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The role of women in the merchants of Venice
The role of women in the merchants of Venice
The Merchant of Venice Critical Essays
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William Shakespeare Sways Audience's Sympathies in The Merchant of Venice
Critics often describe Shylock as one of Shakespeare's most complex
characters. This is not because he shows the emotions of love and
hate, for many of Shakespeare's characters do as well. I feel that it
is more because he is more human. His enemies truly hurt him when they
ridicule him without reason, and in the end of Act 4, destroy him
without just cause. It is a frequently asked question, is Shylock
mostly a bloodthirsty criminal, libertarian of the oppressed Jews in
Venice?
Shakespeare writes 'The Merchant of Venice', in such a way as to sway
the audience's emotions toward Shylock in a constant and alternating
fashion. Through soliloquies, seemingly 'minor' actions, and the
overall atmosphere of a scene. For example, in Act 3 Scene 1,
Shakespeare writes a very famous speech for Shylock, in lines 46-52:
"And what's his reason? I am a Jew. Hath not a Jew eyes? Hath not
a Jew hands, organs, dimensions, senses, affections, passions? Fed
with the same food, hurt with the same weapons, subject to the
same diseases, healed by the same means, warmed and cooled by
the same winter and summer as a Christian is? If you prick us, do
we not bleed? If you tickle us, do we not laugh? If you poison us,
do we not die?"
He goes on to say, "If you wrong us, shall we not revenge?". This is a
good example of how Shakespeare changes your feelings toward Shylock.
He starts his speech being the better man; he appears to rise above
the primitive feelings of anger and prejudice. However, on line 52 his
grief about losing his daughter, and his anguish about his enemies
maltreating him, overpower him; He craves his revenge. The audience is
supposed to admire him at the start, and despise him at the end.
Examples of the effect of the loss of his daughter on his psyche are
found in Act 2 Scene 8, when Solanio mimics Shylock.
"My daughter! O my ducats! O my daughter!
“And even when we were no longer hungry, there was still no one who thought of revenge.” p. 109
William Shakespeare attained literary immortality through his exposition of the many qualities of human nature in his works. One such work, The Merchant of Venice, revolves around the very human trait of deception. Fakes and frauds have been persistent throughout history, even to this day. Evidence of deception is all around us, whether it is in the products we purchase or the sales clerks' false smile as one debates the purchase of the illusory merchandise. We are engulfed by phonies, pretenders, and cheaters. Although most often associated with a heart of malice, imposture varies in its motives as much as it's practitioners, demonstrated in The Merchant of Venice by the obdurate characters of Shylock and Portia.
In the words of Harvey Fierstein, “What looks absolutely fabulous in rehearsal can fall flat in front of an audience. The audience dictates what you do or don't change”. Clearly, the success or failure of any work of art depends, almost entirely, on its ability to engage and connect with its audience. Shakespeare, one of the greatest playwrights in history, certainly understood this concept. He targeted his Elizabethan audience skillfully, drawing them in and manipulating the way they interpreted his works. This is evident in one of his renowned plays, Hamlet. Attempts to target the audience are evident throughout the play, but focusing on one speech can provide a greater appreciation for Shakespeare’s deliberate efforts. In act four, scene two, while explaining that Polonius is dead, Hamlet says:
say, “If I can catch once upon the hip I will feed fat the ancient
In theatrical performance, the fictional realm of drama is aligned with the factual, or “real” world of the audience, and a set of actors feign re-creation of this factual world. At the same time the audience, by participating as spectators, feigns believability in the mimic world the actors create. It is in this bond of pretense between the on-stage and off-stage spheres of reality—the literal and the mock-literal—that the appeal of drama is engendered. The Merchant of Venice then, like any effective drama, ostensibly undermines realism by professing to portray it. The work contains no prologue to establish dramatic context; it offers no assertion of its status as imitation, a world separate from our own. And yet, the bond of pretense forged between actors and audience prevents the line between the fictional and the factual from being blurred completely. This division allows the device of metatheatricality to emerge as a means by which the play can ally itself with realism, rather than undermining it, by acknowledging its own status as drama.
When most people think of justice, it commonly brings forward the words positivity, fairness, law, order, and other familiar words. However, in the Merchant of Venice, this is not the case. Justice is used negatively in a court case that reverses from putting Antonio, the convicted Christian merchant, on trial to Shylock, the Jewish money loaner asking for justice, to be put on trial. In the play, both mercy and justice are rejected because of the obvious influential bias that the character’s actions portray.
Shakespearean works are well known for their depth, symbolism and philosophical view upon different aspects of life. Mirroring is one of Shakespeare’s favorite tools. Mirroring is used to emphasize the contrast and show differences between the sides of the society and ways of living of the characters. The Merchant of Venice is no exception. Just like all other plays of Shakespeare it has many of antagonisms and it portrays the most important and hot conflicts that used to be popular at that time just as much as they are now. Exploring this multi dimensional play is exciting, because the more you think about it, the more hints and tints you discover. The play takes place in two main locations – Venice and Belmont. These two places portray two different lifestyles. One of the most important and essential themes of the Merchant of Venice is wealth. Shakespeare has a special view of this subject; he sees love as a form of wealth (Milton 34). Venice represents earning of money, accumulating it, protecting it, fighting for it; and at the same time Belmont demonstrates having money an all other life’s pleasures, this is why life in Belmont is so happy, slow and peaceful, and the whole location is so dreamlike. Being rich and having nothing to worry about is a dream of most people. To my mind, Belmont and Venice present two different sides of wealth.
Throughout William Shakespeare’s play, The Merchant of Venice, there is a strong theme of prejudice. Portia has to deal with prejudice against her sex, the Prince of Morocco has to deal with prejudice against his race but the character that is most discriminated against is Shylock. He is hated for being a Jew and a money-lender, but Shakespeare has not made Shylock a character easy to sympathise with. He appears to be mean and cruel and it seems as though he loves money above all things. However during the play there are moments when Shakespeare gives Shylock speeches which show his humanity. In these moments, the audience is made to feel sorry for Shylock. Shakespeare has created a character that the audience’s feelings will change for by the minute.
In Act 1 Scene 3, we are first introduced to Shylock, we see him as
With every great story line comes a theme. William Shakespeare created an art of intertwining often unrecognizable themes within his plays. In Shakespeare’s play, The Merchant of Venice, one hidden theme is the idea of homosexuality. This theme might not have even been noticed until modern Shakespeare fans discovered them. According to Alan Bray’s book, Homosexuality in Renaissance England, “the modern image of ‘the homosexual’ cannot be applied to the early modern period, when homosexual behavior was viewed in terms of the sexual act and not an individual's broader identity.” (Columbia University Press). This difference between homosexuality as a “sexual act” and an “identity” proves why, during Renaissance England, this theme in Shakespeare’s play was almost invisible. The actual merchant of Venice, Antonio, displays this homosexual identity that might only be recognizable to the modern day reader. Through a close reading of a speech given by Antonio, one can begin to understand the significance of Shakespeare’s word choice and how it plays into this idea of homosexuality.
"If you prick us do we not bleed? If you tickle us do we not laugh? If
Response to Shakespeare's The Merchant of Venice by a Modern Audience Since the time of Shakespeare, The play “Merchant of Venice” has had a dramatic effect on the modern audience today. In the 16th century, Jews were completely disliked, & Jews were not allowed to live in England unless they had converted to Christianity. = == ==
The Merchant of Venice is a play set in a very male and Christian dominated society where other religions and women rights weren’t very well accepted by the community. However Portia, a rich woman who had previously been controlled by men, triumphs as she manipulates tricks and saves the lives of the men.
soon have several ships in port, agrees to part with a pound of flesh if the
the very thing that got him in to this mess, his faith. He leaves as