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Impact of sensationalism in mass media
Misogyny in comics
Impact of sensationalism in mass media
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To be someone of great strength and empowerment is looked upon highly in today’s comic book society. That is, if this specific character is that of the male gender. It is hard, almost impossible to find a character of the female sex to be strong, empowering, and her own person without her being over sexualized. From Harley Quinn, to Cat Woman, there are so many more characters out there who do not get the true spot light they deserve for their over sexualized bodies make it impossible for their story to be fully told. One of the most famous characters in the DC universe who has been over sexualized and under sexualized various times would be the marvelous Wonder Woman. There are many moments where it can be argued, that Wonder Woman’s poses and cleavage are more important than her story. However, there are some instances where this is not the case. Sensation Comics featured Wonder Woman #3 cover by Ivan Reis, Joe Prado, and Carrie Strachan which gives the character a good sense of who she really is. I chose this picture, which can be found in the back of the Sensation Comic featuring Wonder Woman volume 1 which we read in class, because I wanted to take another stand for how people can draw Wonder Woman and still have her empowering and attractive. …show more content…
Though the discussions about Wonder Woman got extremely heated in class, there was a topic that stood out the most and that was how Wonder Woman has been drawn through the years. Her art has gone from subtle to butt and cleavage galore. It is sad, because that is how people are remembering Wonder Woman now, just this muscular amazon superhero with a nice rack and some decent powers. This is why I like the picture I chose because it shows more of who Wonder Woman actually is. The shot is very action packed and has a vast amount of color and graphic to it. We see Wonder Woman fighting a green alien of some sort, but she is not doing it in a very flattering way. Her face is disgruntled and blood is splattered on various parts of her body. She does not have her butt showing towards the reader, and even her chest is covered up by her arm. Yes, there is some definition in the chest area, but you have to consider that Wonder Woman is a strong Amazonian warrior; she is going to have good and high muscle tone to her build, which is something that will never change. Sadly, there is still the typical opened mouth that a lot of people get flustered over, but in this case it can be seen as her battle cry. She is in mid combat, and there is typically a good amount of yelling or human sound effects. Even though she is not in the typical sexy battle stance that most people like to see Wonder Woman in, I have to say that this picture depicts her as a very attractive woman. Enough is enough; it is time that women start to be drawn as actual human beings instead of these made up barbies.
This is getting ridiculous that almost every woman you seen in comic book either have really large breasts, or half their skin is showing. It is not only in comic books we see this, but also in video games. I remember when the video game Injustice released a statue of Batman and Wonder Woman, and I personally was utterly appalled by how they portrayed Wonder Woman. It seemed like the only factor they focused on was her chest because her face was not done justice at all. It is frustrating seeing that great women in comics are subjected to these art styles that take away from people seeing who they truly are instead of the outfits the artists place them in. A lot of people I know do not like Harley Quinn because they just believe she is a blonde bimbo, but they have never actually given her a chance, looked past the clothes she was drawn in, and learned about the truly poetic and complicated character Harley is. This concept of how woman are drawn in comics is why most people think that it is their pretty face that is their only power. They place them down so much based on their appearance, and belittle them to the point that there is not return, they cannot make it out of the whole their artist dug for them. This is why as a writer and an artist, I am making sure that my characters in the future are shown for who they are, not the their size of their bra
cup.
Hannah Foster’s The Coquette represents two main genres. The seduction novel, a genre that centers in on a pathetic and naive female character who is ultimately seduced away from friends and family set out to protect her, made pregnant, and then is left by an unfaithful partner to suffer and die. The Coquette is also a novel of republican motherhood, the idea that women must be schooled in virtue in order to keep the republic running smoothly and educate their children. The ideal eighteenth century woman could be split into four virtues and these virtues would be domesticity, submissiveness, purity and piety. In the eighteenth century, domesticity functioned as the practice of housework. There were little to no opportunities for women outside
Not long ago, a woman’s success was measured by the success of her husband and her domestic prowess. Today, a woman is presumed successful if she can emulate the standards of beauty portrayed in the media. Unfortunately, this subliminally enforced standard is unattainable to some women, regardless of the quality of their character. Let’s examine how western women went from being pioneering superheroes, to people who measure their worth against airbrushed photographs of impossibly beautiful women.
Often in videogames female roles are over sexualized and over dramatized within the limited supportive roles that they play, often playing the role of the sidekick. When their the protagonist they’re reduced to nothing but sex icons to appeal to men. Often scantily dressed and a bust size within the D cup and up range. Characters like Lara Croft of the Tomb Raider Series debutting in 1996 and Bayonetta in her own series called Bayonetta which released in 2010. Yet even though they are far apart in terms of release they both feature a lead female role whom dresses in an obscene manner. Why is this? The simple truth is that sex sells, games with female characters with mini skirts and tight shirts generally manage to sell decently well. This causes an issue in the min...
middle of paper ... ... It is important to remember that these images speak to our culture, the viewers, and most importantly, each other. Ultimately, we can only hope that in any context of femininity on screen, we pay to see these women because they are truly lovely in every sense, “and to experience an inner radiance that may find its form in outward grace” (Entertainment Weekly 65).
There have been major changes to the superhero archetype in comics in these recent years as compared to the past. Along with that arises controversy on the subjects like the new female Thor or a black kid as Spiderman. Many are zealously against such changes for reasons like sexism or racism. While many others are fervently behind such changes because they use it to empower their own political views on today’s topics. These topics are important to today’s society however they should not be so important in comic books because comic books should be value-neutral and gender, ethnicity, sexuality and things of this nature should not matter.
“Boys will be boys, and girls will be girls”: few of our cultural mythologies seem as natural as this one. But in this exploration of the gender signals that traditionally tell what a “boy” or “girl” is supposed to look and act like, Aaron Devor shows how these signals are not “natural” at all but instead are cultural constructs. While the classic cues of masculinity—aggressive posture, self-confidence, a tough appearance—and the traditional signs of femininity—gentleness, passivity, strong nurturing instincts—are often considered “normal,” Devor explains that they are by no means biological or psychological necessities. Indeed, he suggests, they can be richly mixed and varied, or to paraphrase the old Kinks song “Lola,” “Boys can be girls and girls can be boys.” Devor is dean of social sciences at the University of Victoria and author of Gender Blending: Confronting the Limits of Duality (1989), from which this selection is excerpted, and FTM: Female-to-Male Transsexuals in Society (1997).
Through all of this, she has had to pilot her invisible jet through territories that her male counterparts have never had to. She is constantly pulled in two directions; her stories must be entertaining and non-threatening to the male status quo, while simultaneously furthering her as the original symbol of Girl Power. She is praised for being an icon of strength to women everywhere, but chastised for wearing a skimpy costume and tying men up, as if she were no more than a male fantasy. No comic book character has had to endure as much scrutiny as Wonder Woman. That's because Wonder Woman represents an entire gender, at a time of important social flux.
Since the beginning of time men have played the dominant role in nearly every culture around the world. If the men were not dominant, then the women and men in the culture were equal. Never has a culture been found where women have dominated. In “Society and Sex Roles” by Ernestine Friedl, Friedl supports the previous statement and suggests that “although the degree of masculine authority may vary from one group to the next, males always have more power” (261). Friedl discusses a variety of diverse conditions that determine different degrees of male dominance focusing mainly on the distribution of resources. In The Forest People by Colin Turnbull, Turnbull describes the culture of the BaMbuti while incorporating the evident sex roles among these “people of the forest”. I believe that the sex roles of the BaMbuti depicted by Turnbull definitely follow the pattern that is the basis of Freidl’s arguments about the conditions that determine variations of male dominance. Through examples of different accounts of sex roles of the BaMbuti and by direct quotations made by Turnbull as well as members of the BaMbuti tribe, I intend on describing exactly how the sex roles of the BaMbuti follow the patterns discussed by Freidl. I also aim to depict how although women are a vital part of the BaMbuti culture and attain equality in many areas of the culture, men still obtain a certain degree of dominance.
Social factors have always encouraged the idea that men embody masculinity and women embody femininity and, thus, certain gender-norms are expected accordingly. In the past, such expectations were traditional and to go against them was frowned upon by the general public. Contemporarily speaking, there is more freedom to avail oneself of today than there was once upon a time. Jeanne-Marie LePrince de Beaumont’s fairytale adaptation of ‘Beauty and The Beast’ was published in 1740. During this time, men and women were compelled by the social conventions associated with their gender. When analyzing the literary work, the reader can grasp what gender roles are eminent in the characters identity and motives. By exploring the choice of language being
The media perpetuates the notion that women have to be “thin” to be beautiful, this has led to many negative effects on not only me, but sadly many other girls as well. These effects include eating disorders, and lack of self esteem. On the other hand, Wonder Woman is someone whose physical appearance promotes the idea that it is completely fine for a woman to be muscular. As a girl that likes going to the gym, I think this is an important thing for not only girls but for society as a whole to understand. When I started going to the gym, I expected to get positive reactions from my friends and family members, but instead I repeatedly got told “don’t get too muscular.” Not only does this type of mindset discourage females who just want to become well-built, but it also feeds into the stereotype that “women are weaker.” Wonder Woman again breaks this stereotype as she is someone that has been training in many types of armed and unarmed combat, and is also a well trained athlete on top of that. Not only does Wonder Woman teach girls that they don’t have to have a certain type of body to be beautiful, but she promotes girls to be seen as “powerful” rather than a “damsel in
Society places ideas concerning proper behaviors regarding gender roles. Over the years, I noticed that society's rules and expectations for men and women are very different. Men have standards and specific career goals that we must live up to according to how others judge.
Wonder Woman is the most famous heroine and the reason behind this statement is that she is the most displayed character in media compared to other heroines. For this reason, it is easier for girls to imitate Wonder Woman and by doing so they are obtaining some of her qualities from her persona. A study on the brain and children’s drive to imitation, states, “[the] Theory of Mind depends to a considerable degree on an early capacity for imitation Merleau-Ponty (1962: 162) wrote that we are a ‘continuum of interacting embodied subjectivities’, and imitating and being imitated constitute one small aspect of how such interactions help us learn how to become a person within a given culture” (Music 78). Wonder Woman heroine’s qualities that girls learn are the following: helping others, promoting sisterhood, being compassionate, and use violence as the last resource. Also, this heroine encourages girl power, she has said “[that] girls are taught that if they ‘feel [they] can do things, [they] can do them,’ and women are exhorted to ‘get strong and earn your own living’’” (Emad 959). According to the empowerment theory, Wonder Women is encouraging girls to become better beings. Galleotti says, “Empowerment theory […] empowerment was defined as the process of building and instilling hope in order for an individual to improve their situation or
The female gender role in society has created a torturous fate for those who have failed in their role as a woman, whether as a mother, a daughter, or a wife. The restrictive nature of the role that society imposes on women causes extreme repercussions for those women who cannot fulfill their purpose as designated by society. These repercussions can be as common as being reprimanded or as severe as being berated or beaten by a husband or father. The role that women were given by society entails being a submissive homemaker who dotes on her husband and many children. The wife keeps the home impeccably neat, tends to the children and ensures their education and well-being, and acts obsequiously to do everything possible to please her husband. She must be cheerful and sweet and pretty, like a dainty little doll. The perfect woman in the eyes of society is exactly like a doll: she always smiles, always looks her best and has no feelings or opinions that she can truly call her own. She responds only to the demands of her husband and does not act or speak out of turn. A woman who speaks her mind or challenges the word of any man, especially her husband, is undesirable because she is not the obedient little doll that men cherish. Women who do not conform to the rules that society has set for them are downgraded to the only feature that differentiates them from men; their sex. Society’s women do not speak or think of sex unless their husband requires it of them. But when a woman fails to be the doll that a man desires, she is worth nothing more than a cheap sex object and she is disposed of by society.
No man is going to read Cosmopolitan and no woman is going to pick up Sports Illustrated. Women’s magazines are known for reinforcing the feminine homemaker gender identity with the home decorating tips, diets, and recipes. Cosmopolitan is a very good example of a feminine magazine. It is not seen as a typical feminine magazine because of how it glorifies sex and encourages women to use their looks and sexuality to further their personal gains in life. It would be easy to see Cosmo as feminist because of this, but at the same time it’s easy to see it as reinforcing gender identity in that it implies women should be there for men to look at and that’s the only way to progress in life. Another well-known feminine magazine trope is that the women in the magazines and especially on the covers, are always impossibly thin and impossibly perfect. Sometimes magazines do vary from this and one perfect example is Glamour’s 2004 issue that featured Queen Latifa on the cover. This might seem like a brave step away from the idea that the female gender identity needs to be thin, but upon closer inspection it’s nothing more than a sad attempt. First of all, Latifa had recently lost quite a bit of weight and had undergone a breast reduction surgery prior to being on the cover and even with this they still put her in clothing that covered her stomach and any other part that might have been “unpleasant.” Secondly, all the cover talked
Things only get more complicated when you consider the frame narrative that explains Wonder Woman’s existence. She was born as Princess Diana (interestingly paralleling another icon of womanhood) in an Amazon community that seems pretty clearly grounded in lesbianism. Although the women in this harmonious and idyllic Amazon community have gone to great lengths to hide and protect their island from incursions by men, they are nonetheless delighted when a male American army officer inadvertently crash-lands in their utopia. So smitten with him are they, in fact, that they stage a ruthless physical competition to decide who will get to pair off with him. When Diana (later Wonder Woman) wins, she happily abandons her position as a royal ruler of the Amazons to accompany him back to the United States and take a boring desk job as a lowly secretary in the army. She even trades in her cool Amazon garb for a pair of gl...