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The portrayal of women in literature
Woman oppresion in literature
The portrayal of women in literature
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Women have often been called upon to make sacrifices and suppress their personal desires.They have often been left on the margins of the social set-up as far as their personal desires and fufilment of those desires is concerned. Women are not a minority in our society but their “lives, experiences and values have been treated as marginal” and men’s experiences have been assumed to be central to society. One also needs to contest the often stated view that in India women have always enjoyed a place of respect and dignity, that they have been respected as ‘devis.’ It needs to be seen that “the respect and privileges which accompany the position of a ‘devi’ are not only anti-individualistic,” they are also anti-humanistic and “deny women a personhood”. …show more content…
Being poor, she is married to the Nawab who is rich and of ‘ripe years’ but ‘very pious.’ Since Begum Jan’s family is not well-off, they see in her marriage to the rich influential Nawab, a favourable economic option. After the marriage, he “deposited her in the house with all his other possessions and promptly forgot about her ! The young delicate Begum began to wilt with loneliness”. This highlights how the institution of marriage commodifies a woman and reduces her to an object of only business transaction. The Nawab spends most of his time with the “young, fair and slim-waisted boys” whom he keeps at his place and whose expenses he meets. The Begum spends “sleepless nights” and becomes a picture of “melancholy and despair”. Begum Jan desire for her husband’s love and company, but the Nawab does not have even a single minute to spare for his wife. Her youth withers away and she loses all desire to live. At this crucial point, out of utter desperation she recklessly turns to Rabbo, her maid, for the satisfaction of her sexual desires. In the story Rabbo is shown as constantly massaging parts of her body: “Rabbo used to sit by her side and scratch her back for hours together – it was almost as if getting scratched was for her the fulfillment of life’s essential need. In a way, more important than the basic necessities required for staying alive. Rabbo had no other household duties”. This focus on …show more content…
Begum Jan is just a social stamp of approval for the Nawab. Beyond that, the Nawab totally “forgot about her”. Such inequality in marriage is symbolic of the subjugation and oppression of women. Ismat Chughtai brings out the fact that how no attention is paid to female sexuality. The woman’s needs and desires are not acknowledged even in marriage. Women are conditioned against any expression of their sexuality. The Nawab fails to realize that she has entered this marriage with certain hopes and desires but he totally ignores the sexual needs of his new bride . As he romances with the young boys “in gossamer shirts,” he never bothers to acknowledge the sexual expectations of his own wife, who lay lonely, restricted and neglected. The very fact that he purposefully kept a poor young girl to meet the societal duty of marriage, never bothering about how he would never be able to fulfil her sexual needs.How such inequality and oppression can lead a woman into a sense of complete loneliness and depression is another important aspect that is brought to light by Ismat Chughtai. While the Nawab fulfills his homosexual desires, Begum Jan, look quickly “from the chinks in the drawing room doors… felt she had been raked over the coals !” . Such is her pain and desperation at the Nawab’s being oblivious to her presence. The
In the poem, “The century Quilt”, the poet MArilyn Nelson Waniek uses literary devices such as flashbacks, hyperboles and imagery to help the reader comprehend the signifigance of the Centrury Quilt.
Quilt making in the African American community has a long history dating back to the 18th century and has been important for ways of communicating social and political conditions. During the time when African Americans were enslaved, quilting became a popular way of communicating safety to African Americans escaping their way to freedom, up north. The tradition of Quilting was past down form generation to generation, by mother’s to daughter’s as a way of teaching the daughter about the past and giving them a valuable skill that could add to their lives. In the series Bitter Nest by Faith Ringgold, Ringgold’s communicates her life experiences with her daughters though using the art of story telling, traditional African materials, the art of quilting, and elements of art to make a unique story-quilt that appeals to African Americans of all ages.
There exists, in each and every individual, a desire to belong to something greater than one’s self. While there is much in life that one must discover on their own, the security ensured through the bonds of acceptance provides many with a means of identification. Such classification is exemplified in the poem “The Century Quilt” by Marilyn Nelson Wenick, where familial bonds are examined through the means of a family coverlet. Through the utilization of literary techniques, the author effectively develops the complex meaning of the century quilt.
Indian society was patriarchal, centered on villages and extended families dominated by males (Connections, Pg. 4). The villages, in which most people lived, were admini...
In "Everyday Use" by Alice Walker, two sisters want the handmade quilt that is a symbol of the family heritage. Alice Expresses what her feeling are about her heritage through this story. It means everything to her. Something such as a quilt that was hand made makes it special. Only dedication and years of work can represent a quilt.
Through the use of symbolism, and characterization that involves an instance of imagery, the author advocates this notion through the newlywed’s decision of neglecting her personal feminine taste to make her husband’s preferences her own, and embracing her title of submissive partner by kissing the hand. Also, the choice of words to describe each partner differs tremendously, as the author seems to give more importance to the man by making him appear handsome, and particularly strong. On the contrary, the young woman appears to be weak and minor, which supports this idea of submissive women in a couple through the perception of the woman being way behind her husband. This story demonstrates a great symbolic significance when it comes to the hand, which can lead to other important ideas surrounding the message the author is trying to
Quilting bees were occasions for women to gather bringing discarded scraps of material, which they masterfully transformed, into works of art. The bee was also a social gathering where women told tales, exchanged ideas, and encouraged one another. Lucille Clifton's collection of poetry entitled Quilting continues the wonderful tradition by skillfully bringing together poems that entertain, inform, and encourage. Two of Clifton's poems, "eve's version" and "a woman who loves," are excellent examples of the quilting process where material is re-worked to reveal a perspective that is female. The poem, "eve's version" defies the negative issues that have arisen from the Christian tradition of the fall of mankind. The present female condition is addressed in the poem, "a woman who loves." Women have been blatantly marginalized in our society and a reading of these Clifton works offers a description of how feminist power has been subverted to construct the inequality of power that is entrenched in our patriarchal culture.
The difficulty of having freedom quilts as a research topic is because most of the evidence is known as lore. Lore is collected knowledge or beliefs held by a group about a subject, when passed from generation to generation by oral tradition (Lore 1). According to an article titled, Quilts in The Underground Railroad, in An Encyclopedia of People, Places and Operations, Freedom quilts were created by those who were against slavery known as abolitionists they acted as guides to illiterate slaves travelling on the Underground Railroad (Quilts 1).
South Asian women engage in patriarchal values and normative structure established more than two thousands years ago, continue to be oppressed by a dominant group of men. These women suffer further oppression through the strict adherence to cultural garb. Still today, media and educational system portray South Asian women as self-sacrificing, faithful to the family, and submissive to men.
Picturing her by the Indian Ganges looking for Rubies makes her sound oriental and possessing exotic beauty. He makes it sound as if he is not worthy of her exotic beauties, he being a complaining commoner.
(Christine Skelton, 2006). Evidence from various researches suggests that gender is socially constructed and children learn them through their everyday social interactions within their families, schools and societies as a whole. It can be noted that not all research or studies on gender necessarily look at ‘where gender comes from’ because many of these approaches only look at the existing social relation without exploring the origins. Talcott Parsons (1956) argued that the different roles of men and women are complementary and perpetuated because they are the most effective way to ensure the social and economic functioning of the society. Looking further indications of gender disparity in the Indian society are rooted in historical literatures on patriarchy found in the early brahmanical texts which illustrated ways to control a women’s sexuality by confining them to household duties or seclusion from the outside world in
Since the beginning of time, women have strived to achieve an equal status in society. The vast majority of women have rebelled against the norm for equal status. As if washing the dirt off one’s hands, women are forgotten for all of their achievements. The identity of women in the Western world has evolved from domesticity and servility, and moved toward their valuation as individuals of intellect, talent, and independence. The culture about women’s empowerment has been reflected in literature and history throughout many ages.
Sharifa, an empathetic woman, is first met in an area where “the air which entered [Firdaus’] lungs was pure and free of dust” (54), representing her apparent purity. The green of her shawl, eyes, and makeup symbolize the movement of Firdaus into a new stage, and the peace, hope, and growth accompanying it. The setting of a spotless apartment on the tree-lined bank of the Nile River further sets the atmosphere of safety and comfort, a substantial change from her confinement in Bayoumi’s flat. Vivid imagery and concrete diction also establish the empathy of Sharifa: Firdaus describes how Sharifa’s “fingers too were soft” (56), her clothes as being “soft . . . with a lovely smell of perfume” (56), and how “everything around [Firdaus] had this smooth, soft quality about it” (56). Firdaus embraces Sharifa’s attitude, feeling “born again with a new body, smooth and tender as a rose petal” (57). The association of Sharifa with softness and Firdaus’ transfer into a smooth body shows Firdaus’ rapid alignment with Sharifa’s purported character. However, Firdaus eventually realizes that Sharifa is exploiting her when she expresses her desire to feel pleasure, but is shut down by Sharifa, who invokes that Firdaus is being greedy, when it is the definite opposite. Firdaus observes that Sharifa would “count the pound notes, and stack them quickly in some secret recess the
...the story he is inviting the reader to condemn the mistreatment of women and lack of freedom in the family particularly under the institution of marriage. The attitude of the author gives the story a condemning tone. The tone is appropriate for the theme which is a strained relations in the family and specifically in marriage relations.
Mahasweta Devi, always writes for deprived section of people. She is a loving daughter, a clerk, a lecturer, a journalist, an editor, a novelist, a dramatist and above all an ardent social activist. Her stories bring to the surface not only the misery of the completely ignored tribal people, but also articulate the oppression of w...