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Conflict theory and gender
Gender conflict in society
Gender conflict in society
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“Wounds of the Spirit” by Traci West, “The Other Side of Paradise” by Stacyann Chin, and “Loving in the War Years” by Cherríe Moraga, all deal with feminist issues in a chaotic environment. Taking three unique routes, these books portray the female experience of sexuality and feminism in different cultural environments. They also illuminate that different cultures have similar struggles and concludes in strong feminism. “Wounds of the Spirit” takes a new perspective on a burdensome issue; sexual violence against African American women. While most books either provide information or point blame toward individuals, Traci West takes an alternative route and uses actual interviews of women who have overcome different types of sexual violence. The …show more content…
real experience behind every woman’s story has useful information for other victims of sexual violence. West also identifies what social actions can lead to a reoccurring problem with sexual violence in women. While culture, religion, and beliefs are all a foundation for sexual violence, there are also contributing strategies that stump the recovery of women who have dealt with these issues.
West goes into detail about overcoming sexual violence through psychological, sociological and theological tactics by using the stories of real women to better comprehend women who have been victimized and to create immunity from sexually violent behaviors. While the focus of her book is toward African American women she connects this to all women with her broad terms, making it even more relatable to women of a different cultural background. The four parts of this book come together to create more than a moving story, but also a method of prevention of further violence in, not only African American women but, all …show more content…
women. “The Other Side of Paradise” is a memoir about Stacyann Chin’s accomplishments while growing up in Jamaica. Chin’s life is anything but a dream; her mother and father have both abandoned her and her brother, leaving them in the care of their grandmother. The memoir illustrates a life of poverty and deals with the ethics of feminism. Bouncing between family members, Chin has overcome several economic difficulties. Chin gets to see a different side of life with each family she comes into contact with; while some have no resources others have others have an abundance of them. Aside from her difficulties with money and placement with her family, she is able to use her bright intelligence to get into an outstanding high school. Coming from a low income family at times, Chin deals with personal differences amongst some of her friends who are from very wealthy families. Aside from her economic differences with her peers, Chin also deals with racial issues due to her skin color being darker in comparison to her other family members. Chin overcomes verbal, physical, and sexual abuse throughout the book as she grows up. The persistent abuse and religious pressure resulted in Chin living a homophobic lifestyle. Throughout her life, Chin suffered from abandonment and abuse from everyone in her life. When she became close to her brother and grandmother, even they eventually hurt her or leave. The males in the book are a symbol of abandonment that Chin must overcome to create strength and identity in her life story. Bouncing between living situations, Chin dealt with various indisposed men that created an abusive childhood for her. While Chin suffers from worse abuse, the abandonment from her father in her earlier childhood has the biggest impact on her. Her father was willing to help her financially to further her education but he never gives her the affection she yearns for. This also becomes a trend with her stepfather, who sexually abuses her and never accepts her as his own. The absence of a father creates a foundation for Chin’s confusion with her sexuality. The issue grows as the men that come into her life continue to sexually abuse her. The fact that most of the men in her life continue to offer her assistance while they take advantage of her creates a cycle of confusion for Chin. Chin’s sexuality is described later in the book; she does not become open with herself until she is much older. The torment and abuse she deals with due to her sexuality makes her stronger in the end. Chin sets the basis for a standard feminist. What she overcomes portrays the harsh treatment homosexuals had to deal with at that time. While traces of race, economic class, feminism, and sexuality are all themes in “The Other Side of Paradise”, the struggle of finding her sexuality in an anti-homosexual environment is the strongest of the themes. The value that Chin holds throughout her novel illustrates the structure of a contemporary feminist. “Loving in the War Years” takes another unique route to feminism through the perspective of the Chicano/a customs and values. Just as in “The Other Side of Paradise”, the book is written about a woman who struggles with lesbianism in an anti-homosexual environment. The book expresses not only a historical element of the Chicano/a culture but also explores other elements of the movement at the time. Just as in “Wounds of the Spirit”, there is a unique format to this book. The first portion of the novel focuses on Moraga finding herself ethnically and sexually. Just as in “The Other Side of Paradise”, the parental figures in Moraga’s life conflict with her personal values and identity. The writing style Moraga uses throughout the book gives her readers a chance to place themselves in her shoes, while also giving it poetic and descriptive characteristics. While Moraga is a feminist who has overcome lesbianism, her role in the Chicano/a movement is just as important. Growing to find herself just as Chin does, Moraga becomes quite personal in the first portion of the novel. In the “A Flor de Labias” portion of the novel Moraga focuses on the Chicano/a movement in an academic manner.
The book does not contain the same poetic elements the first half does; it instead uses a more professional business like route. Defining the culture of her society through a political and oratorical manner, the second half of the book creates profound evidence for her identity confusion that results in her feminism. The book takes two elements of life and culture and creates one world from both. It gives both a personal first hand perspective of feminism, as well as a second hand look at feminism through the Chicano/a movement. While all three books deal with feminism, they each have their own tactics of dealing with the unequal treatment of women. By using real interviews from women who have suffered, to an autobiography of an author who has dealt with the issues herself, these books deal with sexual abuse and feminism at their finest. Each book has its own maneuver to create a helpful and knowledgeable perspective to overcoming issues that are directed to
women. ”Wounds of the Spirit” gives insight to the impact of sexual abuse through a first person perspective of several different women. “The Other Side of Paradise” is a moving memoir about Chin who has overcome some of the most difficult issues growing up as a sexually confused individual in Jamaica. “Loving in the War Year” is both a memoir and an informational book on the struggle of sexual individuality and the Chicano/a movement. These three books come together to create an inspiring element to the lives of women who are currently dealing with or have overcame confrontational sexual issues that result in a feminist outlook on life. The themes of all of the books tie in racial, religious, cultural, and economic backgrounds which all lead to a similar result in each of the women in the books. The overall themes of each books is that, despite the differences of culture each woman had difficulty expressing themselves sexually due to abuse and neglect they’d suffered, however they were triumphant in discovering themselves. As a victim of sexual violence it was hard for me to read each of these books. However, each of them inspired me to not let my victimizations define me. Instead, use them as inspiration to other women and myself to overcome difficult experiences.
Gloria Anzaldúa’s unique writing style in Borderlands/La Frontera creates a more simple understanding of the complexities of identity through the eyes of a feminist-Chicana writer. Anzaldúa uses long, fast paced descriptions, alternating languages, and feminist perspective to really keep readers engaged throughout the passages. Anzaldúa often allows readers into her intimate memories to create a better understanding of living as a Mexican-American in Texas.
A careful examination of the sexual violence against african-american women in this piece reveals imbalances in the perceptions about gender, and sexuality shed that ultimately make the shift for equality and independence across race and class lines possible during this time period.
In “I am Joaquin”, women are represented minimal, unspecific, and stereotypical. The term coined by Gonzales was not inclusive to women. A lack of women’s acknowledgment engagement with the Chicano Movement is present in Gonzales poem. In these lines “I shed the tears of anguish as I see my children disappear” Gonzales gives the impression of stereotypical women (I am Joaquin) . An image of a mother stereotype is depicted instead of an image of women contributing and involved in the movement through activism and organizations. Women such as Dolores Huerta played a vital role in the evolvement of the Chicano Movement however, the Chicano Social Identity is not inclusive to women because women are defined by men. Dolores Huerta was an important farmworker organizer within the farmworker struggles.
Junot Diaz’s novel The Brief Wondrous Life of Oscar Wao is focused on the hyper-masculine culture of the Dominican, and many argue that his portrayal of the slew of women in the novel is misogynistic because they are often silenced by the plot and kept out of the narration (Matsui). However, Diaz crafts strong women, and it is society that views them as objects. The novel recognizes the masculine lens of the culture while still examining the lives of resilient women. In this way, the novel showcases a feminist stance and critiques the misogynist culture it is set in by showcasing the strength and depth of these women that help to shape the narrative while acknowledging that it is the limits society places on them because of their sexuality
The story “Woman Hollering Creek" by Sandra Cisneros describes the lives of Mexicans in a Chicago neighborhood. She depicts the life that women endure as Latino wives through her portrayal of the protagonist, Cleofilas. For Cisneros being a Mexican-American has given her a chance to see life from two different cultures. In addition, Cisneros has written the story from a woman’s perspective, illustrating the types of conflicts many women face as Latino wives. This unique paradigm allows the reader to examine the events and characters using a feminist critical perspective.
Writing in the 20th century was great deal harder for a Chicano then it was for a typical American at this time. Although that did not stop this author, Sandra Cisneros. One of her famous novels, Woman Hollering Creek was a prime example of how a combined culture: Mexican-Americans, could show their pride and identity in this century. In conjunction, gave the opportunity for women to speak their voice and forever change the culture of Latino/a markets. Not only did it express identity/gender roles of women and relationships, but using these relationships to combine the cultures of Mexican and American into a hybrid breed. This novel, should have been a view-point for the future to show that there is more to life than just gender and race. Concluding this, the articles that helps define this is “The Latino/a Canon and the Emergence of Post-Sixties Literature” and “What is called Heaven”.
The publication of The Round House by Louise Erdrich serves as a literary feat and national victory for sexual assault survivors and activists through the author 's realistic depiction and exploration into the brutal effects that domestic violence has on a victim, family, and community. In The Round House, Geraldine 's traumatic assault during the summer of 1988 is not to be treated as an isolated incident, but a common occurrence that has affected millions of Americans and evolved into a national domestic violence crisis. The lasting emotional, mental, and relational effect of sexual assault and trauma are critical matters that are rarely explicated in modern literature, much
The struggle to find a place inside an un-welcoming America has forced the Latino to recreate one. The Latino feels out of place, torn from the womb inside of America's reality because she would rather use it than know it (Paz 226-227). In response, the Mexican women planted the seeds of home inside the corral*. These tended and potted plants became her burrow of solace and place of acceptance. In the comfort of the suns slices and underneath the orange scents, the women were free. Still the questions pounded in the rhythm of street side whispers. The outside stare thundered in pulses, you are different it said. Instead of listening she tried to instill within her children the pride of language, song, and culture. Her roots weave soul into the stubborn soil and strength grew with each blossom of the fig tree (Goldsmith).
Chicana artists are historically underrepresented and their art work is always viewed lesser to the Chicano artists due to hegemony. However, many Chicana artists depict the reality of the Chicana experience and criticize and question the heterosexist Chicano narrative. Moreover, Professor Gaspar de Alba defines and distinguishes the difference between politics of identity and identity of politics. She emphasizes how politics of identity is the way the individual defines themselves. She then raised a very interesting question on who identifies as "Feminist" and unsurprisingly mostly women raised their hand and men did not. She then explains that many people misinterpret the meaning of feminism. It is stereotyped to be a "hating men" movement, when that is not the case. Gaspar de Alba goes into depth explaining how a man can also identify as a feminist if he has shares the same beliefs as feminists. Similar, to being a queer ally any individual may be a feminist ally. It is not surprising to me that many people misinterpret the feminism movement because historically feminism was centered on the upper-middle class white
Among the many subjects covered in this book are the three classes of oppression: gender, race and class in addition to the ways in which they intersect. As well as the importance of the movement being all-inclusive, advocating the idea that feminism is in fact for everybody. The author also touches upon education, parenting and violence. She begins her book with her key argument, stating that feminist theory and the movement are mainly led by high class white women who disregarded the circumstances of underprivileged non-white women.
She lived as a Chicana women in a society of oppression and confusion. I feel like the overall theme of the story could be, Who am I? She’s questioning herself throughout the whole thing, trying to figure out how to be and who she is going to be. “It is a part of me that refuses to take orders from outside authorities”(38). She also shows her awareness of disobeying authority. All the standards that were placed upon Chicanas and women were coming from a need to control and disguised to ‘protect.’ Men were keeping women in a defined role. No one asked questions or went up against authority. You can look at these stories in numerous ways. She states that they are never alone with men, not even the ones in her family. “The culture gave us mixed messages...Which was it to be- strong, or submissive, rebellious of conforming?”(40). They are first a mother, father, or sibling, and lastly they were to think of themselves. Selfishness was condemned. They have very strict rules about how they were supposed to act. You couldn’t act like you were better than anyone else, you didn’t want people to get envious and do acts of ‘witchcraft’ on you. I see this as the men being threatened by the women. Men always have been. They must obey and not speak out because they know that if the women are free to say what they want in this time then all hell will break loose. It makes it hard to
In Vu Tran’s Dragonfish, Chandler’s The Big Sleep, and Lethem’s Motherless Brooklyn are novels with three drastically different narratives. However, apart from letters written by Suzy in Dragonfish, all three are written from the perspective of a male character. The reader rarely hears the voice of a woman, and they only learn about them through the thoughts and depictions of the male narrator. After reading all three novels and comparing them, it is evident women within these stories are treated similarly. Many experience abuse, or are relevant because of their sexual relationships with the male character. Thus, through sexualized relationships and abusive situations, women in Dragonfish, The Big Sleep, and Motherless Brooklyn are used to
In “Woman Hollering Creek”, Sandra Cisneros demonstrates, like in many of her stories the oppression women are faced with. Sandra Cisneros, a Mexican American woman who tells short stories often describing Hispanic culture, began writing at the age of ten. She manipulates two languages, creating new expressions in English by literally translating Spanish phrases. Cisneros’s characters seem to have a naive humorous quality. Her characters are usually affected by how femininity and female sexuality are defined within the Hispanic patriarchal value system and how they struggle to redefine themselves. She is a significant voice in feminist literature.
Sommers, C. H. (1994). Who Stole Feminism? How Women Betrayed Women. New York: Simon and Schuster.
Most feminist critics today stress the fact that while all women are female, they are much more than that. Each woman’s goals and problems make them who they are by creating a unique identity. The understanding of woman not as a single group has led modern feminist critics to advocate personal and autobiographical criticism. It has also fostered contemporary gender criticism.