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Critical explanation of king lear
Critical explanation of king lear
Critical explanation of king lear
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The Wise Fool in King Lear
Whether or not the role of the Fool is an important one within King Lear is arguable. Although he seems to have great insight into much of the plays main events, he seems not to have any real influence on both the plot as well as the outcome of the play. He remains the sole character who does not have any direct link with the events of the plot, coupled with an unusually early exit; this raises the question of his significance. However at the very least he does certainly serve as entertainment not only for Lear but the audience as well, with his honesty, wittiness, and clever speeches that not only adds to the light humour but also to show us that the Fool could indeed be perceived as being one of the wisest characters in the play.
The main roles of the Fool seem to be as Lear's conscience, as a comedian to provide light relief from the tragic play as well as a means of communicating his themes such as the idea of foolishness, self-knowledge. In addition, he is the only person with the ability to speak to Lear in the manner he does. He also serves as a reminder for Lear for his actions within the play, in particular his stupidity and mistakes.
The Fool appears in the middle of Act I Scene 4 of the play and immediately we can clearly see his integrity when talking to others. He tells Lear "thou must needs wear my coxcomb" which suggests the king to be the Fool rather then himself and that Lear was foolish to divide his kingdom as he has done. Kent before him had criticized Lear for his decision causing him to be banished from the kingdom, however the Fool receives no such punishment showing us that he can get away with actions that are far more courage...
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...easons as to why he actually leaves remaining unseen again in the play. At this point in the play, Lear finally goes mad; therefore, this suggests that the Fool unneeded, as Lear no longer has the ability of reasoning. This also suggests that the Fool is indeed a metaphor for Lear's conscience. Additionally, this is also the point where Lear begins to finally learn that he has made some terrible mistakes. This could be suggesting that the more foolish we become, the wiser we are because as Lear finally loses his mind, he finally gains insight into his mistakes.
Works Consulted:
Shakespeare, William. King Lear. Ed. R.A. Foakes. Surrey: International Thomson Publishing Company, 1997.
Willeford, William. The Fool and His Scepter: A Study in Clowns and Jesters and Their Audience. Evanston: Northwestern University Press, 1969.
Once his daughter’s exiled him from the kingdom, Lear and the Fool find themselves outside in a fierce storm. The turning point for Lear is when he is outside in the storm. It is through his anger over his last confrontation with his "family" and the power of the storm that begin the process of change within Lear.
In Shakespeare’s King Lear, the Fool is a source of chaos and disruption in King Lear’s tumultuous life. The Fool causes the King distress by insulting him, making light of his problems, and telling him the truth. On the road to Regan’s, the Fool says “If thou wert my Fool, nuncle, I’d have thee / beaten for being old before thy time.” (1.5.40-41). He denies the king the respect due to him as an aged King, causing the King to wonder at his worthiness. The fool also makes light of Lear’s qualms making snide remarks in response to Lear’s ruminations. When Lear asks Edgar cryptically, “wouldst thou give ‘em all?” the Fool responds, “Nay, he reserved a blanket, else we had been all shamed” (3.4.69-72). The Fool’s snide remarks do little to maintain Lear’s fragile control of his faculties. However, the Fool speaks to the king candidly, a rare occasion in Lear’s life. Even Kent acknowledges the truth of the Fool’s statements, saying, “This is not altogether fool, my lord” (1.4.155).
Lear is estranged from his kingdom and friends, causing his loss of sanity. In the midst of Lear's self-pity he is discovered by the fool. Fittingly enough the fool is the one able to lead Lear back to the normal world. He is made to appreciate the people who truly cared about him from the beginning. He sees that they were right all along, and repents from his foolish decision, though it's too late to do him any good.
Folly is one of the main weaknesses in Twelfth Night with a number of characters portraying their own strange foolish ways. Feste is the professional fool; he is the most noticeable fool and is very quickly recognised by the audience as an intelligent man. Orsino and Olivia are really foolish because of the decisions they make but they are regarded as intelligent. The biggest fool of all is Olivia's steward, Malvolio.
...h of the characters throughout the play. Although, he is a "fool", he proves to be the farthest of all the characters, from being a fool.
In Shakespeare's play King Lear, the main character is King Lear who starts off as a respected and powerful king. As the story progresses the king loses his power because of his own stupidity and blindness. The tragedy of this play is shown through the daughters of the king, the fool, and finally when Lear's sanity is tested.
In the play King Lear, Madness occupies a central place and is associated with both disorder and insanity. Madness intertwines itself within the thoughts of suicide of many characters that undergo hardships. It is deep within all the characters and is shown in many ways. In Lear’s mind, madness reflects the chaos that has descended upon his kingdom. He is affected by the wheel of fortune as he is stripped of his royalty, to become nothing more than a mad commoner. Lear then learns humility as he is joined by Edgar. Edgar’s artificial insanity contains wisdom for the king to discover along the way.
Despite the different personalities these fools or clowns can take, from one play to another, they all serve a purpose in the play. They provide pure entertainment or indirect criticism of the surrounding events. The inevitable title of the “fool” that they have (which as one can tell by the name, denoted that they are characters whom words or actions have little or no significance because they are deemed as being not as sane as other characters or rather “mad”) This puts them in a position of power and lesser consequence especially since they are automatically excused for what they do or have to say. The presence of the clown or fool figure therefore act as a voice of conscience, a merry joy-bringer to the play, or a commentator to the surrounding events. Shakespeare uses the fool in A Midsummer Night Dream and King Lear to bluntly deliver to the reader what he wants them to feel or understand in a tragedy, comedy, romance or any other type of play
In act 4, scene 1, Gloucester's speech (lines 19-25) shows the reader his revelation of how he was blind and now can see how Edmund has betrayed him and that he falsely turned against his son Edgar, even though he is physically blind. Throughout this play, characters' are faced with the dilemma of figuring out if what they are seeing is real or not. The old saying, "seeing is believing" does not apply to the characters in King Lear. Lear begins to go insane while wandering through the woods during the storm. Not only do the rain and the darkness of the forest alter Lear's vision, but also he is unable to "see" who he is or who the people are around him.
Lastly, The Fool is a character whose job is to entertain the King and all royal audiences. The Fool in this play does that, but he also goes further beyond just entertaining the King; he educates and speaks the truth through hidden in paradox and riddles only the reader can understand. “There, take my coxcomb! Why, this fellow has banished two on 's daughters, and did the third a blessing against his will” (1.4.96-102). The Fool is talking about King Lear and he thinks that only a Fool would make the decisions Lear made, and mocks him by trying to give Lear his hat. The Fool does and says things to the king and other characters without being punished, things that would cause a lot of harm and punishment to regular people if they would say or do them. “Peace Kent! / Come not between the dragon and his wrath.” (1.1.124) Lear is angry at Kent for confronting him and disrespecting him on the matter of Cordelia and the other two daughters. The Fool is like Lear 's conscience; he tries to guide and consult with Lear on actions and decisions he makes. The Fool also judges Lear on the actions he makes, and why and how he came to the conclusion of making those
The clown contributes towards the humourous entertainment of this play through his numerous puns and jokes. He is a source of laughter, not because we are humoured by his "foolery"; for he proves to be no fool at all; but rather because he amuses us with his brilliant wit. Having mastered the art of jesting, Feste is sensitive of his profession, always aware of the circumstances he is in and the appropriateness of this folly.
In Shakespeare's classic tragedy, King Lear, there are several characters who do not see the reality of their situation. Two such characters are Lear and Gloucester. Both characters exhibit a blindness to the world around them. Lear does not see clearly the truth of his daughters mentions, while Gloucester is also blinded by Edmond's treachery. This failure to see reality leads to Lear's intellectual blindness, which is his insanity, and Gloucester's physical blindness that leads to his trusting tendencies. Each character achieves inner awareness at the end as their surreal blindness is lifted and they realize the truth. Both Lear and Gloucester are characters used by Shakespeare to show the relevance of having a clear vision in life.
Abstract:Laughter, mirth and absurdity have always evoked interest in us. Shakespeare has been that one magician who gave us famous characters in this oeuvre known as the Shakespearean fools that one won’t forget. Teaching these characters can be fun and made more capturing by introducing contemporary characters from the world of comics and cartoons. Media has been replete with characters that incite laughter among the audience by buffoonery or being burlesque or being in their wittiest best. These figures seem to be an offshoot of the Shakespearean fool that germinated in their respective creators’ minds that were inspired after reading the Bard of Avon. They can be sole comic characters in a crowd of serious characters standing out individually
In King Lear the two tragic characters, a king and an earl, are not ordinary men. To have a man who is conspicuous endure suffering brought about because of his own error is striking. The fear aroused for this man is of great importance because of his exalted position. His fall is awesome and overwhelming. When tragedy, as in Lear, happens to two such men, the effect is even greater. To intensify the tragedy of King Lear, Shakespeare has not one but two tragic characters and four villains. As we have seen, the sub-plot, concerning Gloucester, Edmund, and Edgar, augments the main plot. Gloucester undergoes physical and mental torment because he makes the same mistake that Lear does. Like Lear, Gloucester is neither completely good nor completely bad. There is, for instance, coarseness in the earl, who delights in speaking of his adultery. But he has good qualities as well. He shows, for instance, concern for Kent in the stocks, and he risks his life to help Lear. Gloucester's punishment, his blindness, parallel's Lear's madness. These two tragic stories unfolding at the same time give the play a great eminence.