young people will recognize it. An ad for Tommy Jeans, with Britney Spears in it, is made solely for young people to be enticed by the popular musician, not the jeans themselves. Similar to a Candies Fragrances ad that has Dennis Rodman and Carmen Electra posing together. These ads are using popular icons and the celebrity's controversial lives to draw young audiences so that the ad will stick out in teenager's minds. In the two page Tommy Jean advertisement, the ad is divided into four sections
Where will the grocery industry be in the near future? Chester Sideman and his wife Carmen married 25 years ago. After they married they decided that they did not want to be typical working Americans who worked from 9-5 and retired at age 55. They had always envisioned running their own company and running it in the form that they saw fit. After thinking long and hard they decided to build a company from the era that they were from. Being that they were from the “hippie” era, they fell in love with
The Big Sleep - Characterization of Vivian and Carmen in the Movie and the Book The characterization of Vivian and Carmen changes drastically depending on whether you are reading the book or watching the movie. The production code forces the women in the movie to become more socially acceptable-Carmen was not crazy and Vivian was not blatantly seductive. Changes that the production code forces on the characterization of the women causes the movie to be somewhat lack luster. The
language has sparked countless revolutions and has continuously fueled social progression over the course of human history. In Carmen Vàzquez’s “Appearances,” Vàzquez argues that homophobia is a serious concern in society. She rallies for all people, regardless of sexual orientation, to challenge society’s unyielding gender roles and homophobia. Through the art of persuasion, Carmen Vàzquez blended careful diction, emotional stories, and persuasive structure to aggressively address the problem of homophobia
concern was to create a picturesque atmosphere that would appeal to audiences.’(Machlis p.190) Bizet romanticized gypsy culture in his opera and through the character, ‘Carmen’. The libretto gives off ideas in relation to the emerging theme of ‘naturalism’, where much focus was given to the working class and their suffering. Carmen and the other gypsies don’t have that middle class virtue. ‘But they are seen against the exotic allure of Spain and Bizet’s music invests them with a human dignity.’ (Machlis192)
Carmen Composed by Georges Bizet Georges Bizet (1838-1875) composed the opera Carmen, it opened on March 3, 1875 at the Opera Comique in Paris. It was not a success, initially. Then again, Carmen would soon become the most popular opera of all time. The entire work however, was disapproved of for its harsh libretto, and the music was criticized. The reception of Carmen left Bizet acutely depressed and on June 3, 1875 he suffered from two heart attacks and died. Carmen opens with a Prelude
Prima ab origine mundi, ad mea perpetuum… tempora carmen, “from the very beginning of the world, in an unbroken poem, to my own time” (Metamorphoses 1.3-4). Publius Ovidius Naso also known as Ovid wrote Metamorphoses, which combines hundreds of stories from Greek mythology and Roman traditions. He stitched many of them together in a very peculiar epic poem in fifteen books. The central theme of the book is transformation “from the earliest beginnings of the world, down to my own times.” Ovid sweeps
John Benton, Characters Major Carmen- The main character in the story, she is abused by her father and her mother is in denial. She later leaves home to find a life of drugs and prostitution. Vinnie- Is Carmen's "old man" who protects her and becomes her pimp. He is very much into drugs like Carmen. Mom- Carmen's mother, scolds Carmen for making her father lash out at her, when Carmen tried to stop her father from beating her mother. Dad- Carmen's father, he abuses her in her early childhood
The Redeeming Features of the Characters in Electra In Euripides' 'Electra', there are a number of parts, speaking and non-speaking, that reveal the redeeming features of the otherwise pitiful characters. This essay will consider the roles of Orestes, Electra, Clytemnestra, the Peasant and Aegisthus (whose actions are only reported to us). It is arguable that the characters are not redeemable due simply to the plot of the play: a son returns, kills his father's unworthy successor, his
Language in Aeschylus Language is Aeschylus' juggernaut: he uses striking, innovative words to drive an image into the mind of his audience. Clytaemestra, notorious as a villain or perhaps an anti- heroine, effectively acts as a medium for Aeschylus’ brilliant rhetoric in Agamemnon. Clytaemestra’s rhetoric not only invokes vivid imagery, but also confuses and perverts spheres of logic and rhetoric: sacrifice with murder, liquids with cloth, and blood with wine. These images overturn the values
Sophocles’ and Euripides’ versions of Electra carry, among many similarities, a central theme of revenge. The characters, Electra and Orestes, must reunite to avenge their father’s murder. Misfortunately, in both versions the just solution leads the siblings to destroying their own mother. Both versions of Electra can be compared to Aeschylus’ Libation Bearers. However, they are both more dramatic, and more similar to each other than if each Electra was individually compared to the play by
Euripian play. Their role in society of that time was a great contrast to that of the men. Compared to today, women were miles apart from men; they were not even considered citizens of their region. This is obvious in the chorus where in the Electra, Medea and Hippolytus there is a chorus of women. This was unheard of in the time when the plays were written. A chorus is typically made up of wise men of Athens, therefore making it up of women would in that age, be very controversial. In Medea
Deceitful Clytemnestra of Euripides' Electra Agamemnon returns from Troy, a victorious general, bringing home spoils, riches and fame. He is murdered on the same day as he returns. Clytemnestra, his adulterous wife, has laid in wait for her husband's homecoming and kills him whilst he is being bathed after his long journey. During the Agamemnon, large proportions of the Queen's words are justifications for her action, which is very much concerned with the sacrifice of Iphigenia to the gods,
and Sophocles' Electra The act of revenge in classical Greek plays and society is a complex issue with unavoidable consequences. In certain instances, it is a more paramount concern than familial ties. When a family member is murdered another family member is expected to seek out and administer revenge. If all parties involved are of the same blood, the revenge is eventually going to wipe out the family. Both Aeschylus, through "The Oresteia Trilogy," and Sophocles, through "Electra," attempt to
Vengeance in Oresteia From the beginning of time vengeance or retribution has been part of the human condition. This is especially true in Aeschylus's trilogy the Oresteia. One of the underlying themes in these works is Oculo pro oculo or an eye for an eye. According to the plays introduction by Richmond Lattimore, the history behind this blood feud of vengeance begins with Atreus and Thyestes. Atreus tricks his brother Thyestes into partaking of his own children (another possible Hannibal
the key aspects which Chandler wishes the reader to grasp, often using Phillip Marlowe to do so showing how is extremely observant and detail-oriented. He is able to pick up on details right away and describe them perfectly. Introduced first is Carmen Sternwood. Chandler writes a paragraph about what Marlowe first notices about her. Chandler describes her hair, eyes, and body, yet it is her teeth which Chandler focuses on. He writes, "Shecame over near me and smiled with her mouth and she had
(17). Chandler's descriptions of Carmen and Vivian, respectively, highlight his use or misuse of the typical female stereotypes in, The Big Sleep. From the initial physical description that Chandler gives, the reader can quickly see that the women are complete opposites. Carmen lacks color and does not appear to be healthy while Vivian is "worth a stare" (17). Carmen has sharp predatory teeth while Vivian has, "hot black eyes" (17). Chandler characterizes Carmen as the petite, helpless female
Francisco Franco Francisco Franco was the dictator of Spain from 1939 to 1975, including the time of WW2. Perhaps he was better known as “El Caudillo,” translated into English as The Leader. He was born and raised in Spain. He was a very brilliant military general who led Nationalist rebels in defeating the Spanish government during the Spanish Civil War. Although he was viewed as a Fascist Dictator, he strongly opposed communism. He was an extremely important figure in the course of world history
daddy hugged her tight, she wondered why princesses had to live such terrible lives. Pretty soon she was living in two houses with two of everything, just like they said. She lived with her daddy and Tita Carmen in Alabang, and with her mommy in their old house in Manila. Her daddy said that Tita Carmen was very much like her mommy in Manila in that she would take care of her and love her and play dolls with her all afternoon (if she wants to). Her mommy in Manila did not say anything. She tightened
Importance of the Tutor in Electra When delving into a novel, drama or other character-based text, analysts often focus their search around the supposed "major characters" who seem to most directly affect the work. In considering Electra, however, just as valuable as Orestes, Clytemnestra or Electra herself is a somewhat minor character, the Tutor. This attendant of Orestes emerges only three times and is on stage for less than twenty percent of the spoken lines, yet his role in driving the