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Symbolism in the streetcar named desire
Message about desire in a streetcar named desire
A streetcar named desire and feminist theory
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Tennessee Williams, an American theater writer, has quickly made a great play A Streetcar Named Desire which reflect the society in 1950s as both social and art work, all included references to elements of his life such as mental instability and . Williams’s character Blanche DuBois was a feeble lady who loves fantasy and dependence on man. According to the play, Blanche “hurls” her continually denied love out into the world, only to have that love revisit her in the form of suffering(1). Today we find ourselves in a very different world than the people who lived in 1950s. It should also be admitted that the views of amphoteric relationship are obviously z
Sometimes we do get some traditional women who really love to stay at home, give a birth and take care of the whole family. They have an image of this condition in their mind, or they had been told when they were young and have a sort of irrational, passionate love for it. Sometimes people approach it in that way, and in a way it holds that aura around itself in our current culture and in the history of the play in this period that Williams wrote in A Streetcar Named Desire. Usually, people would like to reserve whatever curiosity they have about desire, but in a way, Williams was flipped the usual practice; he told about human desire, especially sexuality in his work. It has such a special place in the imagination of our culture.
The point was that Williams is trying to imagine an autonomous work of art that has a deep thinking to it, that is in some sense violence or personified, and this sexual desire to make the tragic something living, introduces to the world of the tragic the problem of death. Tennessee William explores a conflict through between desire and death. There ...
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...the common position of most women of the postwar years. So, in that relation, the root of tragedy the women narrow and limited view, they don't believe in themselves.
Works Cited
1. Williams, Tennessee. "A Streetcar Named Desire" a New Directions Book, copyright 1947.
2. KLEB, William. “Marginalia: Streetcar, Williams, and Foucault.” in Philip C. KOLIN (ed.),
Confronting Tennessee Williams’s A Streetcar Named Desire, Westport, CT: Greenwood, 1993, 27-43.
3. Kernodle, George R. "The Theater Of Exaltation: Modern Tragedy And Poetic Drama." Kernodle, George R. Invitation to the Theatre. New Yory: Harcourt, Brace & World, Inc., 1967. 217-223.
4. Tragicomic Transit Authority.” Tennessee Williams: A Tribute. Ed. Jac Tharpe. Jackson: UP of Mississippi, 1977. 116-125.
5. Berkman, Leonard. "The Tragic Downfall of Blanche DuBois." Modern Drama 10.2., 1967. 249-257.
At first glance, the reader could not imagine a more incompatible and diverse pair than Blanche DuBois and Fernie Mae Rosen, two women from very contrasting backgrounds and racial standings. However, these two women share similar passions and mental disorders, showing both their vulnerability to the world and mutual personal energies. Both weave an alternate reality inside their psyches that deceive them into believing that life is not worthwhile, and yet both appear to live life to various sexual and emotional extremes. Such compatibility shows the correlation in their mutual lifestyles despite incongruous backgrounds. Men always seem to be at the root of their problems, despite their clear and discernible negative reactions to the opposite sex. The examples of a virginal aura that eclipses their sexual promiscuity, their mutual hatred for the world and the people that surround them, and their transformation from passion into real madness show the reader that they have more in common than one would think.
Stanton, Stephen. "Introduction." Tennessee Williams: A Collection of Critical Essays. Englewood Cliffs, New Jersey : Prentice-Hall, 1977. 1-16.
Williams, Tennessee. "A Streetcar Named Desire." The Norton Anthology of American Literature. New York: W.W. Norton & Company, 2007. 2337-2398.
I believe that Williams passes on a strong message through the play, “Desire deteriorates our lives while our greatest fears stare us in the eye, the only reward we find is in knowing why we regret.” In the end, Blanche Dubois of A Streetcar Named Desire is a tragic figure. All she ever desired was a good, clean life. What she acquired was pain and illusion. One can only be relieved that Blanche finally emptied her secrets and came clean. Whether she ever actually got what she wanted or not, at least her torture even ours conclusively came to an end.
This statement also emphasises much of Blanche’s own views on sorrow and explains how it has affected her life since she has made the comment from personal experience. To conclude, Tennessee Williams’ dramatic use of death and dying is an overarching theme in ‘A Streetcar Named Desire,’ from which everything about Blanche’s character has formed from. Without the death of Allan, Blanche would not have resorted to prostitution and the brief affairs with strangers, also the deaths of her family have driven Blanche to Stella’s where she is “not wanted” and “ashamed to be”. Therefore these dramatic deaths have lead to the past which comes back to haunt
Blanche DuBois represents the delicacy of the vulnerable mind that Tennessee Williams aimed to portray in his plays, but also his own fear of going insane. Blanche
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
Goldman, Michael. "'Romeo and Juiliet': The Meaning of the Theatrical Experience." Shakespeare and the Energies of Drama. Princeton, NJ: Princeton UP. 1972. 33-44. Rpt.
Gassner, John. “Theatre at the Crossroads.New York,” Holt, Rinehart and Winston, 1960. pp. 77-91, 218-231.
Williams, Tennessee. “A Streetcar Named Desire.” The Norton Introduction to Literature. Ed. Kelly J. Mays. 11th ed. New York: Norton, 2013.1815-1881. Print.
Too often people would rather hide a problem and pretend it does not exist rather than take responsibility and deal with it. In Tennessee Williams’ play A Streetcar Named Desire the Kowalskis see Blanche Dubois as a problem and have her sent to an insane asylum. It is true that Blanche had many issues but the reason behind her incarceration was not to benefit her mental state but to project someone else’s dirty secret. While others may justify the actions of Blanche’s sister and brother-in-law, they are weaker than Blanche for refusing to deal with reality. Take a look into the life of Blanche Dubois and it will be evident that an insane asylum was the wrong place for her. From the loss of her loved ones and childhood home, to her career as a prostitute, and ending with her rape, there is no denying that Blanche Dubois just needed love and support from her family.
Tennessee Williams in A Streetcar Named Desire creates one of the most profound accounts of desire versus death; in doing so he designs Blanche Dubois whose only wish is to be desired. Unfortunately in this tragedy death prevails over desire. The two elements of death and desire as binaries are not able to to exist without each other, and this idea is manifested throughout the main character, Blanche Dubois.
A Streetcar Named Desire is an intricate web of complex themes and conflicted characters. Set in the pivotal years immediately following World War II, Tennessee Williams infuses Blanche and Stanley with the symbols of opposing class and differing attitudes towards sex and love, then steps back as the power struggle between them ensues. Yet there are no clear cut lines of good vs. evil, no character is neither completely good nor bad, because the main characters, (especially Blanche), are so torn by conflicting and contradictory desires and needs. As such, the play has no clear victor, everyone loses something, and this fact is what gives the play its tragic cast. In a larger sense, Blanche and Stanley, individual characters as well as symbols for opposing classes, historical periods, and ways of life, struggle and find a new balance of power, not because of ideological rights and wrongs, but as a matter of historical inevitability. Interestingly, Williams finalizes the resolution of this struggle on the most base level possible. In Scene Ten, Stanley subdues Blanche, and all that she stands for, in the same way men have been subduing women for centuries. Yet, though shocking, this is not out of keeping with the themes of the play for, in all matters of power, force is its ultimate manifestation. And Blanche is not completely unwilling, she has her own desires that draw her to Stanley, like a moth to the light, a light she avoids, even hates, yet yearns for.
Women were perceived as either being a housewife, a nurturer, or a person for company. They did not have the right to vote till later on, work, and if they had an opinion that a male do not agree with, women are considered “wicked”; not savvy, not prudent but wicked to the core. It is unfair, unethical, atrocious, but through it all there was one female who dared to challenge the mind of men and the notion that women can be more than what men perceive them as being. Her name is Margaret Fuller. The goals of Margaret Fuller were precise. Men should realize that women are not an epitome of a statue but human beings, just as men, women can achieve full adulthood and citizenship, but most vitally Margaret aimed to change the assumptions about
The arts stir emotion in audiences. Whether it is hate or humor, compassion or confusion, passion or pity, an artist's goal is to construct a particular feeling in an individual. Tennessee Williams is no different. In A Streetcar Named Desire, the audience is confronted with a blend of many unique emotions, perhaps the strongest being sympathy. Blanch Dubois is presented as the sympathetic character in Tennessee William's A Streetcar Named Desire as she battles mental anguish, depression, failure and disaster.