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Comparing Gloucester and King Lear
Lessons in the play king lear
Comparing Gloucester and King Lear
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The Tragic Character in King Lear
In William Shakespeare’s King Lear, the similar events that Lear and Gloucester experience result in a parallel plot sequence for the story. Lear and Gloucester are similar characters because they are experiencing similar problems while playing the role of a father. Their children also have a similar eagerness for power, a problem that both Lear and Gloucester should not have to deal with while addressing serious mental and physical dilemmas. And although the two characters are very similar, the story of King Lear is tragic, and Gloucester’s is not.
Lear’s tragedy is a result of bringing fate upon himself, which in turn stripes Lear of everything, and only in his final moments does Lear resolve some of his problems with a catharsis. To ensure that Lear’s story is indeed tragic while Gloucester’s is not, an examination of tragedy is necessary. Also, the overall situation and well being of the two characters is helpful in deciding who brings upon their own problems, and who becomes a victim throughout the play. Decisions made by Lear are also determining factors of tragedy, even from the very beginning of the play. The events that Lear and Gloucester experience are similar, but their positions in society are different. Consequences are much higher for mistakes made by Kings, rather than mistakes made by the Earl of Gloucester.
Aristotle says that a real tragedy is an imitation of an action that is serious or grave involving someone of elevated status. The same person, however, brought demise to one’s own self and to the surrounding characters. When Lear gives up his kingdom to his daughters, he has completely ceased any continuation of the family’s lineage to the throne. Also lost along with ...
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...aw: full oft’t is seen, our means secure us, and our mere defects prove our commodities.” (p. 78) Only after the attack did Gloucester become a character with better vision.
The character King Lear fit Aristotle’s definition of tragedy. He was a lofty character that brought about his own misfortune, and in the end of the play experienced a moment of catharsis. Gloucester was not a tragic figure, for few people created concerns for the old man with grave misfortune during the play. If Lear would have lived longer, or if foolish decisions were not made, Lear’s story would not have been a tragedy. If Lear did not have his greedy children deceiving him, they would not have let their father lose control of the Kingdom, as well as the family lineage to the throne. The disasters could have been avoided, but they were not, so the story becomes a tragedy.
rising, from an average of 50, to 160 by 1750 and to 288 by 1815.
In the novel Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford, the protagonist, constantly faces the inner conflicts she has against herself. Throughout a lot of her life, Janie is controlled, whether it be by her Nanny or by her husbands, Logan Killicks and Joe Starks. Her outspoken attitude is quickly silenced and soon she becomes nothing more than a trophy, only meant to help her second husband, Joe Starks, achieve power. With time, she no longer attempts to stand up to Joe and make her own decisions. Janie changes a lot from the young girl laying underneath a cotton tree at the beginning of her story. Not only is she not herself, she finds herself aging and unhappy with her life. Joe’s death become the turning point it takes to lead to the resolution of her story which illustrates that others cannot determine who you are, it takes finding your own voice and gaining independence to become yourself and find those who accept you.
“To put matters simply, it [the plague] did not spare those of any age or fortune,” (15). With this account, Nicephorus Gregoras, in my opinion, impeccably sums up The Black Death: The Great Mortality of 1348-1350. A large percentage of the contributors to John Aberth’s book of documents acknowledge that the plague did not discriminate against any person or group of persons. For this reason, I consider the overall sense of what the plague meant to the people of the mid 1300s to be a looming understanding that the plague could not be avoided, no matter how wealthy, powerful, or religious a person claimed to be.
The story begins as "Don" Vito Corleone, the head of a New York Mafia "family", oversees his daughter's wedding. His beloved son Michael has just come home from the war, but does not intend to become part of his father's business. Drug dealer Virgil Sollozzo is looking for Mafia Families to offer him protection in exchange for a profit of the drug money. He approaches Don Corleone about it, but the Don is morally against the use of drugs, and turns down the offer. Being this only request Don Vito has turned down, displease Sollozzo and has the Don shot down. The Don barely survives, which leads ...
Life experiences—whether they are positive or negative—mold one’s unfiltered, most genuine self. The more experience one gains in their lifetime, the more growth this inner self will undergo. The things that Janie endured during the course of the novel is more than what most people will go through in a lifetime. Even though Janie had many trials and tribulations in Their Eyes Were Watching God, they just made her a stronger, more independent, self-aware woman.
There were many symptoms that came with one getting the plague and very little medication to treat it. “The disease was present in two forms: one that infected the bloodstream, causing the buboes and internal bleeding, and was spread by contact; and a second, more virulent pneumonic type that infected the lungs and was spread by respiratory infection” (Tuchman).
apes and move amongst the safety of the trees from one feeding site to the next.
King Lear is often regarded as one of Shakespeare’s finest pieces of literature. One reason this is true is because Shakespeare singlehandedly shows the reader what the human condition looks like as the play unfolds. Shakespeare lets the reader watch this develop in Lear’s own decisions and search for the purpose of life while unable to escape his solitude and ultimately his own death. Examining the philosophies Shakespeare embeds into the language and actions of King Lear allows the reader a better understanding of the play and why the play is important to life today.
The Godfather is the “dark-side of the American dream story” (Turan, pp2). The film follows the practices of a fictional Italian mafia family, the Corleone’s. Though most Americans do not condone the practices of the Italian mafia, they cannot deny that Francis Ford Coppola’s The Godfather is a cinematic masterpiece. This film gave insight to a mysterious way of life that the average person does not have knowledge of. As the audience is educated about the mafia they also are introduced to many stereotypes.
Despite its undeniable greatness, throughout the last four centuries King Lear has left audiences, readers and critics alike emotionally exhausted and mentally unsatisfied by its conclusion. Shakespeare seems to have created a world too cruel and unmerciful to be true to life and too filled with horror and unrelieved suffering to be true to the art of tragedy. These divergent impressions arise from the fact that of all Shakespeare's works, King Lear expresses human existence in its most universal aspect and in its profoundest depths. A psychological analysis of the characters such as Bradley undertook cannot by itself resolve or place in proper perspective all the elements which contribute to these impressions because there is much here beyond the normal scope of psychology and the conscious or unconscious motivations in men.
King Lear as a Tragedy Caused by Arrogance, Rash Decisions and Poor Judgement of Character
Based on the 1969 novel by Italian-American author Mario Puzo, The Godfather tells the story of the aging Don, or boss, of a powerful New York crime family. This family consists of Don Vito Corleone (played by Marlon Brando), and his three sons, Sonny, Fredo, and Michael Corleone, along with thier many partners and associates. It's a story of power, corruption, family, betrayel, and change, but it is a coming of age story more than anything else. Vito Corleone is getting old, and he needs one of his sons to take over the family when he's gone. He knows Sonny is too volatile and hot-tempered, and Fredo is too weak and dim-witted. Only Michael (played by Al Pacino) smart, cool, and capable enough to run the family, but he is a soldier newly returned from World War II. He has a fiance and is eager to start a family and settle down. Taking over the family business of murder, racketeering, and extortion isn't exactly on his list of priorites. However, as he spends more time with has father and brothers, he eventually agrees to take over.
Aristotle proposed what is believed to be the first definition of a true tragedy. Specifically, he states that a tragedy triggers great pity and fear caused by the main characters’ actions alone. Likewise, a true tragedy lacks coincidence and fate plays little in the overall play. William Shakespeare writes the play of The Tragedy of Romeo and Juliet in which the audience knows the destiny of these two tragic heroes from the very beginning. Although this play is tragic knowing that the lives of two lovers are lost, it is not a tragedy as Romeo and Juliet are not solely responsible for their own deaths. Destiny is determined through the hands of greater forces than that of Romeo and Juliet, making this play merely tragic and not a true tragedy. Therefore, the play of Romeo and Juliet is not a tragedy as coincidental events, the role of fate, and Romeo and Juliet’s numerous tragic flaws are what ultimately cause the outcome of this play.
King Lear is a play about a tragic hero, by the name of King Lear, whose flaws get the best of him. A tragic hero must possess three qualities. The first is they must have power, in other words, a leader. King Lear has the highest rank of any leader. He is a king. The next quality is they must have a tragic flaw, and King Lear has several of those. Finally, they must experience a downfall. Lear's realization of his mistakes is more than a downfall. It is a tragedy. Lear is a tragic hero because he has those three qualities. His flaws are his arrogance, his ignorance, and his misjudgments, each contributing to the other.
In 350 B.C.E., a great philosopher wrote out what he thought was the definition of a tragedy. As translated by S.H. Butcher, Aristotle wrote; “Tragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; with incidents arousing pity and fear, wherewith to accomplish its catharsis of such emotions. . . . Every Tragedy, therefore, must have six parts, which parts determine its quality—namely, Plot, Characters, Thought, Diction, Spectacle, Melody. (http://www.cnr.edu/home/bmcmanus/poetics.html)” Later in history, William Shakespeare wrote tragedies that epitomized Aristotle’s outline of a tragedy. Shakespeare’s Hamlet is one such tragedy.