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Compare and contrast movies and books
Book vs movie comparative analysis
Compare and contrast movies and books
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A New Kind of Zombie
The movie Night of the Living Dead, created by George Romero, and the book, Warm Bodies by Isaac Marion, are completely different stories with completely different zombies. They might both be categorized under what is called the zombie genre, but both have different plots, themes, and were told from completely different viewpoints. The zombies from the movie Night of the Living Dead and the book Warm Bodies are completely different kinds of zombies according to their physical traits, how they interact with the surrounding humans, and how they all think as individuals. The zombies from both works are very different physically. The zombies from the movie Night of the Living Dead are pale and slow. They usually appear in
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In Night of the Living Dead the zombies do not really interact with the humans; they mainly just try to eat them. In the beginning scene of the movie, the zombie who was attacking Barbra showed almost no emotion on his face. He only kept on attacking. It continued like that for the whole movie, with the zombies constantly attacking. Warm Bodies shows similar behavior in some aspects of the book, but it is completely different in others. In Warm Bodies, the zombies also ate the humans. However the book showed that they did not really need to eat to survive, they just wanted to. They felt a hunger that they could not suppress and went out in groups to kill and eat. However, unlike Night of the Living Dead, the zombies in the book can feel attachment to things. In R’s case he felt an attachment to Julie and brought her back. Though there was some difficulty, he ended up being able to communicate with her. The zombies were able to talk with her, and eventually R was able to fall in love with her. This was one of the elements that led me to believe that the zombies from Night of the Living Dead and the zombies from Warm Bodies are two completely different types of …show more content…
Though Night of the Living Dead is about a zombie apocalypse, the movie is not centered around the zombies. The movie tends to focus on the human people. It allows the audience to observe how normal citizens would probably respond if they were subjected to a surprise apocalypse. The zombies were not used as characters we could relate to or feel pity for, but they were merely tools for the humans to react to. The zombies not being essential characters allowed the movie to focus on themes such as: Desperation and fear can push normal people to use drastic measures. On the other hand, the main character of Warm Bodies was an actual zombie. The central point of the text was that zombies could probably live semi-normal lives with human. Since the zombies were able to communicate their thoughts and feelings, they were able to become important characters that the audience could relate to and get attached to. The themes from Warm Bodies would be more about zombies and humans, as opposed to humans interacting with other
Both White Zombie and “Dead Men Walking in the Cane Fields” represent the early zombie and both of them embody Cohen’s first thesis “The Monster is a Cultural Body” Both the story and the film have zombies and both of these works make their zombies appear scary with dead like characteristics, however the real reason why they are scary is that, at the time, they tried to change society and that scared people. The people that liked society the way it was didn’t want another group to gain power or righ...
Romero’s cult classic work “Night of the Living Dead” displayed characters enacting their stereotypes, portraying men and women in their stereotypical sexist behaviors. Themes of such stereotypes are hinted within the movie, hidden underneath the idea of carnal, flesh eating ghouls. The character Barbra, is the embodiment of the helpless woman in horror films. Ben, the power controlling domineering male of the remaining survivors in the farmhouse. Harry, another male figure who try to apply his strength and ego amongst the group. Helen, is depicted as the unhappy housewife who is semi-defiant to her husband. These portrayals accurately depicted the stereotypes America held during the 1960s, effectively mirroring the time in which it was
James Parker essay “Our Zombies, Ourselves,” informs readers that the zombie has almost outranked the vampire, and why they’re so popular. This undead monster originated from a Caribbean folk nightmare and was adapted over time by, the Halperin brothers, William Seabrook and George Romero and numerous others. Much like the vampire, zombies owe their fame to the progressiveness of technology, allowing them to consistently invade various media forms. The zombie has infested countless tv shows, movies, video games, and books, throughout the 21st century. Zombies themselves are soulless corpses who were regurgitated back into the world of the living. This making them rejects from the underworld, this presents the zombie as rejected yet inexpungable. What makes the zombie so popular, however, is that symbolizes everything that is rejected by humanity. “Much can be made of him, because he makes so little of himself. He comes back, He comes back, feebly but unstoppably” (Parker). The zombie represents humanity itself as well as what is rejected by humanity. Much like individuals today, the zombie is burdened by life’s demands, converting to nothing but a rotting, groaning human shell that stumbles through life without a purpose. The zombie is symbolizer of the real world, and all things irrepressible, whereas the vampire is a symbol of an alternate world and all things
Even though George Romero, director of the film, Night of the Living Dead, did not intentionally intend to create racial controversy, the film broke a lot of ground considering the year it was filmed in 1968. By making a black character, Ben, the most intelligent and resourceful of all the white characters, as well as the protagonist, Romero, shattered racist stereotypes in the horror movie genre as well as mainstream film. This was mainly due to the fact that Night of The Living Dead was one of the first films to follow a black protagonist who was filmed in a positive light. Ben’s personality was possibly the most subversive aspect of the whole film. Ben was a brave and quick-witted character who was able to see what needed to get done in order to ensure survival from the zombies. The fact that Ben was portrayed as the most composed character, especially out of the cast of distraught white characters only emphasized his position as the most important character. Without Ben, the other characters would have most likely died. Overall, despite the fact that Night of the Living Dead did not intend to make a racial statement, I believe it ended up symbolizing the progress African Americans made during the civil rights movement, yet certain points in the film such as the power dynamic between Ben and Harry, the zombies attacking Ben, Ben’s death scene, and the photographs at
There were many differences in the films. For example in the white zombie movie, the zombies were working zombies. The mill owner would use voodoo to control the zombies. Also these zombies were not aggressive at all, humans can walk among and not be attacked. Contrast to the white zombies the zombies from the night of the living dead, these zombies were aggressive. Therefore night of the living dead zombies were very aggressive and would attack humans and
As said in the previous discussion regarding the second chapter of Better Off Dead: The Evolution of the Zombie as Post-Human, zombies and their culture are examined and broke down in order to understand their motives for the progression of zombies globally. Through different perspectives from individuals based around the world, the discussion of the zombie culture debates over the idea that zombies have not just evolved within the narratives that have brought them to life, but they have evolved in such a way that ultimately transforms the narrative itself. However, in this specific chapter, “They are not men…they are dead bodies!”: From Cannibal to Zombie and Back Again, Chera Kee breaks down the introduction of zombies into mainstream consciousness,
George Romero's reinvention of the zombie in night of the Living Dead (1968) is clearly a critique of elements of the American society, and the film as a whole is easily twisted into a warped view on the 'American Dream'. Themes throughout Romero’s film, dealing with controversial topics during the time that the film was made, are still, to this day debated by critics and film historians. Themes of racism and war are defined within the movie, hidden underneath the idea of carnal, cannibalistic zombies and over the top heroes who, eventually, succumb to the reanimated; despite their every effort. These themes are colored over and painted to hide beneath subtle references to the typical American Dream during this time, and Romero does quite the good job at it too. This dream, whilst continuously changing in the everyday lives of modern Americans, can be loosely defined as a national ethos of the United States, or a set of ideals dealing with freedom and the opportunity for success - an upward social status that can be achieved through hard work and effort.
You suddenly awake from a coma in what seems to be an abandoned hospital in downtown Atlanta. As you leave your hospital bed looking for any signs of life, you see a barricaded door that reads “Don’t Open Dead Inside”. As you walk past the door, hands of the undead reach out in attempts to consume you. This is how main character, Rick Grimes, was introduced into the zombie ridden post apocalyptic world of AMC’s “The Walking Dead.” If you are a fan of the series and have been watching it since season 1, you absolutely know that the “walkers” are not the only thing that Rick and the other main characters have to protect themselves from.
“Because the living dead freeze solid” (122), when word starting to get out that there were zombies, people’s first instinct was to go north. Family after family packed their belongings and ventured to campsites throughout northern Canada or wherever they felt was cold enough to escape the plague. Many people were still trying to hold on to their materialistic ways and brought “hair dryers, GameCubes, [and] laptops by the dozen” (123) with them to the campsites. These families realized very quickly that these items were not beneficial for their survival. Those that did survive the cold Canadian winters were not those who brought the most belongings, but those who had the will power to survive. As days got colder, people were forced to steal from each other, kill each other, and eventually eat each other. The only way to succeed during this brutal time was to go into this ultimate survival mode. “Eventually the sun did come out, the weather began to warm, the snow finally began to melt” and those that were left were the ones that were had the determination to survive (129).
Zombies have become very popular due to their depictions of being easy to kill and being communal. Zombie apocalypses are also very relatable due to the fact that they are set in lives similar to our society and seem easy to overcome. Zombies, themselves, can be identified with because we see ourselves when we look at a zombie. Zombies drudge on through the same task of finding human flesh to consume every day just like we drag ourselves to either class or our job in order to sit through another boring lecture or perform the same menial task every day. Just like the zombie, R, in the book, Warm Bodies, said, “I am Dead, but it’s not so bad. I’ve learned to live with it,” we have learned to succumb to our daily routines and just live with
In Night of the Living Dead, the zombies were eventually eliminated. Or were they? Theorists argue that the monster’s elusiveness is due to its physical, psychological and social characteristics that cross the lines of classification. Human’s innate fear of the unknown is due to their inability to make a distinction or draw a clear conclusion. This is explained further in Jeffrey Cohen’s second thesis in “Monster Theory” that claims that; “the monster never escapes” (Cohen, 14). The zombie as a monster can never be destroyed completely and if it is, it leaves a remnant the make people feel uncertain of its destruction. Base on Cohen’s theory, the zombie’s different interpretation allows it to emerge in other forms (a faster, smarter zombie?)
The walkers themselves reflect option one, they represent an altered state with no attempts at redemption therefore it becomes easily justifiable to kill them. During season two the disagreement of walkers and killing them is a major theme to the show because the survivors are early into the transition of the new world. The acceptance of walkers no longer being considered people is the justification survivors must make in order to kill them without suffering the moral consciousness. Later into the show during seasons four and five a new group ambergris names Terminus, that represent the second approach to cannibalism where conscious people make the choice to practice in eating other humans. The involvement on Terminus test the moral values of other survivors because now they must come to terms with ending human life because they pose a threat to
The phrase we us to describe vampires and zombies, “Un-dead” (Stoker 179) and “the living dead” (Brooks 143) respectively, tells us how we view life and death. Vampires are considered undead in the sense that they, like the living, have a functional cognitive process. In addition, they also possess the ability to love and to form an emotional connection with a fellow vampire and or humans. However the key factor that makes them undead is their immortality, which separates vampires from humans. In vampires, our desire for love is exposed, which is one of our greatest need. Vampires died when their yearning for love is not
Would you like to talk with strangers and make friends with them? People in the society enjoy having a conversation every day because they want to build up relationships with each other. In the movie Warm Bodies by Jonathan Levine comic book The Walking Dead by Robert Kirkman, zombies are “The Other” because they are not human. R, the main character in Warm Bodies, has the conscience since he is a zombie at the beginning of the story. After he falls in love with a human girl named Julie, he wants to mitigate the tension between human and the zombies. Unfortunately, Julie’s father, General Grigio, wants to kill R because he believes zombies are not communicable and they harm human. The Walking Dead describes “The Other” as both zombies and humans.
Now a high-school senior, I still remember my freshman year with a shudder; it was the year my friends and I joked about as the "Year of the Zombie." It wasn't that I had contracted a rare medical disorder that transformed me into one of the walking dead. I had done what many diligent students do: sacrifice most of my sleep time for the sake of academic success.