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Portrayal of women in media effects
Portrayal of women in media effects
Impact of media on women
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In the article “Wonder Woman” Gloria Steinem expresses that the making of female super-heroes empowers females by reducing the fixed theme of a Caucasian male saving an inferior female. She displays this by showing how inferior women were before in male super-hero comic books, compares what it was like personally reading female super-hero comics to male super-hero comics as a child, the fight with other women to have the original Wonder Woman published in Ms. Magazine and how even males were changed by the making of Wonder Woman.
First and foremost Steinem begins to exhibit how females were left to feel inferior by only having male super-heroes in comic books that perpetually gave women the minor task to help, feelings of gratefulness for
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the accomplishments of others, and then always waiting for a Caucasian male to save her. Steinem feels that the only other option for young girls is to suppress a valuable part of themselves by changing their consciousness into that of a male character. In these ways women have been shown to be marginalized in all male super-hero comic books. Of course Steinem then shows the effect of reading Wonder Woman (the first continuously published female super-hero comic) as a child versus the anticipated male super-hero comic books.
She expresses how she felt that she was rescued from feeling the dependent fate on men that came along with reading male super-hero comics and had increased hope that women were finally able to be shown as strong and dependable for a change. When reading a male super-hero comic Steinem feels bored with the plain played out Superman gadgets and is tired of the theme of a male always saving the female, as if she doesn’t have her own power. Steinem admires that the Wonder Woman comic book gives the lesson that everyone may have unknown powers in themselves but you would have to believe in and practice them, this boost her hope in the female culture versus when reading Superman and feeling submissive. Steinem admires that Wonder Woman had different technique than Superman when rescuing because she did not use violence. Steinem feels that Wonder Woman was stronger than Superman because she had the strength and ability of a male super-hero but did not use violence; instead she converted people to peace, self-reliance, and respect for the right of others. To Steinem this is one main key that helps Wonder Woman comics attempt to take away the marginalization of women found in male super-hero
comics. Steinem then shows how creating a female super-hero impacted women that were adults telling how they felt that they were also rescued in their childhoods by the creation of Wonder Woman and fought to have the original version published in Ms. Magazine. Steinem expresses how passionate they were constantly fighting to persuade the publishers of Wonder Woman to put the original version on the cover of Ms. Magazine. Ms. Magazine was a feminist magazine and Steinem made sure Wonder Woman made it on the cover since Wonder Woman to her was a very good pick. Steinem furthermore talks about how Wonder Woman becomes a television series and still has the great appeal to young females and how even males were inspired by dressing up as Wonder Woman on Halloween. There were people refusing to leave their TVs on Wonder Woman nights and in the end the writers of Superman comic books even changed their comics to be more like Wonder Woman. This shows that Wonder Woman was a huge inspiration and empowerment to male and female, young and old.
She alludes to the idea that as people we must look deeper into our lives and see were we may have been given unearned privilege whether is be from race, gender, or sexuality.
This is because the girl dreams of being a beautiful superhero. She dreams of flying and the mother even says “Oh, if only I could fly”, these both indicate very powerful situations. Also, I feel that as a little girl the character is left out a lot, like when her parents are talking in the mornings and she cannot get up until her mother comes to wake her. But, the girl mentions in her dreams that she can see everything that happens, maybe because she is now a woman and is not left out like she is in her real life. Lastly, she dreams of being a superhero with super powers, this shows she wants to be powerful, but cannot be in her waking life. I believe the vision the writer, Judith Ortiz Cofer, is trying to portray is women do want to be powerful. Both the daughter and the mother want to fly and do something more with their lives, but they cannot. I believe many women could relate to the story when it was written in the mid-twentieth century. This is because at the time women were expected to be housewives and not do many extraordinary things. Also, I believe many women wanted to do powerful things, like vote and get a job, and this was a time period when the view of women’s roles was
Shaw, Susan M., and Janet Lee. Women's Voices, Feminist Visions: Classic and Contemporary Readings. New York: McGraw-Hill, 2012. Print.
In the first paragraph of Laurie Penny’s essay “What to do when you’re not the hero anymore” she tells the reader how she recently went to see the new Star Wars movie. To her surprise a female character, Rey, fought off a bad guy as an equal. Hollywood has incredible power in how messages are portrayed in books, TV shows, and movies. It is no secret that media representation normalizes the reality of white male power. Penny explores how it is becoming more common to see a women lead in books, movies, and TV shows, rather than the stereotypical male.
How does one compare the life of women to men in late nineteenth century to mid-twentieth century America? In this time the rights of women were progressing in the United States and there were two important authors, Kate Chopin and John Steinbeck. These authors may have shown the readers a glimpse of the inner sentiments of women in that time. They both wrote a fictitious story about women’s restraints by a masculine driven society that may have some realism to what women’s inequities may have been. The trials of the protagonists in both narratives are distinctive in many ways, only similar when it totals the macho goaded culture of that time. Even so, In Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing we hold two unlike fictional characters in two very different short stories similar to Elisa Allen in the “Chrysanthemums” and Mrs. Louise Mallard in “The Story of an Hour”, that have unusual struggles that came from the same sort of antagonist.
To understand feminism in the novel, one must first understand the feminist lens itself. OWL Purdue describes the lens as “the ways in which literature (and other cultural productions) reinforce or undermine the economic, political, social, and psychological oppression of women” (Purdue). Feminism acts as both a commitment and a political movement that wants to end sexism in all forms. Most feminists generally disagree on many topics of the subject, however all have one common goal. These aspects affect The Things They Carry in a plethora of ways, mostly due to the fact that gender roles is a main theme. There are negative and positive aspects of the feminist lens. Positive contains the empowering of women and equality, whereas negative pertains to oppression and unequal rights. Both are covered in The Things They Carried from sex symbols to battle tor...
Due to traditional stereotypes of women, literature around the world is heavily male-dominant, with few female characters outside of cliché tropes. Whenever a female character is introduced, however, the assumption is that she will be a strong lead that challenges the patriarchal values. The authors of The Thousand and One Nights and Medea use their female centered stories to prove their contrasting beliefs on the role of women not only in literature, but also in society. A story with a female main character can be seen as empowering, but this is not always the case, as seen when comparing and contrasting Medea and The Thousand and One Nights.
Harriet Jacobs’ feminist approach to her autobiographical narrative Incidents in the Life of a Slave Girl brought to life the bondage placed on women, in particular enslaved black women, during the nineteenth-century America. In an effort to raise awareness about the conditions of enslaved women and to promote the cause of abolition, Jacobs decided to have her personal story of sexual exploitation and escape published. The author’s slave narrative focuses on the experiences of women, the treatment of sexual exploitation, its importance on family life and maternal principles, and its appeal to white, female readers. Likewise, through the use of the Feminist/Gender Theory, issues relating to gender and sexuality can be applied to the author’s slave narrative. Incidents in the Life of a Slave Girl and its lack of reception during its own time disclose the strict boundaries and unique challenges Harriet Jacobs encountered and overcame as a woman in antebellum America.
...requent use of these appeals and strategies evokes a true response of sympathy and urgency to get a start on the revolution to gain women’s rights and equality. Steinem’s goal of her commencement speech to the graduating class of Vassar is not to relay stereotypical “entering the world with high hopes and dreams” advice, but to advocate social and political changes in America’s young, new future. She promotes social reform and helps to redefine what the feminist movement stands for. If society does not learn to unlearn the “traditionalist” ways, it will not move foreword in its attempt to exonerate women, men, and minorities from their preconceived and stereotypical roles. This argument is not only about the growth of women’s rights and power, but about the idea of humanism and that we all need to be liberated in order to initiate advancement of changes in society.
For over 60 years, Wonder Woman has filled the pages of her magazine with adventures ranging from battling Nazis, to declawing human-like Cheetahs. Her exploits thrilled and inspired many young girls, including Gloria Steinem. Through all of this, she has had to pilot her invisible jet through territories that her male counterparts have never had to. She is constantly pulled in two directions; her stories must be entertaining and non threatening to the male status quo, while simultaneously furthering her as the original symbol of 'Girl Power.' She is praised for being an icon of strength to women everywhere, but chastised for wearing a skimpy costume and tying men up, as if she were no more than a male fantasy. No comic book character has had to endure as much scrutiny as Wonder Woman. That's because Wonder Woman represents an entire gender, at a time of important social flux. Although she was created by a man to influence a male audience, Wonder Woman has evolved into an important symbol of the feminist movement.
She talks about how women and men act similar because of their emotions such as happiness, remorse and sadness but due to a different part of their brain, their reactive response to each emotion makes them different. This is where the stereotype of each gender comes into play with the female coming as better caretakers because they react better to happiness and comfort whereas the males are better workers because they react more to a reward. This is proven throughout time and history because while the women stayed home in many societies, the male was able to go out hunt, get food and provide for the
Gay suggests another way characters within pop culture are portrayed as unlikable or at least not powerful, is by being a person of color. As stated earlier, there exists a narrow conceptualization of womanhood and femininity, which primarily mirrors the privileged class, which dominates pop culture in terms of the books we read, television we watch, ads we consume, heroines we aspire to be, and music we listen to. However there does exist different identities of what it means to be a woman. In Punks, Bulldaggers, and Welfare Queens. Cathy J. Cohen imagines the contemporary view and power of women to be in relation to their homogenized identity. This meaning, to be a woman also depends on other factors of identity; to be a woman in relation to if you are poor or rich, black or white, gay or straight, queer or fall into the dominant class. Luckily, this understanding of womanhood has somewhat expanded. The scope of racial expansion somewhat increases by moving to include Gay’s idolized Black Miss America. Unfortunately, this expansion follows the privilege trend where only a certain type of green girl is able to satisfy the role of Black Miss America. A large issue that Gay has with representation of women of color is that they are tokenized, they are stereotyped, and they are grossly generalized. Instead of this poor misrepresentation of women of color, both Gay and Cohen seek, “a new political direction and agenda, one that does not focus on integration into dominant structures but instead seeks to transform the basic fabric and hierarchies that allow systems of oppression to persist and operate efficiently” (Cohen 165). Gay concludes that inclusion of women of color in pop culture fails to portray them as more than one dimensional characters. This lack of depth is attributed to the lack of respect that women of color face in real life as well. While the
Hooks begins by stating that Feminism in the United States did not emerge as a result of victimized, underprivileged women who faced sexist oppression so much so they have internalized it , but in fact by bourgeois upper-class white women whose idea's of equality were far different. She begins this criticism with Betty Friedan, a leading figure in the women's movement and the author of the classic The Feminine Mystique claiming that the book ignored the difficulty and even the existence of non-white, poor women with the assumption that her concerns were harmonious wi...
...en endured throughout the Realist literary period. This oppression has evolved into strong female business figures. Kate Chopin’s “The Story of an Hour” shows the perceived inequality and inferiority of women throughout this era. This lies in contrast with strong, powerful female officials, such as Supreme Court Justices Sonia Sotomayor and Elena Kagan. Chopin’s The Awakening illustrates a literary attempt at women’s activism. Women’s activism is still present today, and is seen in the recent happenings at the Plymouth High School baseball and softball fields. Women have evolved past their positions as domestic keepers that were subordinate to men to active, equal members of society. Feminist literature has aided this evolution over the year. Women have overcome oppression through activism and garnered more rights since the termination of the Realist literary era.
As women, those of us who identify as feminists have rebelled against the status quo and redefined what it means to be a strong and powerful woman. But at what cost do these advances come with?... ... middle of paper ... ... Retrieved April 12, 2014, from http://www.feminist.com/resources/artspeech/genwom/whatisfem.htm Bidgood, J. 2014, April 8 -.