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What Is Importance Of Preservation
What Is Importance Of Preservation
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The Statue of Yuny and Renenutet is a male and female sculpture. It consist of 2 statue figures. Both figures are facing frontwards. Both statues have eyes in an almond shape figure. The couple Yuny and Renenutet are sitting down together on a bench with Renenutet right arm around Yuny shoulder. The chair of Yuny and Renenutet is a breach in which their bodies’ curves are call to attention. Both figures have their feet placed on the floor. But in front of Yuny and Renenutet feet we see inscription similar to that ones he has on his skirt. Yuny and Renenutet have distinguish preservation within each other. Renenutet preservation is pretty well, but Yuny preservation isn’t so good. Renenutet has a crack within her bridge, but Yuny has his full nose smashed. Renenutet has her two arms, but Yuny has no arms as if they were broken. Renenutet face is partially impeccable, but Yuny eyebrows, right cheek, and lips is smashed as if it was chipped away. Renenutet also consist of chips within her dress. Meanwhile, Yuny skirt is seem to be broken on both sides of the skirt. But its preservation as a whole is pretty well. It consist of broken corners, cracks within the sculpture, and a broken edge at the end of the chair on Yuny right hand …show more content…
side. Renenutet is figure with many features. Renenutet has a wig as headdress, arched eyebrows and full lips. Renenutet is wearing a necklace around her neck. A broad collar necklace that is decorated with a lotus fillet into several layers. Renenutet is wearing a slim dress emphasizing her and her husband wealth through her flabby belly. In Renenutet left hand, she is holding a heavy bead necklace called the menat representing service to goddess. Last, Renenutet is barefoot with both feet placed on the floor. As his wife, Yuny is also wearing a wig as a headdress. Yuny has prominence cheekbone and lips ingrained deeper into his skin. Yuny is nude to the waist, but with a flabby belly emphasize his wealth. Meanwhile by the waist down, he wearing a pleated skirt with inscription in the middle part of his skirt. Inscription that represents Yuny responsibilities. Last, Yuny is not barefoot, but is actually wearing scandals stressing that his no king. Both Yuny and Renenutet are seated on a chair.
On Renenutet left hand side, the chair is elegantly decorated giving a single perceptive. Now on the back of the chair, we see inscription around the two different scenarios. Two scenes divided into two layers with Yuny and Renenutet making or receiving an offering. In the top register, Yuny and Renenutet are receiving offers from their son. Meanwhile, in the bottom register, Renenutet is making an offering to her parents. In both registers. Yuny, Renenutet, and the other figures have a composite profile. Yuny and Renenutet are also seated on a similar chair as the one their seated in the sculpture with similar clothing. Ground lines placed under their feet, but in between the two
registers. The statue of Yuny and Renenutet is a relief sculpture from Egypt. It’s a double portrait with a frontal pose. It’s from the New Kingdom, Ramesside period, 19 Dynasty, and reign of Seti 1. Yuny and Renenutet have a medium of limestone and painting. They are joined together to create one single unit. Yuny is united to his wife a symbolic gesture of embrace. With that in mind, Yuny and Renenutet emphasize their wealth with flabby bellies. In other words, they are expressing their health and clan of survival. Last, both figures are wearing wigs that were placed on their head to emphasize their importance and power within their society.
These two statues are famous to the Egyptian art era. They represent the woman’s position and the man’s position at that day and age. Traditionally, the rulers of Egypt were male. So, when Hatshepsut, Dynasty 18, ca. 1473-1458 B.C., assumed the titles and functions of king she was portrayed in royal male costumes. Such representations were more for a political statement, rather than a reflection of the way she actually looked. In this sculpture, she sits upon a throne and wears the royal kilt and the striped nemes (NEM-iss) headdress with the uraeus (cobra) and is bare chested like a man. However, she does not wear the royal beard, and the proportions of her body are delicate and feminine.
In this paper I am exploring “Portrait of Augustus as general” and “Khafre enthroned”. From exploring and getting to know the Statues in my Art History Book I have compared these statues (Kleiner, 2013). The first and most obvious similarity between the two is in the artists’ idealization and immortalization of their subjects. Both Khafre and Augustus are portrayed in an idealized manner, designed to give the impression of nobility, timelessness, and divinity. The two statues were the political advertisements of their times that showed the public images of reliable leaders who one
Yuny and Renenutet is a two figure statue. It’s a double portrait with a frontal pose. It’s a relief sculpture with a male and female figure. Yuny and Renenutet are husband and wife. They are sitting down together on a bench. It’s a beach that highlights their bodies’ curves emphasizing their wealth. Both figures have nontraditional customs, but a more a fashionable custom. The chair that Yuny and Renenutet are seated is elegantly decorated. On the back of the chair, we see two scenes divided into two layers with inscription around it.
sculpture of Dionysos, it tells us about a little bit of culture. The unclothed Dionysos indicate a common
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
An analysis of Mycerinus and Kha-merer-nebty II and Augustus of Primaporta, reveals that there are many similarities, but also many differences between these two pieces of sculpture. These similarities and differences are found in the subject, style, and function of both works of art.
...e sexual union between him and the woman. The couple is also wearing jewelry that symbolizes their sexual power and union as a whole. This particular piece of art shows how the physical appearance of a human is not needed to show sexual characteristics. The pieces are completely different in appearance, but the idea of sexual representation is fully shown throughout each piece.
This sculpture seems to epitomize the ideal male human form. All of the body parts seem perfectly proportioned and the muscles are beautifully defined as if the image were of an athlete. The image is youthful with a calm demeanor. The right missing forearm looks as if it used to be resting at his side, while the left elbow was probably at a 90 degree angle, with the hand holding something. The slight bend in the left leg gives the impression of movement, as if the image was frozen while walking. The counterpoised stance adds an air of nobility to the "man".
The trip to the metropolitan museum was a great trip to learn and to study art. What is art you may ask, well art is an expression you use to show a visual picture. It can be through painting or through sculptures. Some other example of art is music, literature and dancing. For today 's paper we will be talking about art as a sculpture. The two sculptures in this photo are King Sahure and a Nome God and Marble Statue of Dionysos leaning on archaistic female figure (Hope Dionysos). You can find these statues in the Metropolitan Museum of Art. King Sahure and a Nome God is an Egyptian art that was made in 2458-2446 BCE. The artist is unknown. It was during the 5th dynasty and it also belong to the old kingdom. The Marble statue of Dionysos Leaning in the archaistic female figure is a Greco-Roman art. Belonging to the Roman imperial period of the late first century A.D. Augustan or Julio-Claudian period 27 B.C., to 68 AD. It is classified as a stone sculpture and it is made out of marble. The height of the statues is 82 ¾ inches. There is no evidence who was the original artist.
Both of these pieces of art have much in common. Their functions are almost identical. Both were used to mark burial sites and to honor the deceased buried there. The body language of both the pieces’ figures are similar, with one seated and several others standing around them. Neither has color, but unlike the grave stele, the funerary banquet does show some degree of emotion. The figures in the banquet scene have slight smiles. These pieces played an important role in their times, honoring those who had passed on to the afterlife. For both of these people, it was important to memorialize them very similar to our practices today.
Should judgement of people’s intelligence be based on their knowledge or their wisdom? While those with broader spans of knowledge have all the answers because of logic, they might not be able to see past the trivial facts they believe to become wiser and more enlightened. Some might be able to see the true reality they are in, but most are not able to grasp these ideas. Two of J.D. Salinger 's characters, Teddy from a short story of the same name, and Franny Glass, from the book "Franny and Zooey", both realize and have begun to “see” in terms of detachment and spirituality. They begin to differ on how knowledge can help or hinder in reaching that understanding, as Franny believes it is there to help guide and fuel, while Teddy says that one
Although both sculptures, LOVE and The Kiss, are about love, they touch upon different aspects of love. The LOVE structure illustrates love in general, as a whole. The word love can be interpreted into the love a parent has for their child or even the love of an object. On the other hand, The Kiss can be interpreted as ecstasy or even lust. Although The Kiss seems to be viewed as the more romantic of the two, LOVE demonstrates love better because the...
This artwork remains relevant today with the depiction of a Roman love story and the architecture. The structural work that went into this sculpture is inspiring because I feel that even with modern technology, knowledge can be gained from how this piece was constructed and designed. The story this artwork tells, of Cupid rescuing Psyche, despite insatiable curiosity, can also be inspiring.
Yunior is so ashamed of who he is. I assume it’s because he was raised in America and its been instilled in him to think of himself as inferior to the white man. A quote that stood out to me was when he was speaking about white girls, “Tell her you love her hair, that you love her skin… because, in truth, you love them more than you love your own,” I found it so sad that doesn’t accept himself. The poor boy just wants to fit in, he goes through all these hoops to please other people, he’s used to people being scared of him. To add insult to injury, he’s poor, lives in a bad neighborhood, has a single parent, receives government assistance. This seems like more of a how to: pretend to be someone you wish to be. Yunior says, “If she’s a halfie don’t be surprised that her mother is white,” I find this interesting because it applies to him, he prefers white girls over girl that are like him.
The painting depicts two figures, the one of a woman and of a man. The dominating central figure is the one of the woman. We see her profile as she looks to the left. Her hands are crossed in a graceful manner. She has blonde hair and her figure is lit by what seems to be natur...