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Literature as a reflection in society
Literature as a reflection in society
Literature as a reflection in society
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The Body Snatcher by Robert Louis Stevenson (1850-1894)
Write a short passage in the style of this author on a topic of your choice.
'Macfarlane!' he said somewhat loudly, more like a herald than a friend.
The great doctor pulled up short on the fourth step, as though the familiarity of the address surprised and somewhat shocked his dignity.
'Toddy Macfarlane!' repeated Fettes.
The London man almost staggered. He stared for the swiftest of seconds at the man before him, glanced behind him with a sort of scare, and then in a startled whisper, 'Fettes!' he said, 'You!'
'Ay,' said the other, 'me! Did you think I was dead too? We are not so easy shut of our acquaintance.'
I chose this particular passage because of its relative simplicity, in comparison to other passages in the story. I thought it be more appropriate for the task, and allow me to focus more primarily on the sentence structure as opposed to the use of complex language and vocabulary.
The passage above was taken from the work of Robert Louis Stevenson: THE BODY SNATCHER.
Stevenson's sentences in THE BODY SNATCHER are quite long and where two sentences could exist, becomes instead one sentence in the form of separate clauses linked with the use of either a comma or semicolon. This is basically his style, which allows him to better describe the subject as a whole: this could include a person, an object, some other people, and eventually leading up to the main event. We see this used frequently in the passage below, taken from THE BODY SNATCHER. If instead of these semicolons, period, the tone of the reader's voice would not achieve...
It was but two steps from the small parlour to the door of the old George Inn; the wide oak staircase landed almost i...
... middle of paper ...
...now!
Swear to me!
-They went to someone for two days
before they went to the dealers.
Why?
-There was something...
Something else in the drugs...
...something hidden.
- What?
I never went to the drop-off point.
It was in the Narrows.
The police only go there in force.
- Do I appear a policeman
No...!
-Somewhat
[BATMAN RELEASES THE MAN FROM THE PLATFORM, SITUATED ON THE 9TH FLOOR OF THE BUILDING]
[SCREAMING]
(DIRECTLY ADJACENT TO IT STANDS ANOTHER BUILDING, EQUALLY AS TALL. THE MAN IS CUAGHT AND DANGLES FOR AN INSTANT JUST ABOVE THE GROUND, BEFORE HE IS DROPPED TO THE ABSOLUTE BOTTOM OF THE DARK AND WET ALLEYWAY]
[THE MAN LOOKS UP TO SIGHT HIS AVENGER. NOTHING IS TO BE SEEN]
End.
Bibliography:
http://ebooks.adelaide.edu.au/s/stevenson/robert_louis/s848bs/
By Nicholas Wilson
In chapter twelve, there reads a profound opening sentence: “Early one morning that September his wife, Hazel, arose to find Ulbrickson already awake, sitting in his pajamas at an old typewriter, assiduously pecking at the keys” (211). The introductory sentence of this paragraph draws the reader in in a few ways. First, the author gives
“I remained during the rest of the night…fearing each sound as if it were…the demoniacal corpse to which I had so miserably given life” (43).
Votteler, Thomas. Contemporary Literary Criticism Vol. 75, edited by Thomas Votteler, Detroit: Gale Research Inc., 1993, p. 334-335.
Votteler, Thomas. Contemporary Literary Criticism Vol. 75, edited by Thomas Votteler, Detroit: Gale Research Inc., 1993, p. 334-335.
Stevenson’s novel shares the profile of women in the current era. Throughout the novel, the few women that are present are seen as figurative damsels in distress. On many occasions, Stevenson provides evidence that the woman's reaction to disturbing events often include screaming or fainting. During the first section of the novel, a little girl is trampled by Mr. Hyde and the note about her is the screaming emanating from her lips, “quote quote quote” (Stevenson ). She is pictured as helpless and in need of a strong figure to save her. Mr. Utterson comes to the rescue and
A writer’s style is a combination of thousands of factors that abet a writer to create a unique meaning for each and every word they use; moreover, they invent the relationships and patterns found between these words. Every author has an unique writing style. Nathaniel Hawthorne’s was relative to what he was passionate about. Nathaniel Hawthorne’s writing style is reflective of his Puritan beliefs as indicated through his personal life and family background; his style is also indicative of the fact that his relationship with his wife was less than ideal; furthermore, these ideas are evident in “The Birthmark”, “The Minister’s Black Veil”, and “Young Goodman Brown”.
3. Ellmann, Richard. Modern Poems: A Norton Introduction. p. 797-803. W.W. Norton and Company, 1973.
Through his voice, it assists our understanding of the material as through the narrator’s bleak heart, we are made to experience very strongly the extent of his guilt. The tone of this passage is somewhat personal in the sense that he seems like he is arguing and deliberating to himself about the events which either have happened or are about to, ‘ …Had I the a right, for my own benefit, to inflict this curse upon everlasting generations?’. He questions his own significance in society at the time when the passage is written and for the future generations and thinks himself as a ‘curse upon everlasting generations’. Having heard his reasons and seen his desolation and feeling the despair of desolation we, as readers are more able to sympathise with his actions.
Robert Louis Stevenson is one of the greatest authors to hail from Britain. His writings have been enjoyed by countless since he masterfully wrote them down. Stevenson uses characterization, imagery, and conflict to keep his readers captivated by his works in Treasure Island, Strange Case of Dr. Jekyll and Mr. Hyde, and Kidnapped.
" There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy...How strange or odd some 'er i bear myself (As i perchance hereafter shall think meet To put an antic disposition on) That you, at such times seeing me, never shall, With arms encumbered thus, or this headshake, Or by pronouncing of some doubtful phrase...let us go in together, Ad still your fingers on your lips..."
Later, when I was considering what type of speech this was I was stumped. First, Stevenson started off by speaking about the children around the world that literally have nothing, they might go days without food, the children might have little clothing, or maybe they aren’t able to have any education. He talked about the little things that we all take
Stevenson’s effective use of truth to comment on the human condition is one reason why his story
This essay requires you to select one of the authors whose work we have read during this unit, and carry out an in-depth rhetorical analysis of the entire work. Select one of the following prompts:
She walked past the front desk and then turned right, climbing a wide staircase that lead up to a landing that was spotted with golden rays of light coming through a large window. She felt its warmth as she circled up the stairs to the top floor. It was unoccupied, except for an old grey haired man who sat behind a desk reading the daily paper through thick lenses. He glanced up at her, smiled and then folded the paper in half.
My first essay introduced me to the new style of the literature course of academic writing. I had never took a writing class that was just focused around literature. This essay challenged me to critically analyze one of the short stories that we have read.