Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The portrayal of women in literature
Depiction of women in literature
Depiction of women in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Female Stereotypes and Stereotyping in The Big Sleep "Small and delicately put together . . ." (5). "Tall and rangy, strong looking . . ." (17). Chandler's descriptions of Carmen and Vivian, respectively, highlight his use or misuse of the typical female stereotypes in, The Big Sleep. From the initial physical description that Chandler gives, the reader can quickly see that the women are complete opposites. Carmen lacks color and does not appear to be healthy while Vivian is "worth a stare" (17). Carmen has sharp predatory teeth while Vivian has, "hot black eyes" (17). Chandler characterizes Carmen as the petite, helpless female who needs protection. Vivian, on the other hand, is a physically impressive, powerful woman. The importance of the physical appearance of the women dwindles as the book progresses. It becomes clear that Chandler wrote a misogynistic novel as the mental abilities of the women become the focal point. Both women are cunning. Carmen, on the other hand, is "baby-like," (5). As Chandler reveals more about Carmen, we find that Carmen is a child trapped in a woman's body. When Marlowe finds Carmen naked in his bed, he addresses her like a child. In an effort to get her dressed, he asks, "Now will you dress like a nice little girl" (155). She reacts like a naughty child and refuses to get dressed until he threatens to throw her out on the street. Marlowe's contempt for Carmen is grounded in the fact that she is a woman who is able to manipulate him. Carmen knows what she wants and she does not know how to handle rejection. Vivian is characterized as a smart, sly, but not necessarily noble woman. In the end, it appears that Marlowe respects, but does not care for her. She is a... ... middle of paper ... ...y simple words to describe Vivian, such as beautiful, long, and slim. The metaphor that he uses to describe her legs is amazing. He said that her legs and ankles had, "enough melodic line for a tone poem" (17). After all of the simple words, this metaphor is extremely effective. Chandler used enough descriptive words that even a person who had never seen a tone poem would understand a metaphor. Playing with descriptions of characters is the way that Chandler fits them into stereotypical roles as women who should be feared. Carmen is crazy and Vivian is a seductress who has the same mental abilities as Marlowe. His descriptions of the characters are detailed and they tell the reader just enough to allow her to fit the character into an inappropriate stereotypical group. Work Cited Chandler, Raymond. The Big Sleep. New York: Vintage Books, 1996.
As we can gather from the examples, Gwen Harwood uses language to create dynamic backgrounds and images to subtly delineate the changes experienced by the persona in the poems. Sometimes the characters themselves are not aware of these changes but the readers are able to appreciate them with the aid of skill Harwood posses in using language to such great measures.
Poe's, The Cask of Amontillado is a story about fear and revenge. The story begins with Montressor's vow of revenge, foreshadowing future actions. "The thousand injuries of Fortunato I had borne as best I could; but when he ventured upon insult vowed revenge..." Montressor had to be sure not to raise suspicion of what he was going to do Fortunato. Montressor knew that Fortunato had a weakness that he could use towards his advantage.
Carmen Sternwood is described with profoundness but in a different (less sexual) sense than her sister is. Marlowe encounters her on many occasions and is thorough in describing her--from her first flirtations to her continuous irritations. In t...
Nora and Mrs. Wright’s social standing when compared to the men in each play is inferior. Both works expose their respective male characters’ sexist view of women diminishing the women’s social standing. Each work features egotistical men who have a severely inflated view of their self-worth when compared to their female counterparts. The men’s actions and words indicate they believe women are not capable of thinking intelligently. This is demonstrated in “Trifles” when Mr. Hale makes the statement about women only worrying about mere trifles. It is also apparent in “A Dollhouse” when Torvalds thinks his wife is not capable of thinking with any complexity (Mazur 17). Another common attribute is of the women’s social standing is displayed as both women finally get tired of feeling like second class citizens and stand up to the repressive people in the women’s lives (Mulry 294). Although both women share much in common in their social standing there subtle differences. Torvald’s sexist view of Nora is more on a personal level in “A Dollhouse” while the male characters’ sexist views in “Trifles” seem to be more of a social view that women are not very smart and their opinions are of little value. This attitude is apparent in “Trifles” as Mr. Hale and Mr. Henderson’s comments about Mrs. Wright’s housekeeping (Mulry 293). As the women in both works reach their emotional
Juliet is very pragmatic; rather than swooning over Romeo when he intrudes on her property, Juliet is appalled considering “The orchard walls are high and hard to climb” (II, ii, 63). Juliet is not a blind fool; she is conscientious of the dangers that accompany falling for her family’s mortal enemy.
In a psychological perspective, the author’s life is linked with the behavior and motivations of characters in the story. The author’s name is Edgar Allan’s Poe who portrayed his self in his writing. The miserable life of Poe can be measured through “The Cask of Amontillado” in which character named “Montressor” showed indifferent feeling towards his victim. After burying Fortunado alive, Montressor felt bad after burying his victim alive but then he attributes the feeling of guilt to the damp catacombs. To the character and to the author, it seems that ghastly nature murder and the immoral approach of treachery is merely an element of reality. This story is a true representation of author’s anguish and torment nature.
“The Cask of Amontillado” by Edgar Allan Poe is a story of revenge on the outside, but when on the inside, it is something deeper. His stories are dark and sometimes, like in “The Cask of Amontillado,” deadly. Poe’s main focus in “The Cask of Amontillado” is revenge, but if examined more closely, the irony that is present foreshadows the end result for Fortunato. In “The Cask of Amontillado” the Montresor is planning to seek revenge on Fortunato for “the thousand injuries.” The revenge results in the live burial of Fortunato, the actual reasoning is left a mystery, but this story goes to prove that things that one does can always come back ...
Montresor is portrayed as a man that turns on his former friend, leaving him to die showing little to no remorse for his deed. The reader can use these clues to believe he is insane, or possibly just a heartless person. The reader knows that the two characters had a previous dispute that created tension between the two. Fortunato seems to not be bothered by this previous argument, but Montresor appears to be a holding a grudge to no end. After he had almost sealed Fortunato’s death, he says “My heart grew sick; it was the dampness of the catacombs that made it so.” (169-170) That statement shows the reader that it is not the man he just killed that is making his heart sick, but it is the atmosphere he was standing in. Any man in his right mind, would feel guilty for these actions, but Poe showed through Fortunato, that no guilt was shown whatsoever. The reader does not know if she can trust the narrator because he is obviously a little
In the beginning of the book, Gilgamesh appears to be selfish. Gilgamesh’s “arrogance has no bounds by day or night” (62). Even though he is created by the Gods to be perfect, he misuses his powers and gifts for his own earthly pleasure. He has sexual intercourse with all the virgins of his city even if they are already engaged. Through all Gilgamesh’s imperfections and faults, he learns to change his amoral personality. The friendship of Enkidu helped to change his ways, for only Enkidu, who “is the strongest of wild creatures,” (66) is a match for Gilgamesh. Through this companionship with Enkidu, Gilgamesh starts to realize his incapabilities and need for his friend. When they fight Humbaba, they both give moral support to each other when the other is scared. Another event that changes Gilgamesh’s character is the death of Enkidu. When Enkidu dies, Gilgamesh goes through the suffering of losing a loved one. Gilgamesh experiences a pain, which no worldly pleasure can ease. By this experience Gilgamesh starts to understand his vulnerability toward death and pain. Losing his best friend causes Gilgamesh to be melancholic. At this point Gilgamesh is humbled by the fact that even he could not escape the wrath of death. Gilgamesh goes from this arrogant king to a lonely grieving person with fear of death in his heart.
“The Cask of Amontillado” is a dark piece, much like other works of Edgar Allan Poe, and features the classic unreliable narrator, identified by himself only as Montresor. This sinister central character is a cold ruthless killer that is particularly fearsome because he views murder as a necessity and kills without remorse. Montresor is a character who personifies wickedness. Poe uses this character and his morally wrong thoughts and actions to help the reader identify with aspects of the extreme personage, allowing them to examine the less savory aspects of their own. The character of Montresor detailing the glorious murder he committed is a means of communicating to the reader that vengeance and pride are moral motivators that lead to treacherous deeds and dark thoughts.
Fortunato “takes possession” of Montresor’s arm, for which he suffers (716) in order to carry out his plan. Poe’s use of possession and suffer give the impression that Montresor is being afflicted again by Fortunato. Once Montresor reveals this meeting at this evening is no coincidence by divulging he made sure none of his attendants would be home. By giving the direct orders to be home. Poe shows us that Montresor was not respected or feared by his servants’ actions. The servants’ leaving after being given a direct order to stay does give credence to the fact that Montresor must be very methodical and unyielding to his schedule. Only once Fortunato to the catacombs does he betray his own premise. Montresor refers to Fortunato as his “poor friend” (716). At this point Poe has depicted this instigator of a “thousand injuries” as a drunken jester that can barely catch his breath at this point in the story. Now Montresor is showing some sympathy towards him. At this point the transition is complete. Where the two men stopped at the entrance to Fortunato’s tomb, this is the moment that leaves no doubt that Montresor is the villain and Fortunato is the
The main focus of the post war testimony of Rudolf Franz Ferdinand Hoess, Commandant at Auschwitz from May 1940 until December, 1943, is the mass extermination of Jews during World War II. His signed affidavit had a profound impact at the Post-War trials of Major War Criminals held at Nuremburg from November 14, 1945 to October 1, 1946. His testimony is a primary source that details and describes his personal account of the timeline, who ordered Auschwitz to become a death camp, and the means used to execute and exterminate millions of Jews. Obtained while tortured nearly to death under British custody, the authenticity and reliability of this document is questioned due to arguable inconsistencies that exist. However, the events sworn to in his testimony have been recounted and corroborated by witnesses and thousands of survivors.
The thousand injuries of Fortunato I had borne… I vowed revenge. You, who so will know the nature of my soul, will not suppose, however, I gave utterance to a threat…It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. I...
Women, in all classes, were still living in a world which was misogynistic and male-dominated. Their purpose in life was to produce male heirs and maintain the home by hiring and overseeing servants. It was also taboo for one to marry significantly below one’s social class. This is one reason that Jane is not a conventional heroine for the society of her time. Although, as a governess, she is not considered to be as low as a housemaid, she is still part of the hired help in the house. This is why it is unconventional for her and Mr Rochester to be in a relationship. Yet this is not as peculiar as how Jane Eyre ends their relationship due to her sense of betrayal. It would have been considered extremely foolish for a working-woman’s sense of betrayal to end and turn down a man of great wealth.
Gender stereotyping has been ongoing throughout history. The media has been distorting views by representing gender unrealistically and inaccurately. It created an image of what "masculinity" or "femininity" should be like and this leads to the image being "naturalized" in a way (Gail and Humez 2014). The media also attempts to shape their viewers into something ‘desirable’ to the norm. This essay will focus on the negative impacts of gender-related media stereotypes by looking at the pressures the media sets on both women and men, and also considering the impacts on children.