The question is whether it is possible to distinguish between fantasy and true science fiction. I am reminded of the analogy, attributable I believe, to Theodore Sturgeon, of the elf ascending vertically the side of a brick wall. In a science fiction story the knees of the elf would be bent, his center of gravity thrown forward, his stocking cap hanging down his neck, with his feet quite possibly equipped with some form of suction cups. In a fantasy, on the other hand, the elf would simply stride up the wall in a normal walking posture, with his stocking cap standing straight out from his brow. What is the difference between these scenarios? The typical answer is that the science fiction story must play by the implicit rules of the universe; in this instance, gravitation. Fantasy, however, need not "tip its hat" to the Law of Universal Gravitation the story can bend the rules in which gives it the fantasy genre.
But what if, for some specified reason, in the local vicinity of the elf on the wall, the vector of gravitational force just happens to be perpendicular to the side of the wall rather than parallel to it? In this case the behavior of the elf in the fantasy would be in perfect accord with physical law. One might then say that the fantasy is actually science fiction since we have posited a "scientific" explanation for the behavior of the elf. Both science fiction and mainstream fiction explore the political and social implications of religion. The chief difference is one of setting. Science fiction considers what religion may become under vastly altered circumstances. Leigh Brackett The Long Tomorrow (1955) suggests the possibility that one religion might better prepare its followers for post-holocaust existence than others do. Kate Wilhelm Let the Fire Fall (1969) takes place in a future United States swept by millennial fanaticism. Frank Herbert Dune stories examine in some depth the effects of political rule by characters that are regarded as divine (Martin 1981). Certainly this is not a complete list of the ways science fiction writers treat the theme of religion. But it is suggestive of a much deeper and wider interest in the theme than many has been willing to recognize. So far, literary criticism has not adequately dealt with this fact. In light of the cultural influences already mentioned, these essays, by and large, take a generally Christian and theological approach to the topic.
Moore does not devote much of his attention to religious ideas. Instead, he examines several different instances of the blending of the sacred and the profane in popular American culture. Moore narrates the direct and indirect effects of the public display of religion for both sacreds and seculars. History, lifestyle, work, education, government, music, sporting events, marketplace, literature, and womanhood influence people. He also brings up how religion can influence racial militancy and terrorism that threaten equality, domestic security, and national identity.
Anne Fadiman’s "The Spirit Catches You and You Fall Down" Critical Analysis: Understanding Religion and Cultural Conflicts and how it Impacts the Society Name Institution. Religion is considered a pervasive force in this world. It shapes people as to how they behave and interact with almost everything present in the society. Influencing behavior, character formations, ideals, policies, standards are just among the dimensions and societal perspectives affected and impacted by religion.
Religion is a part of society that is so closely bound to the rest of one’s life it becomes hard to distinguish what part of religion is actually being portrayed through themselves, or what is being portrayed through their culture and the rest of their society. In Holy Terrors, Bruce Lincoln states that religion is used as a justifiable mean of supporting violence and war throughout time (Lincoln 2). This becomes truly visible in times such as the practice of Jihad, the Reformation, and 9/11. The purpose of this essay is to show that as long as religion is bound to a political and cultural aspect of a community, religious war and destruction will always occur throughout the world. A historical methodology will be deployed in order to gain
There are many books and works that presents the influence of these two big religions on the culture. Let us focus on three examples of Old English Literature works in which this influence is the most visible for a reader.
The meaning of religion can be different for everyone; some use it to justify events happening, while others use it to turn people against each other. As Kurt Vonnegut describes tragic events during World War II, unrealistic adventures in space and destructive scientific advances, he shares his unique perspective on life and religion. Although many of his works were set during 20th century, Vonnegut satirically addresses issues that are present in today’s society. Despite efforts to prevent wars, people have not found a solution to do it. And while mankind progresses toward scientific way of life, the destruction of life is inevitable. New machines are invented every day to make genocide easier and faster. So, in Cat’s Cradle and Slaughterhouse
The growth of religious ideas is environed with such intrinsic difficulties that it may never receive a perfectly satisfactory exposition. Religion deals so largely with the imaginative and emotional nature, and consequently with such an certain elements of knowledge, the all primitive religions are grotesque to some extent unintelligible. (1877:5)
Hitchens, Christopher. God Is Not Great: How Religion Poisons Everything. New York: Twelve, 2007. Print.
For years, religion has played a role in the lives of many, after all, there are hundreds of religions being practiced around the world. From the celebrations of special birthdays by the Jewish or Hispanic cultures or the celebration of holidays by Christians and many other religions. There is a great amount of differences when it comes to religion, whether it be beliefs or religious traditions, but contemporary society has become more aware the impact that religion can have on numerous different things. Additionally, religion has been a vast role when it comes to literature. In countless stories, readers will find the topic of religion being influential aspect. For example, in Beowulf and The Canterbury Tales there were influences from the
Many works of literature have been known to have their words wrap around a certain subject such as gender, politics, and experiences. But some works go into a more personal level such as religion. In Shirley Jackson’s “The Lottery” and Salman Rushdie’s “Imagine There’s No Heaven”, they talk about the strength in the relationship between individuality and religion. These two authors have written their stories based on how an individual’s life, choices, and beliefs can or can be altered by the religion that surrounds them. As one reads these stories, they might be able to notice that they have a lot in common but there are many difference on what the stories are actually about. These two authors have expressed the relationship between individuals and religion through the similarities, differences, and resolutions.
Religion is essential to every human being. Not only does it serve as a foundation for one to form his/her own set of values and integrity, but it also acts as a source of conflict for many people. Internal religious conflict can be seen in the form of one’s personal struggle with his/her belief. However, personal struggles are mostly influenced by external factors, which cause disturbances to one’s faith and loyalty to their beliefs. On the other hand, external conflict is the concept of which chaos and upheavals occur in society from clash of beliefs. Both conflicts between religions and internal religious conflict are found to be central to the plot of many examples of 20th Century Non-Western literature. African and Middle-Eastern literature, in particular, addresses many aspects of religious conflict, both in the form of the individual and collective struggle.
Geertz defines religion as ‘(1) a system of symbols which acts to (2) establish powerful, pervasive, and long-lasting moods and motivations in men by (3) formulating conceptions of a general order of existence and (4) clothing these conceptions with such an aura of factuality that (5) the moods and motivations seem uniquely realistic.’ In this essay, I will focus on the Geertz’s idea, and Asad’s subsequent critique, of symbols. (Geertz, Clifford, and Michael Banton. "Religion as a cultural system." (1966).)
Barbour, Ian G. Religion in an Age of Science. San Francisco: Harper & Row, 1990. Print. (BL 240.2 .B368 1990)
“Christianity, along with all other theistic belief systems, is the fraud of the age. It serves to detach the species from the natural world, likewise, each other. It supports blind submission to authority[control of the masses].”(Zeitgeist 2007) In this essay, we will explore the different roots of religion and the plagiarism that Christianity and a number of different religions have committed.
6. Bohdan R. Bociurkiw and John W. Strong, Religion and Atheism in the U.S.S.R. and