Homage to Albers Josef Albers, a prominent artist of the 20th century whom created astounding paintings that evoked his passion and curiosity for color. He mastered a wide range of mediums and continually shared his explorations with his students. Josef Albers is an idol the art community will never forget. Josef was born on March 19, 1888 in Bottrop, Germany. At the age of 17 he became an elementary school teacher. By 25 he studied in Berlin to expand his skills and become a certified art teacher
Josef Albers was a German artist whose art laid the foundation of one of the most influential styles of the 20th century. Albers’s roots lead back to a town named Bottrop in Westphalia, Germany. From the time of 1908 to 1913, Albers worked as an educator in his town. In 1918, Albers got his premier public commission, Rosa mystica ora pro nobis, which was a stained-glass window for a local place of worship. He studied art in many major German cities before becoming a student at the prestigious Weimar
Josef Albers was a well-known and influential artist of the twentieth century. He was known for his use of vivid colors and interesting and abstract shapes. He was instrumental in ushering in the Modernist movement as he was a teacher to many of the great artists of the 1950s and 1960s. In 1963, Josef Albers released a book surrounding a series of paintings he did, The Interaction of Color. This book was crucial when it came to art education and various applications in his and his student’s works
Budapest. In 1928, he transferred to the Muhely Academy, also known as the Budapest Bauhaus, where he studied with Alexander Bortnijik. At the Academy, he became familiar with the contemporary research in color and optics by Jaohannes Itten, Josef Albers, and the Constructivists Malevich and Kandinsky. After his first one-man show in 1930, at the Kovacs Akos Gallery in Budapest, Vasarely moved to Paris. For the next thirteen years, he devoted himself to graphic studies. His lifelong fascination with
Marcks and Hannes Meyers were significant in the shaping of the Bauhaus’s education system. Although their attitudes towards education differed, they worked together to bring a change to the world. I will also discuss the graduates; Josef Albers and Annie Albers, their work and how the Bauhaus influenced them. In 1919, something radical changed the way both design and craft was to be thought forevermore. The Bauhaus was a school of design, which was founded by a Werkbund member known as Walter Gropius
A most poignant document of Black Mountain College's early years is the snapshot of Josef and Anni Albers's arrival, published in Nordi Carolina's AsheviUe Citizen on December 5, 1933 (Fig. 1). "Germans to Teach Art near Here" the caption reads, though "Fresh Off the Boat" would do just as well; the grainy newsprint depicts the couple posed tensely in formal attire - he in tie and jacket, she in fur, cloche, and veil. Tightly angled in a corner, they look very much the anxious, recent immigrants
The Bauhaus is perhaps Germany’s most important cultural contribution of the twentieth century. Nearly a hundred years after its foundation by Walter Gropius in 1919 as an art school in the town of Weimar, the Bauhaus 'has become a concept, indeed a catchphrase all over the world. ' Droste (2006) . Its manifesto states – 'The ultimate aim of all creative activity is building. ' Influenced by William Morris, Walter Gropius wanted to bring fine arts, which traditionally were perceived as more prestigious
Sustainability is development that meets the needs of the present without compromising the ability of future generations to meet their own needs. For textiles to be sustainable all materials, process inputs, and outputs, are safe for human and ecological health and all energy, material and process inputs come from renewable or recycled sources. Materials should be capable of returning safely to either natural systems or industrial systems. The global Fashion industry is worth 300 billion US Dollars