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Narrative essay on Stereotypes
Narrative essay on Stereotypes
Feminism analysis on wonder woman
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The movie Wonder Woman, filmed by Patty Jenkins, begins on the hidden island of Themyscira, trailing after Diana, a girl who will ultimately be known as Wonder Woman. The story’s plot is brought into full swing when Themyscira is discovered by an English soldier. Upon hearing of the existence of World War I, Diana takes it upon herself to protect humanity, believing the war itself was brought on by the god of war, Ares. The film comprises of a delicate balance between mythology and realism, following Diana’s search for Ares while simultaneously depicting various (somewhat fictional) struggles of World War I. Bringing on headlines such as “Why Role Models Matter to Young Girls,” Wonder Woman can be considered a social phenomenon for women all …show more content…
They were safely placed on the hidden island of Themyscira until required to save humanity. As depicted several of times in the film, the Amazons have various superhuman abilities, from extreme athleticism to great intellect. Wrestlers, Olympic athletes, martial artists, supermodels, and many other women were explicitly chosen to play such characters in the film, Jenkins often going out of her way to find women who were in such “superhuman” shape to play her Amazons. Their extra-abilities are an integral part to their character. That being said, their empowering society lacks any overweight figures or figures with disabilities, whether physical or intellectual. Thus, this class of superhuman is being represented as separate from as much. Their existence outside of the norm does not make them deviants—it makes them a group of individuals to look up to for the aforementioned young girls viewing these films worldwide. On the other end of the bell curve, there is Dr. Poison, who is certainly portrayed as …show more content…
Poison is one of the three main villains in Wonder Woman. Dr. Poison, otherwise known as Dr. Isabel Maru, is a Spanish chemist who specializes in chemistry and poisons. She had been recruited by General Ludendorff so Germany could utilize her poisonous gases in the war. Little to none of her backstory is given, but she is present nonetheless. It is interesting to note, however, that neither her facial disfigurement nor her prosthetic are present in DC comics. In interviews, Elena Anaya, Dr. Poison’s actress, expands on her character’s backstory, informing the audience that Dr. Poison inflicted her disfigurement on herself out of pure villainy. In this case, her villainy and her deformity are instantly mapped onto one another. They are meant to signify each other. Without a significant role in the plot other than providing poisonous gas (which turns out to be an idea placed in her head by Ares), Dr. Poison holds little to no relevance to the plot of Wonder Woman. Her one moment of significance is in one of the final scenes of the film—a scene that is directly tied to her facial disfigurement. In this scene, Diana must decide whether she believes mankind is worth saving. Ares is pressuring her to believe it isn’t, and to kill a defenseless Dr. Poison. In these moments of deliberation, Dr. Poison’s prosthetic flies off, revealing her deformity. This is the first time the audience sees her without her prosthetic. While Dr. Poison is being represented as all of humanity in
In the article “Wonder Woman” Gloria Steinem expresses that the making of female super-heroes empowers females by reducing the fixed theme of a Caucasian male saving an inferior female. She displays this by showing how inferior women were before in male super-hero comic books, compares what it was like personally reading female super-hero comics to male super-hero comics as a child, the fight with other women to have the original Wonder Woman published in Ms. Magazine and how even males were changed by the making of Wonder Woman.
In the Upfront Magazine Article “Women Warriors”, author Rebecca Zissou told the story of two women who recently graduated the Army’s Ranger School, but whether they would be able to serve alongside their fellow male graduates was unknown. Zissou also delved into the issue of whether or not women should be allowed to serve in combat positions. However, I believe that women should be allowed to serve in combat positions in the U.S. armed forces.
As a child, I was fascinated by Greek mythology and history, and I made it my business in elementary school to read as much as possible about the subject, including the outstanding stories and the pantheon of gods presented. I thought of them as fantastic, supernatural tales with fitful gods and brave heroes, and I never stopped to consider that the mythologies could be representative of the cultural views and habits of the Greeks, specifically regarding gender roles. One such representaton is Virgil's epic Aeneid, which contains depictions of women in positions of power, and also characterizes these women as irrational, emotional to the point of hysteria, and consequently, unfit rulers.
...in literary works has often reflected the way that women were viewed at the time of each work’s creation. For three works, The Odyssey, The Wife of Bath, and Sir Gawain and the Green Knight, each author chose to oppose the prevailing view. The characters that these women play are crucial to the hero’s success or failure. Each woman is able to overcome adversity and oppression to prevail over the male sex. By doing so, they can be viewed as being a role model to all the women who read these works. Even though, there may not have been noticeable changes in the way women were treated in each work’s respective time period, they serve as a divergence away from traditional values and set a framework for further success in equality.
Frankel, Valerie Estelle. From Girl to Goddess: The Heroine's Journey through Myth and Legend. Jefferson, NC: McFarland &, 2010. Print.
“Born of clay, Galatae-like, to the Amazon Queen Hippolyta and given life by Aphrodite, the Amazon Princess abandons the all woman “Paradise Island” in her debut story, in order to become the savior of ‘Man’s World’” (Stanley 144). Among the popular American culture, Wonder Woman has changed more frequently then any other comic book character. Her ever changing figure comes from the the root of society, cultural, and economic circumstances of the time period but she has always held her position of being an Inspiration to women young and old.
Many writers and artists can use Wonder Woman’s history as a blueprint for what works, and also what doesn’t. Wonder Woman continues to mirror the complexities of feminism: strong and assertive, yet caring and nurturing. All the while balancing family issues and fighting against stereotypes. As her comic book moves ahead, Wonder Woman will continue to tackle issues relating to every woman, and even, every human. Works Cited:..
People have and always will enjoy a good read. The success of classics such as William Shakespeare’s, Romeo and Juliet, and The Merchant of Venice validate this. Modern authors are no exception to this ideology. In Manuel Puig’s 1976 hit, Kiss of the Spider Woman, the audience is introduced to two characters that inevitably fall into situations of adventure, romance, and deception. These elements are embedded in human kind’s tales all across the ages. The first of the two protagonists, Molina, is an easy-going, homosexual window dresser. Meanwhile, the second of the two protagonists, Valentin, is a non-homosexual, hot-blooded, political anarchist. These two are polar opposites who, in the wilderness of society, do their best to avoid each other’s presence; but being trapped in a prison cell together doesn’t give too much space for options. As the book’s title suggests, there is Spider, and therefore, there must be prey. The question is who is who?
The Role of Women in Greek Mythology In learning about the feminist movement, we studied the three articles, discussed and reviewed the different authors perspectives on the topic, and learned how important the role of woman in Greek mythology is. In presenting the feminist theory to the class, we analyzed the three articles, Women in Ancient Greece; Women in Antiquity: New Assessments; and Women in Greek Myth, and discussed how although the three articles provided different views on Feminism in mythology, they all essentially are aiming to teach the same basic concept. In order to understand the feminist theory, we have to understand the notion that although myths are invented and that they involve fantasy, the concept of mythology does not necessarily imply that there is no truth of history in them. Some of the humans may have lived while some of the events may have taken place. Most importantly, the social customs and the way of life depicted in the myths are a valuable representation of Greek society.
To be someone of great strength and empowerment is looked upon highly in today’s comic book society. That is, if this specific character is that of the male gender. It is hard, almost impossible to find a character of the female sex to be strong, empowering, and her own person without her being over sexualized. From Harley Quinn, to Cat Woman, there are so many more characters out there who do not get the true spot light they deserve for their over sexualized bodies make it impossible for their story to be fully told. One of the most famous characters in the DC universe who has been over sexualized and under sexualized various times would be the marvelous Wonder Woman. There are many moments where it can be argued, that Wonder Woman’s poses and cleavage are more important than her story. However, there are some instances where this is not the case. Sensation Comics featured Wonder Woman #3 cover by Ivan Reis, Joe Prado, and Carrie Strachan which gives the character a good sense of who she really is. I chose this picture, which can be found in the back of the Sensation Comic featuring Wonder Woman volume 1 which we read in class, because I wanted to take another stand for how people can draw Wonder Woman and still have her empowering and attractive.
The Hollywood movie Pretty Woman (1990) is about a prostitute in Hollywood, marrying an extremely rich businessman, in spite of her mutual distrust and prejudice. The movie contains the basic narrative of the Cinderella tale: through the love and help of a man of a higher social position, a girl of a lower social status moves up to join the man at his level.
The Oriental Theatre brought the streets of Hollywood Boulevard to Chicago in its Production of Pretty Woman. This Musical was a Nerlander presentation and was written by Gary Marshal and J.F. Lawton, directed and choreographed by Jerry Mitchell, and music by Will Van Dyke. I enjoyed this musical rendition of the story, which is originally based on the original film Pretty Woman from 1990, a “Cinderella-like” story about a businessman who falls in love with a prostitute.
The women’s suffrage movement and gender equality are things that have changed everything in our society, and changed them for the better. Compared to the past, when the role of a man and the role of a woman had a distinct difference, in today’s society the role and opportunities of both sexes in America are nearly equivalent. While when many people think of the key players in these movements as strong willed women such as Rosa Parks or national icons such as Rosie the Riveter who was a symbol for the women working in the factories during World War two, many other attributes had immense impacts on the movement. One of these attributes is pop culture, and in specifically the Star Wars movies.
Susan Hill’s The Woman in Black, the highly acclaimed 1983 horror novella, has come to life through a deliciously deviant theatrical adaptation. Through cunning theatrical framing and stagecraft, playwright Stephen Mallatratt and director Robin Herford’s The Woman in Black encourages the audience to let their imaginations run wild as they are transported from the 21st century West End to the 20th century stage — and the secluded and desolate town of Crythin Gifford. The horrors and haunts that once wreaked havoc in the Eel Marsh House are resurrected on the contemporary British stage that keep audiences on the edge of their seats for the entire two hour production.
The poem “Iliad,” by Homer, is known for its violence between men during a war, but under that violence, is the different type of women who play a significant role in the poem (Homer 189). This poem’s narrative seems to show a male dominated world between the Greek commanders. This male dominated world cannot happen on its own, thus the different background roles of women are needed in order to make sense of all this rage. As the University of Michigan article How Do Women Make Their Way Into This Cycle states, “They are seen as the objects of both lust and domesticity, yet they are also used to excuse war, cause conflict, and display the power of men” (www.umich.edu). The focus in this poem steers towards the rage between the men, but this rage most of the time is inspired and initiated by a woman. The women of Iliad play a significant role in the poem such as war prizes, male hero partners, and women gods.