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The relationship between ophelia and gertrude
The relationship between ophelia and gertrude
The relationship between ophelia and gertrude
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The Elizabethan Era was a time in which women were limited to what they could do in society. The men were known to have power by being a leader and providing for his family while the women were pure housewives and mothers. Women who were married always received guidance and attention. This caused women to be viewed as “weaker” physically and emotionally. Shakespeare’s Hamlet was written during this time showing how characters embodied these characteristics. Ophelia and Gertrude, the only females in the play are greatly controlled by the men in their lives. The men are use the women as a tool to get what they want. Ophelia is the daughter of Polonius, who listens to everything Polonius and Laertes tell her. She is used to believing what men
Hamlet is one of the most controversial characters from all of the Shakespeare’s play. His character is strong and complicated, but his jealousy is what conduces him to hate women. He sees them as weak, frail, and untrustworthy. He treats Ophelia, the women he loves, unfair and with cruelty. Similarly, he blames his mother for marrying her dead husband’s brother, who is now the King of Denmark. Hamlet’s treatment for women stems from his mother’s impulsive marriage to his uncle who he hates and Ophelia choosing her father’s advice over him.
Although steps have been made towards equality in the aspect of gender, plays such as Hamlet contain views of the past. Hamlet was written in the early 1600’s, which is known as the Renaissance period. In this time period, women were treated differently than they are now. During the
Leaving her only with the response saying “I shall obey, my lord”(1.3.145 ). Why Ophelia is unable to say more than a few simple words is made clear by societal expectations of the time. During this time daughters were the property of their fathers and were obligated to do their bidding. Campbell says “if she refuses Polonius, she risks social ostracism and grave insult to the man who capriciously controls her future” (58). Ophelia fears the backlash of disobeying her father, believing there is no other choice than doing what he has asked her to do. Even though a woman's virtue is a sacred and a very personal choice, her father leaves Ophelia with one option: to do what he says. “The issue of Ophelia’s chastity concerns Polonius as a parent and a politician—a virginal Ophelia has a better chance of attaining Hamlet’s hand in marriage” (Floyd-Wilson 401). This relationship Ophelia has between her father is very one-sided and unhealthy. It is formal and proper with very few emotions attached to each other. However, because Polonius is the only parental figure Ophelia has and loves him, his death was extremely difficult for her. Her father, hasn’t left her like Laertes and hasn’t rejected her like Hamlet. Making his unexpected death the final straw to her losing her sanity. Without someone to guide her, she is lost. She is unable to blindly follow a man but is to racked with emotion to think clearly.
During Hamlet, Polonius and Laertes use Ophelia for their own self-gain not taking her feelings in consideration. In the article “Jephthah's Daughter's Daughter: Ophelia,” Cameron Hunt reveals that Polonius disregards Ophelia’s wants for his ...
He tells Ophelia that no matter how good she is as a wife she will always be perceived as a harlot, and that if she was to marry she needed to marry a fool because no one else would believe her loyalty. This quotation is filled with rage towards the female sex. Polonius and Laertes also attack Ophelia many times during the play for being a women. Warning her that men (Hamlet) only want her for body and chastity. Gabrielle Dane in his paper, “Reading Ophelia’s Madness” relates the way they treat her as an incestous stranglehold. They have made themselves Ophelia’s decision makers in every matter. Polonius makes remarks such as, “You do not understand yourself so clearly” and “Think yourself a baby” (1. 3. 96, 105) to Ophelia. These show that even her own family treat Ophelia with no respect or dignity
With particular reference to Hamlet, feminist critics might explore the characters of Ophelia and Gertrude and how they challenge—or fail to challenge — the domination of male characters. Feminist critics would also be interested in exploring how the play expresses ideas about femininity that were common in Shakespeare's lifetime and how complicit Shakespeare is in Hamlet's personal misogyny. … Elaine Showalter's essay "Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism" explores the difficulties, even embarrassments, that feminist critics have had in approaching Ophelia. The problem is that Ophelia has tended to be overshadowed by Hamlet, even by feminist critics, who then feel the need to liberate Ophelia from obscurity. However, even liberated Ophelia is problematic for she suggests some potentially troubling connections between femininity, female sexuality, and madness.
In William Shakespeare’s Hamlet, women are oversexualized, and are given no role other than to be the item of a man’s desire. The promiscuity of the only two women in the play, Gertrude and Ophelia, detracts from their power and integrity, and allows Hamlet a certain amount of control over them. Gertrude’s sexual lifestyle is often mentioned by her son, Hamlet, and Hamlet uses his knowledge of Gertrude’s sexuality as a means to criticize her. Ophelia’s sexuality initially appears to be controlled by Laertes and Polonius, and Hamlet takes advantage of the naive image that she is required to keep. However, in her later madness, Ophelia taints this image by revealing that her innocence is feigned. By exposing the sexual natures of both Gertrude and Ophelia, Hamlet strips these women of any influence they may have had, and damages their once-honourable names.
If women were the ones to have power over men, it would change the plot completely. Gertrude wouldn’t have even considered marrying Claudius, Hamlet would not seek revenge, and Ophelia would be the one playing with Hamlet's mind. In all, since this is a fictitious story, Shakespeare is to blame for this horrid portrayal of women. In reality, women weren’t as dependent on men as the play states. They were obedient, but they wouldn’t so insane and drown themselves if their father died.
All of the male characters in her life control Ophelia. She is inferior to all the men and has to obey them because it is her duty as a woman. The men in the play can easily manipulate her and use her as a pawn in their plots to gain insight about Hamlet. Polonius uses her to gain more affection from the king and to gain more power. Laertes asserts himself and tells her how to behave, and Hamlet shows that she can be easily manipulated. As a woman she is not able to show her emotions or opinions on events in the play. The men dominate her life. Ophelia is a young woman who is portrayed as naïve and easily controlled. Ophelia cannot show her emotions, her opinions, or her desires within the court because it was male dominate.
Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet, however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression.
For many years, in the older eras, women had always been categorized as insignificant, and worthless. Because of this, women were forced to conform to the stereotype of depending on men, and were subjected to what the men said. William Shakespeare demonstrates this in the play Hamlet. The women are portrayed to deserve their fate because of their inability to be independent and their ability to be easily influenced. In the play, Shakespeare demonstrates that both Gertrude and Ophelia deserve their fate.
For many years in the past women played a small role socially, economically, and politically. As a result of this many works in literature were reflective of this diminutive role of women. In Elizabethan theatres small boys dressed and played the roles of women. In contrast to this trend, in Shakespeare's Hamlet the women in the play are driving factors for the actions of many other characters. Both Gertrude, Hamlet's mother, and Ophelia, Hamlet's love, affected many of the decisions and actions done by Hamlet.
William Shakespeare’s famed tragic, Hamlet, is a story centered around sin, suffering, and death. This popular piece is a highly controversial work of interest for critics concerned in regards to gender rights. Hamlet is a play, written from a male-centered viewpoint, and that which primarily stresses the male characters and their experiences as a replacement instead of assimilating the views and impacts of the women as well. Gender inequality is a dominant theme in Hamlet, in which women are considered and labeled as feeble and submissive because control and manipulation use them, by male dominance.
In Shakespeare’s dramatic works there is no room for the heroic or the strong woman, and therefore many of his plays can be perceived as being antifeminist. Often he portrays women as weak, mad, sexual, and as even witches. Hamlet is no exception. The only women in the play, Ophelia and Queen Gertrude, are given confined and limited roles. These roles are from a male-dominated viewpoint and only add focus to the male characters instead of incorporating the insight and the impact of the women as well.
Throughout Shakespeare’s play “Hamlet” women are used as method for men to get what they want. The men in Hamlet, either directly or indirectly continuously use women to acquire something from other men. The only two women in the entire play are Gertrude and Ophelia, who are consistently used by the current king, Claudius, Polonius, and Hamlet. Ophelia is exploited by Polonius and the King (mainly together), and is also used by Hamlet. Gertrude is used by the King, as well as Polonius. In “Hamlet,” the women throughout the play are used as pawns for men to get what they want, mainly from the other men.