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Content analysis of Black Woman(poem) Leopold Senghor
The black woman poem analysis
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Black Woman
While in exile in France Léopold Sédar Senghor wrote a beautiful poem called Black Woman. This poem revolves around Senghor love, definition and praise of a natural black woman. In Senghor’s life and poetry women are viewed in a higher status, are held in high esteem and regard. Senghor poem is more than an individual black African woman, she is an antecedent of his race and thus a symbol of the African race. He takes pride in his race and in this poem especially Senghor completely showed his love and respect for the black woman. Senghor uses an accumulation of metaphors to show his love for African women, and how African black women by portraying them as being beautiful, comforting and emphasis on the black woman’s physical beauty.
Senghor lay emphasis on the color of a natural black woman is life itself, he worships the naked black woman that is beautiful without clothes because she is lovely in the way God made her to be. In this poem, “Black Woman”, Léopold Sédar Senghor emphasizes the naked black woman to be beautiful in her own form: “dressed in your color which...
In Tim Seibles' poem, The Case, he reviews the problematic situations of how white people are naturally born with an unfair privilege. Throughout the poem, he goes into detail about how colored people become uncomfortable when they realize that their skin color is different. Not only does it affect them in an everyday aspect, but also in emotional ways as well. He starts off with stating how white people are beautiful and continues on with how people enjoy their presence. Then he transitions into how people of color actually feel when they encounter a white person. After, he ends with the accusation of the white people in today's world that are still racist and hateful towards people of color.
Kim Addonizio’s “First Poem for You” portrays a speaker who contemplates the state of their romantic relationship though reflections of their partner’s tattoos. Addressing their partner, the speaker ambivalence towards the merits of the relationship, the speaker unhappily remains with their partner. Through the usage of contrasting visual and kinesthetic imagery, the speaker revels the reasons of their inability to embrace the relationship and showcases the extent of their paralysis. Exploring this theme, the poem discusses how inner conflicts can be powerful paralyzers.
He makes connections between himself and an African woman carrying a vase on her head when he performs a similar action, “My only option was to carry mattress on my head, like an African woman gracefully walking with a vase of water balanced on her head…” This isn’t the only time he makes a reference to African culture: he points out the difficult to pronounce African name of one of the neighbor’s sons and goes on to identify him by said description. When he is shunned, he draws a parallel to American explorers on foreign land, emphasising how much of an outsider he feels himself to be, as quoted above. He even calls himself “pale”, as if his light skin is a negative, unsightly
This darkly satiric poem is about cultural imperialism. Dawe uses an extended metaphor: the mother is America and the child represents a younger, developing nation, which is slowly being imbued with American value systems. The figure of a mother becomes synonymous with the United States. Even this most basic of human relationships has been perverted by the consumer culture. The poem begins with the seemingly positive statement of fact 'She loves him ...’. The punctuation however creates a feeling of unease, that all is not as it seems, that there is a subtext that qualifies this apparently natural emotional attachment. From the outset it is established that the child has no real choice, that he must accept the 'beneficence of that motherhood', that the nature of relationships will always be one where the more powerful figure exerts control over the less developed, weaker being. The verb 'beamed' suggests powerful sunlight, the emotional power of the dominant person: the mother. The stanza concludes with a rhetorical question, as if undeniably the child must accept the mother's gift of love. Dawe then moves on to examine the nature of that form of maternal love. The second stanza deals with the way that the mother comforts the child, 'Shoosh ... shoosh ... whenever a vague passing spasm of loss troubles him'. The alliterative description of her 'fat friendly features' suggests comfort and warmth. In this world pain is repressed, real emotion pacified, in order to maintain the illusion that the world is perfect. One must not question the wisdom of the omnipotent mother figure. The phrase 'She loves him...' is repeated. This action of loving is seen as protecting, insulating the child. In much the same way our consumer cultur...
The tone of the poem itself seems to be one pointing out and acknowledging the things that make him Black. It’s us looking out to the east and saying thank you for making us great. He talks about the way we look and how evil the west really is. He gives thanks to the African gods which the west took from us and gave them different names.
Like Shylock in Shakespeare’s The Merchant of Venice, the black slave women are dehumanized by the other characters in Elizabeth Barrett Browning’s “The Runaway Slave at Pilgrim’s Point” and Harriet A. Jacobs’ Incidents in the Life of a Slave Girl Written by Herself. Sexually harassed by their white masters, these slave women are forbidden to express the human emotion of love. Pressured into a shamed motherhood, they cannot love their children in the same ways that a white mother can. Moreover, slave women are treated like chattels. The black women in Browning and Jacobs’ works are oppressed sexually, forced into unwanted motherhoods, and stripped of their identities. Yet, because they face these cruelties with courage and dignity, these black slaves emerge as heroines of their own fates.
Throughout history society has been controlled by men, and because of this women were exposed to some very demanding expectations. A woman was expected to be a wife, a mother, a cook, a maid, and sexually obedient to men. As a form of patriarchal silencing any woman who deviated from these expectations was often a victim of physical, emotional, and social beatings. Creativity and individuality were dirty, sinful and very inappropriate for a respectful woman. By taking away women’s voices, men were able to remove any power that they might have had. In both Alice Walker’s “The Color Purple” and Kate Chopin’s “The Awakening”, we see that there are two types of women who arise from the demands of these expectations. The first is the obedient women, the one who has buckled and succumbed to become an empty emotionless shell. In men’s eyes this type of woman was a sort of “angel” perfect in that she did and acted exactly as what was expected of her. The second type of woman is the “rebel”, the woman who is willing to fight in order to keep her creativity and passion. Patriarchal silencing inspires a bond between those women who are forced into submission and/or those who are too submissive to maintain their individuality, and those women who are able and willing to fight for the ability to be unique.
"Poetry is the revelation of a feeling that the poet believes to be interior and personal [but] which the reader recognizes as his own." (Salvatore Quasimodo). There is something about the human spirit that causes us to rejoice in shared experience. We can connect on a deep level with our fellow man when we believe that somehow someone else understands us as they relate their own joys and hardships; and perhaps nowhere better is this relationship expressed than in that of the poet and his reader. For the current assignment I had the privilege (and challenge) of writing an imitation of William Shakespeare’s "Sonnet 87". This poem touched a place in my heart because I have actually given this sonnet to someone before as it then communicated my thoughts and feelings far better than I could. For this reason, Sonnet 87 was an easy choice for this project, although not quite so easy an undertaking as I endeavored to match Shakespeare’s structure and bring out his themes through similar word choice.
The poem “Laila” from Terrain Tracks by Pervi Shah has the theme of disillusion through travel. It is an interpretation of “Layla” by Eric Clapton, who states, “What'll you do when you get lonely And nobody's waiting by your side? You've been running and hiding much too long.” The poem is written dramatically through the eyes of the main character of Laila. She is characterized as Arabic descent, as shown through her Arabic descendent name and her hair being recognized by others as a significant feature, “a black bell” that “surrounds her”. By using the metaphor or a black bell, this shows how the hair calls a great amount of attention and is easily detected. Shah insists that Laila’s hair is beautiful, as it is similar to a “rose”. The author places other body parts, such as her cheeks and neck in lower case, in order to emphasize that people only really see her black strands and thus associate her with a culture. The meaning of “Laila” was carefully chosen by Shah. Her name means “night beauty” and usually refers to a darker complexion and dark hair.
Romanticism is a major concept used in the 18th-19th centuries in revolt against Enlightened thinkers of prior centuries. The writer, Wordsword, is a poet that uses romantic ideas in his writings. Wordsword wrote the poem, “Daffodils”, using the characteristics of romanticism to develop the theme of nature’s connection to humanity. Wordsword uses appropriate setting, imagery, speaker, literary techniques, and other writing tools. These tools help his readers grasp the beauty and personality of daffodils.
Marguerite Annie Johnson, better known as Maya Angelou, was an American author, poet, dancer, actress, and singer who has recently passed away on May 28th, 2014. She published seven autobiographies, and several books of poetry, and was credited with a list of plays, movies, and television shows spanning over 50 years. She received dozens of awards and more than 50 honorary degrees. Angelou is best known for her series of seven autobiographies, which focus on her childhood and early adult experiences. Her poem "On the Pulse of Morning”
Maryse Conde’s ‘The Tropical Breeze Hotel’ is a pre-colonial play that focuses on the issue of black body. The Black Body is an issue that has a long history since the pre-colonial period and some authors have addressed the issue using dramatic writing. In the play, Conde unleashes a power struggle between the two characters, Emma and Ishmael which reveals a gender-based struggle or grasp for identity. The author uses the two characters who constantly appear to switch roles as a way of balancing each other’s character. The play has scenes that help in analyzing the structure and thematic composition of the writing.
The Post-Romanticism movement in which Gustavo Bécquer’s poems were written in reflect many themes, some which evolved during that period; the subject would generally have a greater connection to nature, included intimate emotions and influence from other poetry. Containing 77 poems it; therefore; enables the collection to be split into five sections; what poetry means, love theme, disappointment, illness and death. To explore where the essence is embedded in the Rimas three sections of the book shall be analysed; the first section about the meaning of poetry, second about love and third about religion. Furthermore, the brief history of the poems will also be provided.
In the story of “Yellow Women” the writer develops the central ideas of beauty and cultural inheritance by using a first person point of view, reflection over herself, and flashbacks to tell a prior story. In the story Silko realizes that she is different from the people she lives around. She learns to understand and accept her differences because of her white skin color compared to the other Laguna Pueblo people. Silko shows how important her memories are and how she needs them. The effectiveness of the story that Silko shows in her flashbacks and memories give this story beauty and imagery.
It is possible to compare and contrast poetry from different literary periods by selecting a poem from each period and examining its use of structure, style, and imagery to enhance its theme. In the Elizabethan period, "Lullaby," by Richard Rowlands; in the Romantic period, Samuel Taylor Coleridge's "Youth and Age;" in the Victorian period, "A Child's Laughter," by Algernon Charles Swinburne; and in the Modern period, Jessica Hagedorn's "Sorcery," the reader will come to the conclusion that they have minor similarities as well as significant differences in the areas of structure, style, theme and imagery.