their coupling the knight established a belief to never have interest in romantic love while the queen was set in a marriage that left her trapped and unhappy. Guigemar is cursed to have a wound only cured by a woman’s love; he is then sent by an apparent fate to the queen of a city across the shores. The attraction between them sparks quickly and is purely based on desire, but desire within romantic love is the selfishness of it. True love rests on a foundation that is above mere desire for another person. In truth, the selfishness of desire is the
What would you do if you knew one of your friends was in trouble? Would you save them or would you try to avoid the situation and let someone else deal with it? That is the exact problem that Huck Finn is faced with in the novel The Adventures of Huckleberry Finn by Mark Twain. It is a novel about the friendship between a young boy, named Huck and a black slave, named Jim. Throughout the plot Huck and Jim form a bond which proves that color should not stand as a barrier between the friendship of two people by completing endless adventures and always sticking together. The author, Mark Twain, grew up in one of the fifteen slave states and this clearly influenced his writing in the novel The Adventures of Huckleberry Finn. Growing up of the banks of the Mississippi River he experienced much racism and witnessed how cruel society could truly be (Merriman) and this affected him deeply. The novel The Adventures of Huckleberry Finn by Mark Twain, supports the theme that friendship in found in unexpected places.
Transcendentalism is about connecting with nature. Mark Twain influences these aspects of transcendentalism with his masterpiece The Adventures of Huckleberry Finn. However in today's society students and teachers view the novel as being obscene. Which is because society is ruling their lives. Their view The Adventures of Huckleberry Finn by Mark Twain as a racist novel but they miss the transcendental aspects of it such as the society of the time, Huck’s beliefs and Huck’s actions.
Although in reality and illusion may be mistaken for one another and they both play a large part in the novel “The Adventures of Huckleberry Finn,” illusion and reality differ in how they impact the minds of characters. Near the beginning of the novel, Huck Finn fakes his own death to protect himself and escape from his father. He later meets the Grangerfords, who are locked in a blood feud with the Shepherdsons. One of their daughters, Charlotte, pretends to hate the Shepherdsons as much as any other member of the family, when in actuality she is in love with a Shepherdson and plans to run away with him. Huck and Jim also meet two frauds, the Duke and the King. As Huck and Jim travel, Jim assumes multiple guises as does Huck Finn. Although these are to protect Jim from being caught as a runaway, the deceptions used are a form of illusion used in the novel; and keep minor characters from seeing the reality of Jim and Huck’s situation. Illusions are more commonly seen in the novel. Huck tells lies and false stories, in some circumstances to help others and attempt to preserve his morality, whereas in other situations he uses fallacy to help himself, and Jim, move down the river.
This passage marks the first of several types of love, and gives us an intuitive
First, to get back on track, it is important to look at the three separate levels of love, and it would make sense to first look at eros. Eros is a romantic love, the kind of love one would have towards a beautiful object, or person. It is that sexual drive that is most apparent at the early stages of a relationship. This could be considered to be the first definition people would think of when questioned about the meaning of love. In fact in a more layman attempt at understanding eros one can think of the feeling one has during a crush, where a person’s affections are aimed at a single individual.
In the Hunchback of Notre-Dame, Quasimodo flees back into the church, beaten and downtrodden by his loathsome experiences with the people of Paris. While the Creature, filled with hopelessness, goes off in search of Victor Frankenstein, possibly for revenge or maybe even to beg for help. Here is where the two stories split off into separate directions. When Quasimodo ran inside the church, Esmerelda, the woman who helped him escape, followed him inside, and ended up befriending him. Giving him the loving companionship he always yearned
Rosalie was one of Romeo’s targets for love. At first, Romeo was deeply in love. He would talk about her for hours on end. He had idolized her and turned her into some sort of a godly figure. 1.1. 181. “ Why then o brawling love, o loving hate...” Romeo is completely infatuated with this woman. Moreover, the fact that he cannot get her makes his blood boil. And he is infuriated. He keeps on writing love sonnets loaded with similes and metaphors to her. And he has never met her. This is not love. This is infatuation. He is in love, with the idea of being in love. This infatuation is transferable from one woman to the other.
Ever since the dawn of time, love has been a fundamental part of every human’s lives. Northern Lights demonstrates to us that the love of a friend or the love of spouse can create either great power or bring misery and unhappiness. Iorek and Lyra are a perfect example a powerful relationship. Iorek has been denied power, Lyra is on a quest to find power and with out the love the two shared as friends, neither would be able to complete their missions. However, this is not to say the love and power are a perfect combination. To illustrate, look at Mrs. Coulter and Lord Asriel. “His hands, still clasped her head, tensed suddenly and drew her towards him in a passionate kiss. Lyra thought this looked more like cruelty than love” both are powerful in their own right, but neither is truly happy with the other. They cannot agree or conform with each others beliefs of Dust, meaning no physical love could keep them together. Although there was a strong romantic interest between the two, both came from different sides of power, her religion and he science. Northern Lights shows its readers that when true love is evident, than true power is achievable.
...an's 1939 black and white rendition of Victor Hugo's Notre Dame de Paris to make Quasimodo a character with whom the audience could sympathize and relate. This was done by rewriting Quasimodo's past, giving him hearing, intelligence, and social skills, making him the lead character and the hero, and finishing the story with his acceptance by the masses. Quasimodo is transformed from a grotesque, unloved, misunderstood "monster" to a likeable hero for whom we feel compassion and a connection.
: It was 1482 on the Day of the Festival of Fools. The protagonist, Quasimodo, otherwise known as the Hunchback of Notre Dame, was named the ugliest person in Paris. The antagonist in this story is Archdeacon Claude Frollo. Frollo uses Quasimodo as a personal slave and keeps him in a tall tower. One day, Quasimodo looks out of the tower to see a beautiful gypsy dancer La Esmerelda. La Esmerelda is dancing in the town square when a struggling poet named Pierre Gringoire attacks her. Quasimodo takes action and saves La Esmerelda. However, when Phoebus de Chateaupers arrives, he suspects that Quasimodo was the one who attacked La Esmerelda. Quasimodo is later put on trial and publicly humiliated. La Esmerelda helps Quasimodo by giving him water. To save Quasimodo’s life La Esmeralda agrees to marry Phoebus. Frollo is quite angry with this plan because he is in love with La Esmeralda. La Esmeralda goes home with Phoebus and on the way home Frollo stabs Phoebus repeatedly. La Esmeralda then falsely confesses to killing him and she is sentenced to be hanged. Right before La Esmeralda is g...
Mounted on the bell tower of Notre Dame, Quasimodo stood before Paris in a regal coat of pride and power, shedding physical imperfection to allow an inner compassion and tenderness to emerge before the jungle of onlookers. After witnessing the valor and warmth of the lordly hunchback, neither the citizens of Paris nor Louis XI himself could deny that, for the moment, this beast truly reigned as king.
Expressing love to one through writing, specifically poetry, is considered romantic. Through this, Ganymede tests Orlando’s love by portraying as Rosalind to “cure” Orlando’s lovesickness. Touchstone and Audrey’s relationship is bawdy, or lustful instead of romantic. Out of the four types of love, Shakespeare may have a preference to the bawdy love because it is more realistic and does not require the same formalities as romantic love. As Audrey expresses her positive views of her appearance, Touchstone declares, “Well, praised be the gods for thy foulness! / Sluttishness may come hereafter” (III.3.37.38). One may notice that their relationship focuses on the physical side of love which is surface level. Touchstone also states, “Will you dispatch us here under this tree, or shall / we go with you to your chapel?” (III.3.61-62). Clearly, Touchstone wants to marry Audrey immediately, but they do not necessarily have the deep love which means that it is possible that Touchstone may no longer want her at the end. Silvius and Phebe’s relationship is described as unrequited love because Silvius continues to follow Phebe, even if she does not reciprocate the same feelings. One example is during the dispute involving Ganymede. Silvius gets rejected by Phebe and he