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The speech of The history of vampires in literature
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Essays about vampires
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As intellectual creatures, humans strive to understand the world and most importantly themselves. One of the avenues by which this is done is by means of speculation. As far as humans are concern, they are born, then they grow old and die. Which raise questions such as, what is the purpose of life and what happens after death? To answers these unknowns, humans have created monsters as an avenue of explaining what they presume to be fact. Two of such monsters are zombies and vampires. To analyze these monsters some prominent extracts in vampire and zombie literatures will be considered, such as Dracula, Interview with the Vampire, The Walking dead as well as the New World Translation of the Holy Scriptures. In the novels from which the aforementioned …show more content…
The phrase we us to describe vampires and zombies, “Un-dead” (Stoker 179) and “the living dead” (Brooks 143) respectively, tells us how we view life and death. Vampires are considered undead in the sense that they, like the living, have a functional cognitive process. In addition, they also possess the ability to love and to form an emotional connection with a fellow vampire and or humans. However the key factor that makes them undead is their immortality, which separates vampires from humans. In vampires, our desire for love is exposed, which is one of our greatest need. Vampires died when their yearning for love is not …show more content…
Lucy’s health deteriorated rapidly, despite the best efforts of the doctors she died. Humans will do whatever it takes to safeguard their life. However, we still get sick and there is no guarantee that we will get better despite the proficiency of our healthcare workers. In like manner zombies accentuate our fear of sickness. After behind bitten by a zombie the individual goes through a series of symptoms “high fever, shivering violently, aggressive behaviors” (Brooks 6) that eventually claimed their lives. Through our monsters we see fear of sickness, which eventually leads
The story of Dracula has many components of it used in the film The Lost Boys. The comparison’s begin with the vampire. Dracula is centered around the main vampire, Dracula. Dracula has many powers and ways he can alter reality. In the novel Bram Stoker's Dracula we see that there is a power struggle. In all of the universe, no one being has complete control over another. In Dracula God, Dracula, Nature, and Humanity have some form of dominance over another, whether it be direct control or as the instrument through which another must exert its power. In this paper we will examine the different ways that control and power are used.
Monsters are symbols and representations of a culture. They exist because of certain places or feelings of a time period. Monsters are “an embodiment of a certain cultural moment”. Author of Grendel, John Gardner, and author of Frankenstein, Mary Shelley, both create a monster to represent something larger than itself in order to have the reader reflect on their “fears, desires, anxiety, and fantasy” in society, which is explained in Jefferey Cohen's Monster Culture (Seven Theses). The latest trend in monster media, zombies, also fit into Cohen's theses on what a monster is.
James Parker essay “Our Zombies, Ourselves,” informs readers that the zombie has almost outranked the vampire, and why they’re so popular. This undead monster originated from a Caribbean folk nightmare and was adapted over time by, the Halperin brothers, William Seabrook and George Romero and numerous others. Much like the vampire, zombies owe their fame to the progressiveness of technology, allowing them to consistently invade various media forms. The zombie has infested countless tv shows, movies, video games, and books, throughout the 21st century. Zombies themselves are soulless corpses who were regurgitated back into the world of the living. This making them rejects from the underworld, this presents the zombie as rejected yet inexpungable. What makes the zombie so popular, however, is that symbolizes everything that is rejected by humanity. “Much can be made of him, because he makes so little of himself. He comes back, He comes back, feebly but unstoppably” (Parker). The zombie represents humanity itself as well as what is rejected by humanity. Much like individuals today, the zombie is burdened by life’s demands, converting to nothing but a rotting, groaning human shell that stumbles through life without a purpose. The zombie is symbolizer of the real world, and all things irrepressible, whereas the vampire is a symbol of an alternate world and all things
(Brooks 55). The fear of a zombie virus spreading, in fact, just produces more fear into the mind of the individual. Through research and scientific advancements, fears and anxieties have been proven to put an individual at risk of developing health issues. How ironic, right? Our fears and anxieties surrounding diseases and the spread of them cause our society to become more susceptible to obtain and contract more health related problems.
While facing death in every direction, whether from walkers, physical or mental illness, other people, or even the idea of suicide, the world in which Rick and his group live within is a hardened and cold one. Even as such is true, these people still crave survival and must do so by having food and water inside them and supplies on their back. But what would these people be able to eat as a constant food source you may ask? Well the answer is not a constant one but why not look inside the diet of such people. With much hunting and gathering to be accomplished, nutrients are needed, thus the day is usually started off with fresh garden vegetables or whatever they can muster up from the trees and dirt around them in their
Bram Stoker’s Dracula has increased the number of vampires in media exponentially, partly because of one man: Vlad the Impaler. He, as well as other various sources, led to what is known as the vampire today.
Vampires have been viewed with fear and fascination for centuries. Of all the vampires in literature, Bram Stoker’s Count Dracula is probably the most prominent vampire. Recently, there has been an upsurge of public interest in socially acceptable vampires, like the Cullens in the Twilight series by Stephanie Meyer. This essay will contrast Stoker’s Dracula with Carlisle Cullen, one of the newer vampires from the Twilight series. They will be examined in terms of their origins and how they dealt with immortality.
While studying the diabolical figures in the devil, the idea of presenting Dracula came to mind. Dracula represents the devil in many similar ways. Dracula remains as a character in many diabolical movies and films. For instance, Van Helsing provides a good interpret of how Dracula remains noticed in the past and in present day. Although Dracula’s character obtains different views in every movie and film, he plays an important role in Stephen Sommers Van Helsing movie. In the movie, he acts as many different things. Demonstrating both the kind and evil inside, Dracula portrays his character as a mystery. Different views of Dracula throughout the movie include harsh, strong, powerful, evil, the devil, and unstoppable. The studies of Dracula
Finally, Brooks' argument of "What Is a Monster?" explores how we negotiate the core "lack" of meaning in life, and how our transfer from the wholeness of the imaginary order and our mother spawns a search for completion. Through what we think are meaningful connections and uses of language to fulfill our needs, we really are pushing ourselves away from our goal by putting excess meaning between ourselves and our unconscious desires.
Humanity has always been fascinated with the allure of immortality and although in the beginning vampires were not a symbol of this, as time passed and society changed so did the ideas and perceptions surrounding them. The most important thing to ask yourself at this point is 'What is immortality?' Unfortunately this isn't as easily answered as asked. The Merriam Webster Dictionary says immortality is 'the quality or state of being immortal; esp : unending existence' while The World Book Encyclopedia states it as 'the continued and eternal life of a human being after the death of the body.' A more humorous definition can be found in The Devil's Dictionary by Ambrose Bierce:
Life and death had always been the only two stages of life, but Abraham Lincoln: Vampire Hunter adds a third stage, vampire. Being a vampire meant that one was both dead and alive at the same time, thus, giving neither life nor death a particular purpose. Henry said it best when he asked, “But what of a life with no urgency?” (Grahame-Smith, pg. 90). The film and the novel attempted to fabricate a third stage of life in order to illustrate that some people, such as Abraham Lincoln, are timeless and, in a sense, never die from our history. The fine line or gray area between good and evil was also another theme stressed in both works. At first, it seemed clear cut that vampires were bad and everyone else in the movie and book were good, but as each work progressed, the fine line between good and evil had disappeared. In the novel Henry attempted to explain this gray area to Abe when Henry says to him, “Judge us not equally, Abraham” (Grahame-Smith, pg.
The concept of human mortality and how it is dealt with is dependent upon one’s society or culture. For it is the society that has great impact on the individual’s beliefs. Hence, it is also possible for other cultures to influence the people of a different culture on such comprehensions. The primary and traditional way men and women have made dying a less depressing and disturbing idea is though religion. Various religions offer the comforting conception of death as a begining for another life or perhaps a continuation for the former.
They had never seen anything like that in the past, there was never any way to treat the disease, you just avoided it, and as soon as you were infected, as far as the rest of the world was concerned, you were already dead. Egypt, another good example, has recently discovered hieroglyphs revealing a depiction of what appeared to be a horde of zombies. The scribes wrote it describing them as possessed and ferocious. Some people say zombies, while others say they are the product of an overactive imagination. Let’s take a look at today’s possible “zombie” diseases.
Both del Toro and Hogan affirm that beings such as vampires will never die, but not because of their immortality, but how they illustrate one’s desires. The authors of “Why Vampires Never Die” exploit numerous rhetorical components to convey this notion to the reader. So do vampires flare and then fade forever? No they do not. For as their impurity grants its nightly endowment, vampires alter humanities abominable finite identities and bind it to the treasure of infinity, and therefore impart within people their inner desire. As long as they express societies lust, they will forever be immortal.
The dying process is often seen as a grueling one, full of pain and anguish. But De Hennezel shows us, that when supported and surrounded by love it can be an amazing experience. The effect one person can have is amazing and can be quite invigorating. Some would say one’s passion for life is incomparable to that of someone who is dying. Murphy shows us how, when faced with death, one can choose to continue living with passion as he did through his work. Their value of life as well as death is inconceivable and can teach those of us who are alive and healthy, a thing or two about life.