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Shakespeare's influence on English literature
Shakespeare's influence on English literature
Shakespeare's legacy and influence on modern literature
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Abstract:Laughter, mirth and absurdity have always evoked interest in us. Shakespeare has been that one magician who gave us famous characters in this oeuvre known as the Shakespearean fools that one won’t forget. Teaching these characters can be fun and made more capturing by introducing contemporary characters from the world of comics and cartoons. Media has been replete with characters that incite laughter among the audience by buffoonery or being burlesque or being in their wittiest best. These figures seem to be an offshoot of the Shakespearean fool that germinated in their respective creators’ minds that were inspired after reading the Bard of Avon. They can be sole comic characters in a crowd of serious characters standing out individually …show more content…
He is witty and mouths satirical dialogues. Unlike the central character, Archie, Jughead is not interested in girls but prefers to hang out with his sheepdog named Hotdog. Like the Shakespearean clown who is the confidante of the central figure, Jughead too is the best friend of Archie. He evokes laughter with his laziness and unusual antics. He always emerges as a victor whenever there is a tussle between him and his tormentors, especially with the character Reggie. Jughead always makes fun of the people who try to harm him or insult him and at the end walks away …show more content…
If rest of the characters may be on a date or spending time with each other, Jughead prefers to spend time with food. His love for food has also sharpened his olfactory senses due to which he can detect the quality of food just by smelling a can or the container in which the food is kept. His sensitive taste buds can also find the slightest flaws in the preparation of a dish as result he is a revered food critic as well as a gourmet. Thus, once when he is seen trying his hand creative writing he ends up authoring his own cook book titled ‘Forsythe P.Jones Cook Book’. He is also blessed with an unusual metabolism rate due to which even after over eating he doesn’t put on weight. He frequently keeps on participating in various eating contests and records of gulping colossal burgers and loads of pizzas. He comes across as the unconventional winner in all these contests at a time when he is pitted against chubby looking competitors. On the contrary, Jughead is philanthropic as well. Though food is life for him but he is not selfish when the situation demands him to part from his food.Just like the Shakespearean jester, Jughead emerges to be an independent, strong and an entertaining character. He fools people around when they try to imitate him and thus, defies societal norms by not following a treaded path. Jughead can be fitted in the category of artificial foolswho possess verbal wit
My third character is Sammy Shecker, the son of a rich and famous New York comedian. Shecker is unsatisfied living in his father?s shadow and thinks that if he is funny like his father, he will be accepted amongst his peer, so he unsuccessfully tries to be humorous to hide his inner pain.
Palmer, John. The. Comic Characters of Shakespeare. New York : Macmillan, 1959. Wells, Stanley.
In A Midsummer Night's Dream, playwright William Shakespeare creates in Bottom, Oberon, and Puck unique characters that represent different aspects of him. Like Bottom, Shakespeare aspires to rise socially; Bottom has high aims and, however slightly, interacts with a queen. Through Bottom, Shakespeare mocks these pretensions within himself. Shakespeare also resembles King Oberon, controlling the magic we see on the stage. Unseen, he and Oberon pull the strings that control what the characters act and say. Finally, Shakespeare is like Puck, standing back from the other characters, acutely aware of their weaknesses and mocks them, relishing in mischief at their expense. With these three characters and some play-within-a-play enchantment, Shakespeare mocks himself and his plays as much as he does the young lovers and the mechanicals onstage. This genius playwright who is capable of writing serious dramas such as Hamlet and Julius Caesar is still able to laugh at himself just as he does at his characters. With the help of Bottom, Oberon, and Puck, Shakespeare shows us that theatre, and even life itself, are illusions that one should remember to laugh at.
William Shakespeare’s intellectual use of the English language is what brought him prosperity throughout his lifetime, and what brings us to tears and laughter in the modern world. The life of Shakespeare is of great importance to English literature because of his many contributions including poetry, stories, and plays. However, many people do not know that he also owned a business. “William Shakespeare was a professional actor, a businessman, and a playwright. Today, nearly four hundred years after his death his plays are still performed” (Greenhill and Wignall 4).
Feste, the fool character in Twelfth Night, in many ways represents a playwright figure, and embodies the reach and tools of the theater. He criticizes, manipulates and entertains the other characters while causing them to reflect on their life situations, which is similar to the way a playwright such as Shakespeare interacts with his audience. Furthermore, more so than the other characters in the play he accomplishes this in a highly performative way, involving song and clever wordplay that must be decoded, and is thus particularly reflective of the mechanisms at the command of the playwright. Feste is a representation of the medieval fool figure, who is empowered by his low status and able to speak the truth of the kingdom. A playwright speaks the truth by using actors and fictional characters, who are in a parallel low status in comparison to the audience, as they lack the dimensionality of real people. Thus, the role Feste plays in the lives of the characters in the play resembles the role the play itself plays in the lives of the audience watching the performance. This essay will explore this comparison first by analyzing similarities between the way in which Feste interacts with other characters and the way the playwright interact with the audience, and then focus on the similarities between the aims and content of these interactions.
William Shakespeare, poet and playwright, utilized humor and irony as he developed specific language for his plays, thereby influencing literature forever. “Shakespeare became popular in the eighteenth century” (Epstein 8). He was the best all around. “Shakespeare was a classic” (8). William Shakespeare is a very known and popular man that has many works, techniques and ways. Shakespeare is the writer of many famous works of literature. His comedies include humor while his plays and poems include irony. Shakespeare sets himself apart by using his own language and word choice. Shakespeare uses certain types of allusions that people always remember, as in the phrase from Romeo and Juliet, “star-crossed lovers”.
Comedy has always played a part in numerous performances to enrich happiness and lighten the impression. The theatrical production, The Tragedy of Romeo and Juliet, written by William Shakespeare, is filled with various entertaining elements and characters. Mercutio, an enthusiastic character, is in the middle of the Montague and Capulet family feud that creates destruction and calamity in the city of Verona. He uses animated mockery, vivid dreams, and mischievous teasing to change the melancholy atmosphere. Many comedic elements occur throughout the play, and through these hilarious events, Shakespeare shows even in a tragedy the tale can be amusing.
To fully appreciate Hamlet as a tragedy it must be understood as a comedy. Throughout this paper I will demonstrate the comedic moments of Hamlet, provide a brief analysis of the humor, and finally comment on the purpose of the comedic elements.
Throughout history, from ancient Rome to the present day, comedy has always been used in all forms of entertainment to instill the audience with feelings of pleasure and joy. Shakespeare’s use of comedy in the play Hamlet, has been analyzed in many different ways. Some believe that comedic themes in Hamlet, such as him developing a cynical attitude towards other after the passing of his father, are the real meaning of the comedy in this play. Although people may interpret that theme, the true purpose of comedy is to deflate scenes of high tension following a serious moment in the story, its simply for the comic relief of the audience. Every tragic event that is occurring or upcoming, Shakespeare incorporates comicality to release the build
The juggler was described as “sky-blue” who is doing ricks to captivate his audience with red balls. Colors are often signs of deeper symbolism then the literal word. Wilbur could have described the juggler after himself. A sad, blue, man. A sad, blue man hiding behind bright red balls or seemingly bright poems.
In his very thorough treatise on comedy, “Laughter,” Henri Bergson concedes that “it would be idle to attempt to derive every comic effect from one simple formula” (Bergson, 85), but nonetheless bases his concept of the comic on “something mechanical encrusted upon the living” (Bergson, 92). This idea – that humor is found essentially in a rime of automatism covering human expression – generally holds true for the short humor of Robert Benchley, James Thurber, Garrison Keillor and Dave Barry, but Bergson’s corollary theory – that the comic is neither more nor less than a form of social censure and a means of affecting the behavior of others by causing humiliation – seems overly pessimistic and fails to take into account the element of identification inherent in humor, as can be seen in the works of the four writers we explore here. Furthermore, we shall discover lapses in Bergson’s theory, areas of comic interest that cannot be analyzed with the conventions set out in “Laughter.”
Willeford, William, The Fool and His Scepter: A Study in Clowns and Jesters and Their Audience (Evanston: Northwestern University Press, 1969)
Characters in comedy and tragedy are generally quite different. Comic characters are (or used to be) lower class individuals (Aristotle, Goldsmith). Indeed this is the case with t...
The clown contributes towards the humourous entertainment of this play through his numerous puns and jokes. He is a source of laughter, not because we are humoured by his "foolery"; for he proves to be no fool at all; but rather because he amuses us with his brilliant wit. Having mastered the art of jesting, Feste is sensitive of his profession, always aware of the circumstances he is in and the appropriateness of this folly.
Perspectives have changed since the Shakespeare time period. What was considered humorous to the audience in The Elizabethan Theater can, nowadays, be seen a tragedy. Jews being humiliated by Christians, a daughter betraying her own father and racism are aspects in William Shakespeare’s The Merchant Of Venice that would be considered and are intended to be a comedy. In the present days, those aspects are offensive and brutal for a lot of the readers.