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Media influences on public opinion
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Media influence on public opinion
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In the Far From Home photo series on National Geographic's website, photos of Dubai are displayed depicting various aspects of life. Out of all the photos listed, the one I found to be the most captivating was of a collection of women entertainers resting in between dances inside of a Gentleman's club. This photo was quite striking to me because of the portrayal of the women, and the relationship demonstrated between the dancers and the men of the club, and the atmosphere of the club.
Although each woman has slightly different posture from the next, there are a few commonalities that they all share. The general expression given off from each woman is one of discomfort. Upon looking at the photograph, one collects a feeling of resentment or fear from their expressions. Almost every woman is sitting with crossed arms or legs, , exhibiting tense body language. Only two out of the nine women in the photograph are looking forward while the rest are turned away from their audience. They seem as if they are determinedly focusing their gaze on something else to keep them from meeting the eyes of their customers as they try to enjoy their break. Although one woman is smiling, even she looks like her smile may not be out of happiness, but out of nervousness. The women sit very close together. Some clutch each others hands tightly while others huddle together. This body language gives off a sense of companionship exclusive to the dancers. By showing the women as if they were relying on one another, one begins to wonder to what degree of dehumanizing conditions these women are put through and how it is affecting them. From the evidence provided, one could conclude that these dancers are consequently affected by their job to such a str...
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...cers. However, the women are not reflected in a positive light. Contrary to their lavish outfits and sensual makeup , the women do not look confident. Based off of their attire, they should feel as beautiful as they look. Unfortunately, they look quite frail and insecure. Whether they actually feel that way is undetermined, but it is clear that Bendiksen used their frail appearance to make his point. Through this photograph, he categorizes women as unhappy people who work under scandalous conditions to make a living. He wants people to look at this photo, wonder what lead them to this point in their lives, and further investigate. This photo is intended to make people think. By taking an idea that can be found all around the world, women’s sexuality, and applying it to one central situation, the reader is immediately drawn in.
Works Cited
National geographic
Amy Cunningham, an editor and author from New York, wrote an article “Why Women Smile” to emphasize on how women are no longer smiling because it is a natural thing, but rather an everyday habit. Coupled with Cunningham’s supported reasons by using logos and ethos, she also uniquely brings in her personal experience by having ethos, making her argument more relatable. A long side with that, societies’ past and present impact on today’s world about women was also included as Cunningham put her own take into proving her point. Although this may be true, there were some fallacies found in her argument leading it to lack of fully portraying the audience.
Karlsen further describes her theme along with a wonderful exhibiting connected with outlining this time for the portrayal of women. Specifically, she em...
To elaborate, Scott argues that as a picture interpreter, we must make a distinction between the “ideal and the real,” to understand the true meaning of an image. She argues how the Gibson Girl and the American Girl were two idealised visions of modern beauty and femininity which made women to try to be like them. These two girls became markers of their decade, ...
The ideal image of a Pakistani woman is a housewife. Women become completely dependent on their spouse and spend the rest of their lives cooking, cleaning, and raising children. In America, women are more independent and have greater opportunities to display their capability. Being a Pakistani-American woman, I have the ability to decide what life I would prefer: the life of a housewife or a working woman.
Akst emphasizes how women take superficial looks more into an account than men which reveals his bitter emotions directed towards women. Akst also provides no evidence for the circumstances of this research study which leaves readers with no evidence to back up his claim. He is so bitter towards women’s obsession with beauty that he tries make a correlation that may not even be
”. It mirrors how society use to view woman as “stock animal” and only meant for breeding. The Yellow-Wallpaper exhibits how society's expectation can stifle and suffocate a person base upon her gender. It shows how the individual suffers underneath the weight of Societies expectation.
Young girls and women symbolize femininity with being a ballerina. Kelso comments that in the shadows of the spotlight lurks an abusive world of eating disorders, verbal harassment, fierce competition, injuries, fatigued, and malnourished dancers (Kelso, 2003). In today’s world of ballet, dancers suffer from always being in pain, worrying their body image is not the right look they need to have to get lead roles resulting in the development of eating disorders, and male ballet dancers are stereotyped as being homosexual when most of the male dancers are in fact heterosexual.
In the book, Women in the Middle East, a Saudi Arabian proverb states, "A girl possesses nothing but a veil and a tomb" (Harik and Marston 83). The key words, "veil" and "tomb" lend evidence to the fact that many Middle Eastern women lack identity symbolized by the “veil” and lack the right of ownership except for their veil and the tomb. This statement further enforces the notion that many women in the Middle East are expected to serve and tolerate the oppression of the men in their lives throughout their lives on this earth. Moreover, it confirms that many of these women do not get the opportunity to obtain education, join the work force, and even participate in the political affairs of the country. This arrangement further helps the Middle Eastern men to view women as their properties, servants, or even as slaves. Ultimately, there are three main reasons why Middle Eastern men engage in the act of oppressing their women.
“A photograph is not an opinion. Or is it?” So begins Susan Sontag's introductory essay to the book Women, a collection of photographs by Annie Leibovitz. Collected without a stated intention other than to treat on the subject matter at hand, Leibovitz’s images confront a wide spectrum of issues surrounding women living in America at the end of the twentieth century. Sontag explains, “Any large-scale picturing of women belongs to the ongoing story of how women are presented, and how they are invited to think of themselves (20).”
These cultural strictures come in a number of forms. First, the artist attacks intellectual conformity, choosing art over all other means of self-expression even though it is not widespread in his or her society. Though it is not explicitly stated - and is perhaps even subconscious - the artist chooses art over either academe or high society. The artist questions society's customs, making this choice explicit in their daily actions. The artist rejects ostentatious displays of wealth and the cultural emphasis on money, replacing it with a frugal simplicity more conducive to authentic experience. Finally, the artist calls into question the cultural construct most important to any understanding of human interaction - the binary conception of gender.
The Women of the Middle East have played substantial roles for their corresponding countries since the advent of colonialism in the region. Middle Eastern women have worked in all types of fields including medicine, education, agriculture, government, private sector, and even defense. They have kept roofs over their family’s heads while their husbands were away in wars, or even in foreign countries to work in jobs that they could not find in their own countries. The roles of women in the countries of Yemen and Oman are no exception, but while they still find ways to contribute to their country, they care constantly stereotyped, discriminated, and ridiculed by men who are known and unknown to them. This paper will discuss the individual contributions of the women living in Yemen and Oman, and will discuss in further state laws and cultural norms that are affecting the women living in these countries today.
The Dinner Party by Judy Chicago is an icon of feminist art that represents one thousand and thirty eight women in history. Nine hundred and ninety nine names are inscribed in the Heritage Floor on which the table rests while the other thirty-nine women are represented by place settings. It is an epic piece of work comprised of a triangular table divided by three wings, each wing being forty-eight feet long. This piece of artwork explores numerous media, which includes Chinese painting, ceramics and an array of needle and fiber techniques. All these media are used for one major purpose and that is to honor women throughout history in Western Civilization.
Women desire to become beautiful and powerful, even if they don’t say it in words. And the Photographer plays with that concept and creates that desire, that you can become that person you see in the photograph. And live that lifestyle. Photographers use techniques from the cinema/cinematic, to create the desire of viewers/Buyer/Consumers. The cinematic techniques made it possible the way people lived and the...
image of themselves in real life. They are almost computer-generated women like in the movie Simone. Indeed, with the technology we have now, advertisers can transform a product into perfection, at the same time, misleading the consumer into seeing it as “real”, and thus permanently providing impossible standards (Ingham). More and more women are becoming dissatisfied with themselves trying to be this fantasy person created by the men in our society. This distorted view of reality, portrayed by advertisemen...
Also, the performers are constituted with same number of men and women. They imply the importance of equality through the performance. The female and male dancers use the same movements to show that they are equal. The message being conveyed here is important, on the grounds of its social influence and giving the whole performance a deeper meaning. The thing makes dancing different and odd to other occupations is the fact that most famous and well known dancers are mostly females, since on other social circumstances males tend to dominate more realms. Here, besides all the female masters, the male dancers appear as much as the female artists do and they also showcase what they are capable of. As I watched more of the performance, the interactions between dancers and the LED lights became more appealing to me. Dancers use their bodies to interpret the connections between human beings and technology. Moreover, the background music also plays a vital role in the production of this whole piece of art. The tempo of the music, the dance movements, as well as the frequency of the lights going on and off together appeared to the audience as a desirable combination. I love how the dancers do every movements according to the rhythm of the music and how they two fit perfectly. All of those things together made a great show to watch and